| Photos (See all 22 | slideshow) | Videos (see all 6) |
| John Getz | ... | Ray | |
| Frances McDormand | ... | Abby | |
| Dan Hedaya | ... | Julian Marty | |
| M. Emmet Walsh | ... | Private Detective Loren Visser | |
| Samm-Art Williams | ... | Meurice | |
| Deborah Neumann | ... | Debra | |
| Raquel Gavia | ... | Landlady | |
| Van Brooks | ... | Man from Lubbock | |
| Señor Marco | ... | Mr. Garcia | |
| William Creamer | ... | Old Cracker | |
| Loren Bivens | ... | Strip Bar Exhorter | |
| Bob McAdams | ... | Strip Bar Senator | |
| Shannon Sedwick | ... | Stripper | |
| Nancy Finger | ... | Girl on Overlook | |
| William Preston Robertson | ... | Radio Evangelist (voice) (as Rev. William Preston Robertson) | |
| rest of cast listed alphabetically: | |||
| Holly Hunter | ... | Helene Trend (voice) (uncredited) | |
| Barry Sonnenfeld | ... | Marty's Vomiting (voice) (uncredited) | |
Directed by | |||
| Joel Coen | |||
| Ethan Coen | (uncredited) | ||
Writing credits | ||
| Joel Coen | (written by) and | |
| Ethan Coen | (written by) | |
Produced by | |||
| Daniel F. Bacaner | .... | executive producer | |
| Ethan Coen | .... | producer | |
| Mark Silverman | .... | associate producer | |
| Joel Coen | .... | producer (uncredited) | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Barry Sonnenfeld | (director of photography) | ||
Film Editing by | |||
| Ethan Coen | (as Roderick Jaynes) | ||
| Joel Coen | (as Roderick Jaynes) | ||
| Don Wiegmann | |||
Casting by | |||
| Julie Hughes | |||
| Barry Moss | |||
Production Design by | |||
| Jane Musky | |||
Costume Design by | |||
| Sara Medina-Pape | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist | |
| Paul R. Smith | .... | prosthetics | |
| Paul R. Smith | .... | special effects makeup | |
Second Unit Director or Assistant Director | |||
| Steve Love | .... | second assistant director | |
| Deborah Reinisch | .... | first assistant director | |
| Shannon Wood | .... | third assistant director | |
Art Department | |||
| Jeffrey Michael Adams | .... | art department assistant (as Jeff Adams) | |
| Kathy Baker | .... | art department assistant | |
| Shirley Belwood | .... | property master | |
| Marcos E. González | .... | property assistant | |
| Nancy Griffith | .... | set dresser | |
| Michael Peal | .... | art department assistant | |
| Dave Pearce | .... | art department assistant | |
| Beth Perry | .... | special graphics designer | |
| Steve Roll | .... | assistant to production designer | |
| Robert A. Sturtevant | .... | art department assistant (as Bob Sturtevant) | |
| David Wander | .... | photo retouching | |
| Kirk Hunter | .... | art department assistant (uncredited) | |
Sound Department | |||
| Lewis Goldstein | .... | sound effects: new (directors cut) (as Lew Goldstein) | |
| Bradford L. Hohle | .... | consultant: Dolby (directors cut) | |
| Peter F. Kurland | .... | boom | |
| Blake Leyh | .... | sound effects: new (directors cut) | |
| Skip Lievsay | .... | sound editor | |
| Michael R. Miller | .... | sound editor | |
| Jun Mizumachi | .... | special sound effects | |
| Lee Orloff | .... | sound mixer | |
| Fred Szymanski | .... | special sound effects | |
| Mel Zelniker | .... | sound re-recording mixer | |
Special Effects by | |||
| Loren Bivens | .... | special effects coordinator | |
| Michael O'Sullivan | .... | special effects: mechanical (as Michael K. O'Sullivan) | |
Camera and Electrical Department | |||
| Richard Creasy | .... | best boy | |
| Joey Forsyte | .... | gaffer | |
| David J. Frederick | .... | focus puller (as David Frederick) | |
| Julie Gant | .... | second electric | |
| Don Kirk | .... | clapper loader | |
| Blaine Pennington | .... | special stills | |
| Tom Prophet Jr. | .... | key grip | |
| John Shaw | .... | electrician | |
| Angelo Louis Suasnovar Jr. | .... | third grip (as Angelo Suasnovar) | |
| Don Wiegmann | .... | electrician | |
Casting Department | |||
| Edith M. Clark | .... | casting: Austin | |
| Phil DiMaggio | .... | casting associate | |
| Peter Golden | .... | casting associate | |
Costume and Wardrobe Department | |||
| Chelle Coleman | .... | wardrobe assistant | |
Editorial Department | |||
| Victor Concepcion | .... | negative cutter | |
| Peggy Connolly | .... | location editor | |
| David Diliberto | .... | restoration consultant (directors cut) | |
| Edna Ruth Paul | .... | editorial consultant | |
Music Department | |||
| Murri Barber | .... | music production | |
| Todd Kasow | .... | music editor (director's cut) | |
Other crew | |||
| Ben Barenholtz | .... | presenter | |
| Lizanne Brazell | .... | dialogue coach | |
| Van Brooks | .... | production assistant | |
| Edith M. Clark | .... | location manager | |
| Don Hartack | .... | location coordinator | |
| Melanie Hecht | .... | production assistant | |
| Darrell Kreitz | .... | production assistant | |
| Alma Kuttruff | .... | production office coordinator | |
| Andreas Laven | .... | script supervisor | |
| Webster Lewin | .... | production assistant | |
| Marty Mahoney | .... | dog trainer | |
| Shawn Malone | .... | production assistant | |
| Tom Martin | .... | production assistant | |
| David McGill | .... | production assistant | |
| Jim Pedas | .... | presenter | |
| Ted Pedas | .... | presenter (as Ted) | |
| Dan Perri | .... | title designer | |
| Adam Smith | .... | production assistant | |
| Ingrid Weigand | .... | production assistant | |
| H. Harris Willcockson | .... | location auditor | |
| John Woodward | .... | production assistant | |
| Richard Woolsey | .... | production assistant | |
Thanks | |||
| Ivan Bigley | .... | special thanks | |
| George Majesski | .... | special thanks | |
| Earl Miller | .... | special thanks | |
| Hilary Nye | .... | special thanks (as Hilary Ney) | |
| Ron Seres | .... | special thanks | |
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| Fargo | The Last Seduction | Grosse Pointe Blank | Freeway | Bad Santa |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I think this film, probably more than any other, causes me to talk to the characters on the screen in an exasperated way--something akin to the way you want to yell at the characters in a slasher movie not to run outside to investigate sounds.
The only difference is that this film is fantastic, whereas cheap slasher movies are not. Blood Simple is emotionally involving and the suspense is played to perfection. While the characters are completely clueless as to what has gone on around them, we know everything. What we don't know is what the characters are going to do next.
As in every Coen film, things quickly get out of control. Some people have commented that the characters here acted unbelievably, but I'd have to say that when you think about their situations, the reactions are completely compatible with the way the characters are set up. The problem is that nobody knows what's going on except the viewers.
Coen fans will notice many recurring themes from their other films (especially Fargo and The Big Lebowski) such as the use of headlights, passing motorists witnessing a crime, shower curtains and bathroom windows, detectives driving VW beetles, husbands hiring the wrong people to carry out a crime... I had a longer list in mind earlier while watching it but I've forgotten some. It's almost like these films all go together as a series of films depicting how similar situations would end up in different locations in America.