A bar-owner in Texas is certain that his wife is cheating on him and hires a private detective to spy on her. This is just the beginning of a complex plot which is full of misunderstandings and deceit. Ethan and Joel Cohen's first feature film. Written by
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voice on Meurice's answering machine. Hunter had auditioned for the role of Abby, but turned it down because she was performing a play in New York at the same time. So she encouraged her roommate Frances McDormand to go and audition for the role. See more »
When Visser (the detective) is sitting at the table in the bar across from Marty (the first time) he lights his cigarette with his lighter and a shot shows his hand putting the lighter on the table. The hand looks like that of a younger man, and the huge ring on Visser's right hand is missing in that shot. See more »
Private Detective Visser:
The world is full o' complainers. An' the fact is, nothin' comes with a guarantee. Now I don't care if you're the pope of Rome, President of the United States or Man of the Year; somethin' can all go wrong. Now go on ahead, y'know, complain, tell your problems to your neighbor, ask for help, 'n watch him fly. Now, in Russia, they got it mapped out so that everyone pulls for everyone else... that's the theory, anyway. But what I know about is Texas, an' down here... ...
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This film is the Coen brothers' homage to the great noir thrillers of the golden age. Cheating spouses, feckless private dicks, mistaken identities, a bundle of dirty cash are rendered to their bare essence in the mess of rotting fish sitting on Marty's desk. The film is notable as much for the audacity of the Coen brothers in getting it made as it is for its success in turning the broad, open expanses of west texas into a claustrophobia unknown even to Saddam in his spider hole. It appears the Coens made five minutes of the film to show to investors, though they had absolutely no idea what the rest of the film would look like. They basically sold the mood of the film, and their efforts bore fruit. The film established the Coen brothers as a creative force and Frances McDormand as a rising art house star whose journey would eventually garner Oscar for the Coens' "Fargo." I rate it highly for visual appeal, intelligent story and good sheer suspense and terror.
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