Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Detroit cop Axel Foley is delighted when he receives a surprise visit from his best friend Mikey Tandino, who lives in California. Not long after Mikey arrives in Detroit, Mikey is killed, right in front of Axel, by a man named Zack. Axel follows Zack to Beverly Hills, California, where Beverly Hills police department Lieutenant Andrew Bogomil assigns Detective Billy Rosewood and Rosewood's partner, Sergeant John Taggart, to keep an eye on Axel. Axel visits his friend Jenny Summers, who works in an art gallery. With Jenny's help, Axel discovers that Zack works for Jenny's boss, Victor Maitland, the man who owns the art gallery. Maitland is a drug kingpin who is using the gallery as a front, and Maitland had Zack kill Mikey after Maitland accused Mikey of stealing some of Maitland's bonds. With the help of Jenny, Billy, and Taggart, Axel does what he can to make sure Maitland and Zack won't kill any more people. Written by
Originally, two men were supposed to be working in the art gallery scenes. When the director heard Bronson Pinchot's Serge impersonation, however, he thought it was so hysterical he scaled back the other part to give Pinchot more screen time. The second actor shows up only briefly with his shirt collar open too wide, on which Serge comments. See more »
In the shootout when Axel, Taggart and Rosewood are trying to get to Victor there is a sequence when the three of them are shooting over the top of a short wall. During this sequence all three fire at once, as Axel fires the slide of his gun goes back indicating he has run out of ammunition. The next shot shows them all firing again and only after this is Axel shown reloading. See more »
Without a doubt this film sums up the 80s; a feel-good movie with a great soundtrack and jaw-dropping stunts -- like that shot in the opening chase sequence with the bus doing a powerslide. And of course, Eddie Murphy's hilariously funny one-liners serve as a comic contrast to the violence and profanity. Why can't they make movies like this anymore?
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