Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Brian De Palma
Jake Scully comes home to find his girlfriend with another man and has to find a new place. In between his acting workshops and his job in a vampire B-movie, he scans the paper looking for anything. He happens to meet Sam Bouchard, a fellow actor who needs a house sitter. Both are pleased with the arrangement that will have Jake staying in the house and for a sweetener, Sam shows him his favorite neighbor, a well-built woman who strips with her window open each night. Jake becomes obsessed with meeting her and is able to help recover her purse from a thief, but shows his own phobia, he is incapacitated by claustrophobia when the thief runs through a tunnel. When Jake witnesses a murder, he finds out that the police love to pin crimes on peeping Toms. Jake discovers that here are just too many coincidences but must hunt them down himself without the police. Written by
John Vogel <firstname.lastname@example.org>
Melanie Griffith was once married to actor Steven Bauer who had recently starred in director Brian De Palma's Scarface (1983) and the pair had known each other prior to Body Double (1984) because of this marriage. Bauer and Griffith were married when the movie was made and both have worked with director de Palma on more than one occasion. See more »
When Gloria is looking in the window at Bellini's, the woman walking past in the gray and black suit and hat appears to back up and start over from the same spot in each frame. See more »
I've been a fan of De Palma long time and I just saw this one this night. To my enjoyment, I had a few smiles, even laughters, intensity, involving to the storyline, getting that suspense that is needed.
This movie is a perfect example to pull of what Hitchcock has done best in "Rear Window" and "Vertigo". De Palma set up those two basic ideas into a story that's really enjoyable and intense same time. Especially when you are in the knowledge of the movies of the 40s and 50s and the art of making a thriller you are just going to be pleased.
My guess is that De Palma made this movie out of pure pleasure, doing all those great stuff with claustrophobia, sexual need, voyeurism, grotesque murder, and most of all terrifying suspense.
The murder sequence was in my opinion of a well crafted exercise in suspense. You fear, then you hope, then you try to guess, it goes all right, then all wrong, the hero comes, it seems at right time, but still too late, it all goes on and on and you can't believe it happened. Loved and hated the sequence, for film-making and emotional purposes.
Not the greatest, but definitely one of De Palmas best.
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