A mans voyeurism lands him in the middle of a murder case.


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Cast overview, first billed only:
Harry Ross (as Kenneth Gilman)
Barbara Law ...
Jayne Catling ...
Mary Kittrick
James B. Douglas ...
Coroner Robbins
Danny Higham ...
Jack Jessop ...
Man in Backyard
Paula Barrett ...
Allan Katz ...
Forensic Man #1
Al Bernardo ...
Forensic Man #2
James Lokley ...
1st Patrolman


A young businessman, out joging one night, sees a beautiful woman undressing in her bedroom window and he is compelled to return every night to watch her, until one night he witnesses a murder in the same apartment and soon becomes the prime suspect because of a variety of circumstances evolving from his voyeurism. Written by Anonymous

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R | See all certifications »




Release Date:

10 September 1986 (USA)  »

Also Known As:

A kukkoló  »

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Did You Know?


After Alex realizes the killer's car is outside her apartment, she takes a taxi back there from her office. While en route, an exterior shot of the taxi shows it to be a Dodge Diplomat. Upon arriving, the taxi is now a Ford LTD II. See more »


Harry Ross: [after being hit by JoBeth as she's being arrested] You know, that woman *really* pisses me off!
See more »


Referenced in Night Heat: Body Conscious (1986) See more »


Theme from Bedroom Eyes (Motion City Moves)
Music and Lyrics by John Tucker
Sung by John Tucker
See more »

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Highly Generic, And Lacking In Narrative Force, Resulting In An Essentially Clumsy And Dispirited Work.
29 November 2013 | by (Mountain Mesa, California) – See all my reviews

This is a rather unpleasant and needlessly protracted suspenser wherein is to be found emphasis only upon sex instead of suspense. An attempt is made by director William Fruet to give a light tone to the film, but a surfeit of coarsened humour operates against the plot line from its inception. Stockbroker Harry Ross (Kenneth Gilman), following completion of his customary evening jogging session in Toronto, is seized by a voyeuristic urge to peek into an open window of a residence, at which time he observes a type of fetishistic sexual activity that may best be described as drab, but apparently of more than adequate interest for Ross to prod him into additional viewing during the following evening. On display for him during this follow-up observation is a probable murder although such an event is bereft of any details for Ross's excitable narration to his newly-established confidante, an attractive female psychiatrist, Alixe Barnes (Dayle Haddon). Meanwhile, a zealous crew of police detectives is searching after a suspect for the now confirmed killing, and their efforts give Ross no end of displeasure, since he was, after all, involved solely as a peeping tom. As the forces of law and order are floundering, they spend a great deal of time trailing the frightened Ross. Alixe tries to hypnotise Harry to determine the extent of his involvement, since she supports him as an innocent and believes that through hypnosis he can overcome the drawback of not having a credible reason for peering through the concerned window. A poorly constructed script infects a cast led by an ungainly Gilman whose acting range here is not devolved beyond an ever-present deer in headlamps appearance. Director Fruet has done much better work than this piece, in particular as a scenarist, but there is very little imaginative feeling to this film that can be recommended only if one has absolutely nothing else to view. Oddly, the work developed a following that eventually led to a sequel which, in any case, was not able to provide much of a successor plot or a form that could improve upon this silly movie.

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