| Photos (See all 44 | slideshow) | Videos (see all 4) |
| Eddie Murphy | ... | Det. Axel Foley | |
| Judge Reinhold | ... | Det. William 'Billy' Rosewood | |
| John Ashton | ... | Det. Sgt. John Taggart | |
| Lisa Eilbacher | ... | Jeannette 'Jenny' Summers | |
| Ronny Cox | ... | Lt. Andrew Bogomil | |
| Steven Berkoff | ... | Victor Maitland | |
| James Russo | ... | Mikey Tandino | |
| Jonathan Banks | ... | Zack | |
| Stephen Elliott | ... | Police Chief Hubbard | |
| Gilbert R. Hill | ... | Insp. Douglas Todd | |
| Art Kimbro | ... | Det. Foster | |
| Joel Bailey | ... | Det. McCabe | |
| Bronson Pinchot | ... | Serge | |
| Paul Reiser | ... | Jeffrey | |
| Michael Champion | ... | Casey | |
| Frank Pesce | ... | Cigarette Buyer | |
| Gene Borkan | ... | Cigarette Truck Driver | |
| Michael Gregory | ... | Beverly Palms Hotel Manager | |
| Alice Cadogan | ... | Beverly Palms Hotel Clerk | |
| Philip Levien | ... | Donny | |
| Karen Mayo-Chandler | ... | Maitland Receptionist | |
| Gerald Berns | ... | Beverly Hills Cop #1 | |
| William Wallace | ... | Beverly Hills Cop #2 | |
| Israel Juarbe | ... | Room Service Waiter | |
| Randy Vasquez | ... | Beverly Palms Hotel Bellhop (as Randy Gallion) | |
| Damon Wayans | ... | Banana Man | |
| Chuck Adamson | ... | Warehouse Crate Opener #1 | |
| Chip Heller | ... | Warehouse Crate Opener #2 | |
| Rick Overton | ... | Bonded Warehouse Night Supervisor | |
| Rex Ryon | ... | Bonded Warehouse Security Guard | |
| Mike Pniewski | ... | Bonded Warehouse Clerk #1 (as Michael Pniewski) | |
| Douglas Warhit | ... | Bonded Warehouse Clerk #2 | |
| Paul Drake | ... | Strip Club Holdup Man #1 | |
| Tom Everett | ... | Strip Club Holdup Man #2 | |
| Sally Kishbaugh | ... | Strip Club Waitress | |
| Barry Shade | ... | Harrow Club Valet | |
| Jack Heller | ... | Harrow Club Maitre D' | |
| Michael Harrington | ... | Harrow Club Arresting Officer | |
| David Wells | ... | Police Dispatcher | |
| Scott Murphy | ... | Det. Owensby | |
| Dennis Madden | ... | Detroit Cop #1 | |
| John Achorn | ... | Detroit Cop #2 | |
| John Pettis | ... | Detroit Cop #3 | |
| Nicholas Shields | ... | Detroit Station Cop #1 (as Nick Shields) | |
| Carl Weintraub | ... | Detroit Station Cop #2 | |
| Anthony De Fonte | ... | Detroit Station Cop #3 | |
| Darwyn Carson | ... | Barmaid | |
| Mark E. Corry | ... | Pool Player | |
| Thomas J. Hageboeck | ... | Maitland Bodyguard | |
| rest of cast listed alphabetically: | |||
| Martin Brest | ... | Beverly Palms Hotel Checkout Clerk (uncredited) | |
Directed by | |||
| Martin Brest | |||
Writing credits(in alphabetical order) | ||
| Danilo Bach | story | |
| Daniel Petrie Jr. | screenplay | |
| Daniel Petrie Jr. | story | |
Produced by | |||
| Jerry Bruckheimer | .... | producer | |
| Linda Horner | .... | associate producer | |
| Mike Moder | .... | executive producer | |
| Don Simpson | .... | producer | |
Original Music by | |||
| Harold Faltermeyer | |||
Cinematography by | |||
| Bruce Surtees | (director of photography) | ||
Film Editing by | |||
| Arthur Coburn | |||
| Billy Weber | |||
Casting by | |||
| Margery Simkin | |||
| Rhonda Young | |||
Production Design by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Art Direction by | |||
| James J. Murakami | |||
Set Decoration by | |||
| John M. Dwyer | |||
| Jeff Haley | |||
Costume Design by | |||
| Tom Bronson | |||
Makeup Department | |||
| Leonard Engelman | .... | makeup artist | |
| Barbara Lorenz | .... | hair stylist | |
