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Directed by | |||
| Alan Parker | |||
Writing credits | ||
| William Wharton | (based on the novel by) | |
| Sandy Kroopf | (screenplay) & | |
| Jack Behr | (screenplay) | |
Produced by | |||
| Ned Kopp | .... | associate producer | |
| David Manson | .... | executive producer | |
| Alan Marshall | .... | producer | |
Original Music by | |||
| Peter Gabriel | |||
Cinematography by | |||
| Michael Seresin | (director of photography) | ||
Film Editing by | |||
| Gerry Hambling | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Geoffrey Kirkland | |||
Art Direction by | |||
| W. Stewart Campbell | (as Stu Campbell) | ||
| Armin Ganz | |||
Set Decoration by | |||
| George R. Nelson | |||
Costume Design by | |||
| Kristi Zea | |||
Makeup Department | |||
| John Caglione Jr. | .... | special makeup (as John Caglione) | |
| Barbara Kelly | .... | makeup artist | |
| Paul LeBlanc | .... | hairdresser (as Paul Le Blanc) | |
Production Management | |||
| Nancy Giebink | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Tom Davies | .... | second assistant director | |
| Chris Soldo | .... | first assistant director | |
Art Department | |||
| Rodney Armanino | .... | construction best boy | |
| Robert Bovill | .... | draughtsman | |
| Richard W. Clot | .... | construction foreman (as Rich Clot) | |
| Roger Dietz | .... | set artist | |
| Margery Z. Gabrielson | .... | painter (as Margery Gabrielson) | |
| John Gorham | .... | graphics | |
| Dale Haugo | .... | paint coordinator | |
| John A. Kelly | .... | painter (as John Kelly) | |
| Tom Sindicich | .... | construction coordinator | |
| Michelle Souza | .... | assistant props | |
| Anthony Tortorice | .... | assistant props | |
| Don Watson | .... | lead man | |
| Aaron Zajac | .... | assistant props | |
| George Zimninsky | .... | property master | |
Sound Department | |||
| Clive Barrett | .... | assistant editor | |
| Danny Benson | .... | boom operator | |
| Leonard Green | .... | assistant editor | |
| David Grimsdale | .... | footsteps editor | |
| Stephen Janisz | .... | assistant editor (as Steve Janisz) | |
| Eddy Joseph | .... | sound editor | |
| David MacMillan | .... | sound recordist | |
| Marty McGee | .... | cable operator | |
| Ray Merrin | .... | assistant mixer | |
| Peter Pennell | .... | sound effects editor | |
| Bill Rowe | .... | re-recording mixer | |
| Jeremy Strachan | .... | assistant editor | |
Special Effects by | |||
| Cliff Wenger | .... | special effects | |
| Eric Roberts | .... | special effects (uncredited) | |
Visual Effects by | |||
| Costas Charitou | .... | opticals: Camera Effects Ltd (uncredited) | |
| David Smith | .... | optical cameraman (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator (as James Arnett) | |
| Queepers | .... | stunts: Perta | |
| Mic Rodgers | .... | stunt player | |
| Reid Rondell | .... | stunt player | |
| Michael Runyard | .... | stunt player | |
Casting Department | |||
| Lisa Clarkson | .... | extras casting | |
| Ellen Lewis | .... | assistant casting | |
Costume and Wardrobe Department | |||
| Mark Burchard | .... | costumer | |
| Judy Feil | .... | assistant costume designer | |
| Molly Maginnis | .... | assistant costume designer | |
| Mary Elizabeth Still | .... | costumer (as Mary E. Still) | |
Editorial Department | |||
| Daniel Candib | .... | assistant editor | |
| Richard Hymns | .... | first assistant editor | |
Music Department | |||
| Larry Fast | .... | special musical contributor | |
| John Hassell | .... | special musical contributor | |
| Daniel Lanois | .... | music co-producer | |
| Tony Levin | .... | special musical contributor | |
| Jerry Marotta | .... | special musical contributor | |
| David Rhodes | .... | special musical contributor | |
Transportation Department | |||
| Ed Arter | .... | transportation coordinator | |
| Michael Brum | .... | transportation captain (as Mike Brum) | |
| Paul Cimino | .... | transportation captain | |
| Andrew Mendez | .... | dispatcher (as Andy Mendez) | |
| Michael W. Broomer | .... | driver (uncredited) | |
Other crew | |||
| Christine Baer | .... | production assistant | |
| Brett Barclay | .... | craft service | |
| Steph Benseman | .... | location coordinator | |
| Thomas 'Doc' Boguski | .... | production assistant (as Tom Boguski) | |
| Janice Clark | .... | assistant auditor | |
| Kathryn Colbert | .... | production assistant | |
| Josephine Cornell | .... | first aid (as Josie Cornell) | |
| Michael DeMay | .... | production assistant (as Michael De May) | |
| Rory Enke | .... | location manager | |
| Gary Gero | .... | bird trainer | |
| Monica Goldstein | .... | assistant: Mr. Marshall | |
| Peter Govey | .... | titles | |
| Tom Gray | .... | unit publicist | |
| Dick Gros | .... | location auditor | |
| Robert Harman | .... | flying effects | |
| Mark Jackson | .... | assistant animal trainer | |
| Gwen Johnson | .... | assistant animal trainer | |
| Ken Johnson | .... | ornithopter | |
| George Krafft | .... | police coordinator | |
| David Lamb | .... | unit coordinator | |
| Donna Lindemann | .... | production secretary | |
| Maureen Murphy | .... | production secretary | |
| Larry Payne | .... | assistant animal trainer | |
| Ron Phipps | .... | financial controller | |
| Tracy Rosenthal-Newsom | .... | production assistant (as Tracy Rosenthal) | |
| Gilly Ruben | .... | assistant: Mr. Parker | |
| Sally Sherwin | .... | assistant: London office | |
| Alice Tompkins | .... | script supervisor | |
| Michael Waxman | .... | location coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is a strange and fascinating - but that likable - story about a kid who becomes obsessed with birds and then literally goes crazy. Matthew Modine plays the introverted "Birdy." A young Nicholas Cage plays his best friend, "Al."
It's not a particularly pleasant story. In fact, it's downright depressing many times. It also had an unusual ending, one the critics seemed to all pan but I liked. I thought it was neat.
The movie does keep your interest, so it gets decent points for that, and it certainly presents a unique character study.
I haven't seen this film in a long time, but after writing this review, I'd kind of like to view it again.....depressing or not.