Rick Gassko is about to marry Debbie Thompson. Her parents hate him. Her old boyfriend hates him. They all have money and he gets a cut of the crap games on the Catholic school bus that he drives. His friends decide to give him the bachelor party of all bachelor parties in an expensive hotel with booze, adult movies and hookers. As the players catch wind of the elements of the party, each adds a little monkey wrench so that one set of hookers ends up giving demos at the bride's shower, the brides friends end up dressed as hookers in a room with a number of non English speaking Japanese businessmen, and so on, as things get out of hand. Written by
John Vogel <email@example.com>
Shocking, Shameless, Sinful, Wicked. And the party hasn't even started.
See more »
Did You Know?
Near the end of the film at the movie theater, they are supposedly showing a marathon of 3D films. Some are actual theatrical 3D releases, but most are made up. Those that are real films are House of Wax
(1953), Dial M for Murder
(1954) and Comin' at Ya!
(1981). All the others are fake, which include "Syborg" (which could be a parody title for Metalstorm: The Destruction of Jared-Syn
(1983)), "The Bug" (which is a probably a parody title for the real 3D movie Parasite
(1982)), "Biloxi (spelled wrong as "Boulxi") Blood Bath", "Chainsaw Child", "Hell House", "Battle For Berkeley", "Bat Beast", "Zenobia", "Pedestrian Bondage", "Glendale Girls Go Berserk", "Zulu", "Watts Wilderness", "Richard III", "Death Cult Bar-Mitsva" and "Sioux City". There are a bunch of other titles on the right side marquee, but they are hard to read. See more
When the guys are about to watch Jay's porno movie, O'Neill is seen putting the projector cover on the table twice in two consecutive shots. See more
Well Mr. Thompson, that's quite a list. And I think, if I really apply myself, I could be a totally changed person by the time we finish lunch!
Why Do Good Girls Like Bad Boys?
Composed by Miriam Cutler
Performed by Angel and the Reruns
Produced by Rick Derringer
Re-mixed by Craig Leon
(uncredited) See more