| Ben Nye Jr. | .... | makeup artist | |
Production Management | |||
| Mike Moder | .... | unit production manager | |
Art Department | |||
| Mike Blaze | .... | assistant props | |
| John Hutchinson | .... | stand-by painter | |
| Robert Müller | .... | construction coordinator (as Robert Mueller) | |
| Tommy Tomlinson | .... | property master (as Tom Tomlinson) | |
| Charles Breen | .... | set designer (uncredited) | |
Sound Department | |||
| Pamela Bentkowski | .... | foley editor | |
| Alan Bromberg | .... | foley editor | |
| Carolyn Colwell | .... | assistant sound editor | |
| Teri E. Dorman | .... | sound editor (as Teri Dorman) | |
| Alfred T. Ferrante | .... | sound recordist | |
| Daniel F. Finnerty | .... | assistant sound editor (as Daniel Finnerty Jr.) | |
| William Gocke | .... | boom operator | |
| Cecelia Hall | .... | supervising sound editor | |
| Rick Kline | .... | sound re-recording mixer | |
| Bruce Lacey | .... | sound editor | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Donald O. Mitchell | .... | sound re-recording mixer | |
| Alan L. Nineberg | .... | adr editor | |
| Bruce Richardson | .... | sound editor (as Paul Bruce Richardson) | |
| Gary Ritchie | .... | sound recordist | |
| George Watters II | .... | supervising sound editor | |
| Charles M. Wilborn | .... | sound mixer | |
| Dan O'Connell | .... | foley artist (uncredited) | |
Special Effects by | |||
| Ken Pepiot | .... | special effects | |
Visual Effects by | |||
| Steve Grumette | .... | computer effects supervisor | |
Stunts | |||
| Christopher R. Adams | .... | stunts | |
| Janet Brady | .... | stunts (as Janet S. Brady) | |
| David Burton | .... | stunts | |
| Danny Costa | .... | stunts | |
| Steve M. Davison | .... | stunts (as Steve Davidson) | |
| Vince Deadrick Sr. | .... | stunts (as Vincent P. Deadrick Sr.) | |
| Eddy Donno | .... | stunts | |
| Ron Ellis | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| Stephanie Epper | .... | stunts | |
| Tony Epper | .... | stunts | |
| Jay Fuller | .... | stunts (as Jay R. Fuller) | |
| Billy Hank Hooker | .... | stunts (as Bill Hooker) | |
| Loren Janes | .... | stunts | |
| Matt Johnston | .... | stunts | |
| Harold Jones | .... | stunts | |
| Gary McLarty | .... | stunt coordinator | |
| Gary McLarty | .... | stunts | |
| Karen McLarty | .... | stunts (as Karen Werner) | |
| Bobby McLaughlin | .... | stunts | |
| John Meier | .... | stunts (as John C. Meier) | |
| Mike Moore | .... | stunts (as Michael W. Moore) | |
| Alan Oliney | .... | stunts | |
| Rex Pierson | .... | stunts | |
| Mic Rodgers | .... | stunts | |
| Danny Rogers | .... | stunts | |
| John Sistrunk | .... | stunts (as J.E. Sistrunk) | |
Camera and Electrical Department | |||
| Peter J. Breen | .... | dolly grip | |
| Al Contreras | .... | second grip | |
| John Davis | .... | best boy | |
| Jack N. Green | .... | camera operator (as Jack Green) | |
| Michael Liakos | .... | second grip | |
| Danny Marzolo | .... | electrician | |
| Frank McKane | .... | best boy | |
| Jeff Miller | .... | assistant camera (as Jeffrey Lee Miller) | |
| Don Nygren | .... | gaffer (as Donald O. Nygren) | |
| Richard R. Robinson | .... | still photographer | |
| Jim Rose | .... | dolly grip | |
| Francis X. Valdez III | .... | electrician | |
| Peter Wagner | .... | key grip | |
| Michael D. Weldon | .... | assistant camera | |
| Rick Bota | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Maggie Mills | .... | casting assistant | |
