Texas bar owner Julian Marty, who is generally regarded as not a nice person, hires shady private detective Loren Visser, who is able to obtain what Marty requests: evidence - in this instance, photographic - that his wife, Abby, and one of his bartenders, Ray, are having an affair. As Ray and Abby realize that Marty has found out about them, it allows them to plan for their future away from Marty, while be up front with Marty about the situation. Marty, in turn, decides to hire Visser once again, this time to kill Abby and Ray, and dispose of their bodies so that they won't be found. The out in the open affair and the contract hit lead to some actions based on self interest, and a standoff of sorts between the four players, which is compounded in complexity by some wrong assumptions of what has happened, with an innocent bystander, another of the Marty's bartenders, Meurice, potentially and unwittingly adding to the scenario. Written by
While Ray is driving with Marty in the back seat, the DJ heard on the radio is John Lievsay. He says his replacement at 6:00 am will be Mike Miller. Skip Lievsay and Michael R. Miller were the sound editors on Blood Simple. See more »
Loren discovers his lighter is missing when he goes to light a cigarette after burning most of the evidence (the doctored pictures). Logically, he would've used his lighter to light the pictures in the first place so he would've discovered his lighter was missing when he tried to burn them, not light a cigarette afterwards. See more »
Private Detective Visser:
The world is full o' complainers. An' the fact is, nothin' comes with a guarantee. Now I don't care if you're the pope of Rome, President of the United States or Man of the Year; somethin' can all go wrong. Now go on ahead, y'know, complain, tell your problems to your neighbor, ask for help, 'n watch him fly. Now, in Russia, they got it mapped out so that everyone pulls for everyone else... that's the theory, anyway. But what I know about is Texas, an' down here... ...
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This was the Coen Brothers first movie and I think it might rank second-best to more-famous "Fargo."
This is suspenseful neo-noir (modern-day film noir) filled with fun direction by the Coens: low camera angles, closeups, concentration of sounds such as the whirring of an overhead fan, some dramatic pauses, strange characters and even stranger events taking place. The only thing missing I'd like to have is 5.1 surround sound.
Warning: some bloody scenes in here are downright gross, but they sure produce some memorable scenes.
Character-wise, Dan Hedeya proves to be the toughest man to kill I've ever seen in a movie! Frances McDormand is young and looks pretty, the best I've ever seen her look. John Getz's character is strange and sometimes to frustrating to watch and Emmet Walsh is outstanding at playing the sleazy private detective. Those four, along with Samm-Art Williams, comprise almost all the speaking parts in this film.
This is an involving movie. Once started, you're hooked on this strange story. I wish the Coens would have made more movies like this.
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