| Photos (See all 65 | slideshow) | Videos (see all 7) |
| F. Murray Abraham | ... | Antonio Salieri | |
| Tom Hulce | ... | Wolfgang Amadeus Mozart | |
| Elizabeth Berridge | ... | Constanze Mozart | |
| Simon Callow | ... | Emanuel Schikaneder / Papageno in 'The Magic Flute' | |
| Roy Dotrice | ... | Leopold Mozart | |
| Christine Ebersole | ... | Katerina Cavalieri / Constanza in 'Abduction from the Seraglio' | |
| Jeffrey Jones | ... | Emperor Joseph II | |
| Charles Kay | ... | Count Orsini-Rosenberg | |
| Kenneth McMillan | ... | Michael Schlumberg (2002 Director's Cut) | |
| Kenny Baker | ... | Parody Commendatore | |
| Lisabeth Bartlett | ... | Papagena in 'The Magic Flute' | |
| Barbara Bryne | ... | Frau Weber | |
| Martin Cavina | ... | Young Salieri (as Martin Cavani) | |
| Roderick Cook | ... | Count Von Strack | |
| Milan Demjanenko | ... | Karl Mozart | |
| Peter DiGesu | ... | Francesco Salieri | |
| Richard Frank | ... | Father Vogler | |
| Patrick Hines | ... | Kappelmeister Bonno | |
| Nicholas Kepros | ... | Archbishop Colloredo | |
| Philip Lenkowsky | ... | Salieri's Servant | |
| Herman Meckler | ... | Priest | |
| Jonathan Moore | ... | Baron Van Swieten | |
| Cynthia Nixon | ... | Lorl | |
| Brian Pettifer | ... | Hospital Attendant | |
| Vincent Schiavelli | ... | Salieri's Valet | |
| Douglas Seale | ... | Count Arco | |
| Miroslav Sekera | ... | Young Mozart | |
| Cassie Stuart | ... | Gertrude Schlumberg (2002 Director's Cut) (as Cassie Stewart) | |
| John Strauss | ... | Conductor | |
| Karl-Heinz Teuber | ... | Wig Salesman | |
| Rita Zohar | ... | Frau Schlumberg (2002 Director's Cut) | |
| Miro Grisa | ... | Figaro in 'The Marriage of Figaro' | |
| Helena Cihelnikova | ... | Countess in 'The Marriage of Figaro' | |
| Karel Gult | ... | Count Almaviva in 'The Marriage of Figaro' | |
| Zuzana Kadlecova | ... | Susanna in 'The Marriage of Figaro' | |
| Magda Celakovska | ... | Cherubino in 'The Marriage of Figaro' | |
| Slavena Drasilova | ... | Barbarina in 'The Marriage of Figaro' | |
| Eva Senková | ... | Marcellina in 'The Marriage of Figaro' | |
| Leos Kratochvil | ... | Basilio in 'The Marriage of Figaro' | |
| Gino Zeman | ... | Don Curzio in 'The Marriage of Figaro' | |
| Janoslav Mikulín | ... | Dr. Bartolo in 'The Marriage of Figaro' (as Jarolsav Mikulin) | |
| Ladislav Krecmer | ... | Antonio in 'The Marriage of Figaro' (as Ladislav Kretschmer) | |
| Karel Fiala | ... | Don Giovanni in 'Don Giovanni' | |
| Jan Blazek | ... | Commendatore in 'Don Giovanni' | |
| Zdenek Jelen | ... | Leporello in 'Don Giovanni' | |
| Milada Cechalova | ... | Queen of the Night in 'The Magic Flute' | |
| John Carrafa | ... | Dancer | |
| Sara Clifford | ... | Dancer | |
| Richard Colton | ... | Dancer | |
| Shelley Freydont | ... | Dancer | |
| Anne Glasner | ... | Dancer | |
| Barbara Hoom | ... | Dancer | |
| Mary Kellogg | ... | Dancer | |
| Raymond Kurshals | ... | Dancer | |
| John Malashock | ... | Dancer | |
| Jennifer Rawe | ... | Dancer | |
| Tom Rawe | ... | Dancer (as Thomas Rawe) | |
| William Whitener | ... | Dancer | |
| Hana Brejchová | ... | Czechoslovakian Actor (as Hana Brejchova) | |
| Miriam Chytilová | ... | Czechoslovakian Actor (as Miriam Chytilova) | |
| Karel Effa | ... | Czechoslovakian Actor | |
| Radka Fiedlerová | ... | Czechoslovakian Actor (as Radka Fiedlerova) | |
| Rene Gabzdyl | ... | Czechoslovakian Actor | |