| Franklyn Warren | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Kathie Gale | .... | costumer | |
| Michael J. Long | .... | costumer | |
| Chuck Velasco | .... | costumer | |
| Haleen K. Holt | .... | costume illustrator (uncredited) | |
Editorial Department | |||
| Claudia Finkle | .... | assistant editor | |
| John Haggar | .... | assistant editor (as John A. Haggar) | |
| Richard Ritchie | .... | color timer (as Dick Ritchie) | |
| Markus Schaub | .... | apprentice editor | |
Music Department | |||
| Bob Badami | .... | music editor | |
| Kathy Nelson | .... | music consultant: MCA Records | |
| Greg Fulginiti | .... | music engineer (uncredited) | |
Transportation Department | |||
| Sam Edelman | .... | transportation captain | |
| Jay Fuller | .... | transportation coordinator (as Jay R. Fuller) | |
Other crew | |||
| Chuck Adamson | .... | technical advisor | |
| Laurie Allison | .... | assistant: Mr. Brest | |
| William Bowling | .... | location manager | |
| Stanley Brossette | .... | unit publicist | |
| Janis Benjamin Collister | .... | assistant: Mr. Moder | |
| Robert C. Decker | .... | location manager | |
| Simon Doonan | .... | art gallery consultant | |
| Faith Ginsberg | .... | assistant: Mr. Brest | |
| Betty Goldberg | .... | script supervisor | |
| James Herbert | .... | location manager | |
| Barbara Lichtenberg | .... | office assistant | |
| Scott Metcalfe | .... | assistant: Mr. Simpson | |
| Carol Richmond | .... | assistant: Mr. Simpson | |
| David Robertson | .... | assistant: Mr. Brest | |
| Robert Thorson | .... | production auditor | |
| Barbara Weintraub | .... | assistant: Mr. Bruckheimer | |
|
|
|
|
|
| Beverly Hills Cop III | Machete | Bad Boys II | Cop Out | Lethal Weapon 2 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Rather than having an incompetent Nick Nolte for a partner as in 48 Hours, Eddie Murphy shows he can take control of a movie all by himself. This was in the days when Don Simpson and Jerry Bruckheimer were getting started in their modern appeal to the dollar. It also proves to be the best. Audio is skimped on, as it always is in their movies, but the highlight is the fact that Martin Brest--previously fired off of WarGames--doesn't let Bruckheimer get in the way of the story.
Had a less competent director, say Tony Scott or Michael Bay, been put in charge, the movie would have fallen apart like BHC II did. Fortunately, Brest knows how far to push things and when to back off. He is helped by Arthur Coburn and Billy Weber, two of the best editors short of Michael Kahn. It's too bad that Arthur lost precedence in Hollywood and Billy wound up a slave to Bruckheimer.
The charge in this movie is still strong after nearly 20 years, but there are obvious signs of aging. Thankfully, the dialogue is not Bruckheimer's typical macho-BS, but rather natural and fluid. Eddie delivers again and again. The remainder of the cast, obscure as they are fair, but it is John Ashton who has the least trouble with his lines.
The only major fault I find with BHC is not in the film itself, but rather in how many times the formula has been duplicated, mimicked, plagarized, and copied. Each time less inventive or original than the rest.
Overall, funny and somewhat vulgar (this is not for fans of Dr. Doolittle or The Nutty Professor), but it shows when Eddie was at his pinnacle of ability...before the inferior screenwriters took over. A gem of the 80s. 3.5 out of 5 stars.