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L'amour à mort (1984)
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Overview
User Rating:
Release Date:
5 September 1984 (France) morePlot:
Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but comes back to life... more | add synopsisAwards:
5 nominations moreUser Comments:
Love And Death And The Whole Damn Thing moreCast
(Credited cast) | Sabine Azéma | ... | Elisabeth Sutter |
| Fanny Ardant | ... | Judith Martignac |
| Pierre Arditi | ... | Simon Roche |
| André Dussollier | ... | Jérôme Martignac |
| Jean Dasté | ... | Dr. Rozier |
| Geneviève Mnich | ... | Anne Jourdet |
| Jean-Claude Weibel | ... | Le spécialiste |
| Louis Castel | ... | Michel Garenne |
| Françoise Rigal | ... | Juliette Dotax |
| Françoise Morhange | ... | Mme Vigne |
| rest of cast listed alphabetically: | |||
| Jean Champion | ... | Voice (voice) |
| Yvette Etiévant | ... | Voice (voice) |
| Bernard Malaterre | ... | Voice (voice) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
92 minCountry:
FranceLanguage:
FrenchColor:
Color (Eastmancolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoFilming Locations:
Uzès, Gard, FranceFun Stuff
Trivia:
There is at least a red and/or black item in every interior scene, since the color red stands for love and black for death. moreGoofs:
Crew or equipment visible: Around 12.40 in the film, when Elisabeth picks up some papers from the floor, standing in front of a mirror and after wards walks to Simon, you can see someone in the mirror pulling the camera. moreFAQ
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Resnais assembles four staples of his repertory company for a downbeat exploration of love, faith, death, call it what you will - or twelfth night.
You need stamina to sit through a sub-Bergman philosophical tract that not only doesn't get anywhere but doesn't seem to WANT to get anywhere. You could argue that it's better to travel hopefully than to arrive and you could further argue that with fellow travellers of this quality - Sabine Azema, Andre Dussollier, Pierre Arditi, Fanny Ardant - it's not even bad to travel indefinitely and if you are one of those then this is the journey for you but a short break it's not. As is to be expected from such a stellar cast the acting is certainly out of the right bottle but frailer hearts may wish to exchange this bottle for the one with the skull and crossbones on the label long before half way. For olive lovers only. 7/10