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A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
Director:
Stanley Kubrick
Stars:
Matthew Modine,
Adam Baldwin,
Vincent D'Onofrio
During the U.S.-Viet Nam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade colonel who has set himself up as a god among a local tribe.
A depiction of the brutal battle of Stalingrad, the Third Reich's 'high water mark', as seen through the eyes of German officer Hans von Witzland and his battalion.
Director:
Joseph Vilsmaier
Stars:
Dominique Horwitz,
Thomas Kretschmann,
Sebastian Rudolph
A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
In 1942 British soldier Jack Celliers comes to a Japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honor and glory. In his view, the allied prisoners are ... See full summary »
A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana's infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
Director:
Joel Schumacher
Stars:
Colin Farrell,
Matthew Davis,
Clifton Collins Jr.
A semiautobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War 2. For a young boy, this time in history was more... See full summary »
Director:
John Boorman
Stars:
Sebastian Rice-Edwards,
Geraldine Muir,
Sarah Miles
Joe, a young American soldier, is hit by a mortar shell on the last day of World War I. He lies in a hospital bed in a fate worse than death --- a quadruple amputee who has lost his arms, ... See full summary »
Three journalists in a romantic triangle are involved in political intrigue during the last days of the corrupt Somozoa regime in Nicaragua before it falls to a popular revolution in 1979.
Two friends arrive back from Vietnam, scarred in different ways. One has physical injuries, the other has mental problems that make him yearn to be a bird, a subject he has always been fascinated with. Written by
Murray Chapman <muzzle@cs.uq.oz.au>
Birdy is a difficult film to describe. It's about the developing friendship between Al (Nick Cage) and Birdy (Matthew Modine), but it's also about a descent into madness, and the lengths to which Al goes for his friend.
The film starts in the late 60's, in a US military mental hospital. Cage has been seriously wounded, and has had reconstructive surgery on his face, but he's been brought in because Birdy is here. He's uncommunicative and appears to recognise no one, spending all day squatting on the floor of his cell squinting up at the window.
The story is mostly told in flashbacks, either Al recounting incidents in their growing friendship as neighbourhood kids or, later, Birdy remembering other incidents. From the start the two are pretty dissimilar - Al is athletic, outgoing and popular while Birdy is quiet and introverted - a typical nerd. The two are, paradoxically, brought together by Birdy's love of birds, and the stupid things they do - making suits out of pigeon feathers to befriend more pigeons, climbing on (and falling off) factories trying to capture more birds.
Al tries to set Birdy on a 'normal' track; they buy a wrecked car and fix it up, and head off to the beach. But Birdy is just too wrapped up in himself for this to work, and it's a wonder he doesn't alienate Al with his strange behaviour.
In the 'present', the doctor is putting more pressure on Al to get Birdy to respond; if he doesn't, then Birdy will be written off and sent to a permanent mental institution. The flashbacks continue, and it becomes clear that Birdy's love of birds has turned into an obsession, and then into the darker realms beyond that.
The final few minutes of the film cover a lot of ground; Al finally realises that Birdy is pretty well off the deep end; they both go off to fight in the war; Al gets his injury, while we see the incident that left Birdy in his present state. Meanwhile the doctor finally decides that time has run out, but Al decides he's not leaving.
The ending of the film is incredibly powerful, and it should be a criminal offence to give it away. Is it 'appropriate' to the rest of the film? I dunno - but I thought it was pretty damn good.
The film stands or falls on the performances of Cage and Modine - and, for me, it stands tall. Cage is excellent in his role, capturing the bravado of his character perfectly; but Modine is simply brilliant. During the flashbacks he portrays his nerdy character completely believably, but it's the way he handles the scenes in the asylum that amazed me. As soon as you know his obsession, it is crystal clear that he's not squatting in his cell, but perching, wishing to fly.
Alan Parker has made some great films; this might just be his best.
27 of 30 people found this review helpful.
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Birdy is a difficult film to describe. It's about the developing friendship between Al (Nick Cage) and Birdy (Matthew Modine), but it's also about a descent into madness, and the lengths to which Al goes for his friend.
The film starts in the late 60's, in a US military mental hospital. Cage has been seriously wounded, and has had reconstructive surgery on his face, but he's been brought in because Birdy is here. He's uncommunicative and appears to recognise no one, spending all day squatting on the floor of his cell squinting up at the window.
The story is mostly told in flashbacks, either Al recounting incidents in their growing friendship as neighbourhood kids or, later, Birdy remembering other incidents. From the start the two are pretty dissimilar - Al is athletic, outgoing and popular while Birdy is quiet and introverted - a typical nerd. The two are, paradoxically, brought together by Birdy's love of birds, and the stupid things they do - making suits out of pigeon feathers to befriend more pigeons, climbing on (and falling off) factories trying to capture more birds.
Al tries to set Birdy on a 'normal' track; they buy a wrecked car and fix it up, and head off to the beach. But Birdy is just too wrapped up in himself for this to work, and it's a wonder he doesn't alienate Al with his strange behaviour.
In the 'present', the doctor is putting more pressure on Al to get Birdy to respond; if he doesn't, then Birdy will be written off and sent to a permanent mental institution. The flashbacks continue, and it becomes clear that Birdy's love of birds has turned into an obsession, and then into the darker realms beyond that.
The final few minutes of the film cover a lot of ground; Al finally realises that Birdy is pretty well off the deep end; they both go off to fight in the war; Al gets his injury, while we see the incident that left Birdy in his present state. Meanwhile the doctor finally decides that time has run out, but Al decides he's not leaving.
The ending of the film is incredibly powerful, and it should be a criminal offence to give it away. Is it 'appropriate' to the rest of the film? I dunno - but I thought it was pretty damn good.
The film stands or falls on the performances of Cage and Modine - and, for me, it stands tall. Cage is excellent in his role, capturing the bravado of his character perfectly; but Modine is simply brilliant. During the flashbacks he portrays his nerdy character completely believably, but it's the way he handles the scenes in the asylum that amazed me. As soon as you know his obsession, it is crystal clear that he's not squatting in his cell, but perching, wishing to fly.
Alan Parker has made some great films; this might just be his best.