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Antonio Gaudí (1985) More at IMDbPro »

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Overview

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Release Date:
5 March 1986 (USA) See more »
Genre:
Plot:
Hiroshi Teshigahara's camera takes us over, under, around, and into buildings and a park designed by Antonio Gaudí (1852 - 1926)... See more » | Add synopsis »
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User Reviews:
Serene yet hauntingly beautiful See more (13 total) »

Cast

 
Isidro Puig Boada ... Himself
Seiji Miyaguchi ... Boada (voice)

Directed by
Hiroshi Teshigahara 
 
Produced by
Noriko Nomura .... producer
Hiroshi Teshigahara .... executive producer
 
Original Music by
Shinji Hori 
Kurôdo Môri 
Tôru Takemitsu 
 
Cinematography by
Junichi Segawa 
Ryu Segawa 
Yoshikazu Yanagida 
 
Film Editing by
Hiroshi Teshigahara 
Eiko Yoshida 
 

Production CompaniesDistributors

Additional Details

Runtime:
USA:72 min
Country:
Language:
Color:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:
Certification:

FAQ

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5 out of 10 people found the following review useful.
Serene yet hauntingly beautiful, 22 November 2002
Author: wob wobelix from amsterdam

Is this a documentary ?

Of course it is not, since there are no voice-overs, obtrusive commentaries and no polemics.

Yes, sure it is, because it gives a lot of background and insight to a unique artist, who, although legend has it, did not came out of the blue. Nature provided him with a lot of inspiration, and the movie shows some architects of the same epoque and generation, who try to go the same way Gaudi did.

With a handful of explaining subtitles and one interview director/producer/editor Hiroshi Teshigahara (don't miss his incredible WOMAN IN THE DUNES) shows it all in a wonderful way in this 'documentary or is it a feature', in which the music of Toru Takemitsu is never on the foreground but inescapable present.

Watching this picture will give the viewer the shortest 73 minutes of his or hers live. Is there nothing wrong then... Well, every now and then there are too many dark corners, but to paraphrase Cinematographer Nestor Almendros: Darkness stimulates the viewers mind, and maybe even his imagination. And camera-movements are neat but a bit crude. But of course, truely gifted camera-operators like Alessandro Bolognesi & Erwin Steen were too young in '84 to help the Japanese Maestro out.

Thank you Antoni Gaudi; thank you Catalunia. Thank You Teshigahara and Takemitsu.

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