| Karel Hábl | ... | Czechoslovakian Actor (as Karel Habl) | |
| Atka Janousková | ... | Czechoslovakian Actor (as Atka Janouskova) | |
| Marta Jarolimkova | ... | Czechoslovakian Actor | |
| Gabriela Krckova | ... | Czechoslovakian Actor | |
| Vladimir Krousky | ... | Czechoslovakian Actor | |
| Jirí Krytinár | ... | Czechoslovakian Actor (as Jiri Krtinar) | |
| Radka Kucharova | ... | Czechoslovakian Actor | |
| Jan Kuzelka | ... | Czechoslovakian Actor | |
| Jirí Lír | ... | Czechoslovakian Actor | |
| Lenka Loubalová | ... | Czechoslovakian Actor (as Lenka Loubalova) | |
| Dagmar Maskova | ... | Czechoslovakian Actor (as Dagmar Maskov) | |
| Ladislav Mikes | ... | Czechoslovakian Actor | |
| Jitka Molavcová | ... | Czechoslovakian Actor (as Jitka Molavcova) | |
| Jana Musilová | ... | Czechoslovakian Actor | |
| Vojtech Nalezenec | ... | Czechoslovakian Actor | |
| Pavel Nový | ... | Czechoslovakian Actor (as Pavel Novy) | |
| Jiri Opsatko | ... | Czechoslovakian Actor | |
| Jan Pohan | ... | Czechoslovakian Actor | |
| Therese Herz | ... | Czechoslovakian Actor (as Tereza Pokorna) | |
| Ivan Pokorny | ... | Czechoslovakian Actor | |
| Milan Riehs | ... | Czechoslovakian Actor | |
| Iva Sebkova | ... | Czechoslovakian Actor | |
| Zdenek Sklenar | ... | Czechoslovakian Actor | |
| Renata Vackova | ... | Czechoslovakian Actor | |
| Jiri Vancura | ... | Czechoslovakian Actor | |
| Dana Vávrová | ... | Czechoslovakian Actor (as Dana Vavrova) | |
| Petra Vogelova | ... | Czechoslovakian Actor | |
| Josef Zeman | ... | Czechoslovakian Actor | |
| rest of cast listed alphabetically: | |||
| Michele Esposito | ... | Salieri's Student (uncredited) | |
| Zdenek Mahler | ... | Cardinal (uncredited) | |
| Vladimír Svitácek | ... | Pope Clement (uncredited) | |
Directed by | |||
| Milos Forman | |||
Writing credits | ||
| Peter Shaffer | (original stage play) | |
| Peter Shaffer | (original screenplay) | |
Produced by | |||
| Michael Hausman | .... | executive producer | |
| Bertil Ohlsson | .... | executive producer | |
| Saul Zaentz | .... | producer | |
Cinematography by | |||
| Miroslav Ondrícek | (director of photography) (as Miroslav Ondricek) | ||
Film Editing by | |||
| Michael Chandler | (edited by) | ||
| T.M. Christopher | (2002 director's cut) | ||
| Nena Danevic | (edited by) | ||
Production Design by | |||
| Patrizia von Brandenstein | (as Patrizia Von Brandenstein) | ||
Art Direction by | |||
| Karel Cerný | (as Karel Cerny) | ||
Costume Design by | |||
| Theodor Pistek | (costume design) | ||
| Christian Thuri | (uncredited) | ||
Makeup Department | |||
| Frantisek Cizek | .... | makeup artist: Czechoslovakia | |
| Vlasta Hajkova | .... | makeup artist: Czechoslovakia | |
| Paul LeBlanc | .... | makeup designer | |
| Paul LeBlanc | .... | wig designer | |
| Jiri Simon | .... | makeup artist: Czechoslovakia | |
| Dick Smith | .... | makeup: old Salieri | |
| Karl-Heinz Teuber | .... | makeup assistant | |
| Alena Sedova | .... | makeup artist (uncredited) | |
| Bobo Sobotka | .... | makeup artist (uncredited) | |
Production Management | |||
| James Fee | .... | production manager: Italy | |
| Ronald Jacobs | .... | post-production supervisor (as Ronald A. Jacobs) | |
| Robert Marty | .... | post-production supervisor (2002 director's cut) | |
| Václav Rouha | .... | production manager: Czechoslovakia (as Vaclav Rouha) | |
| Jan Balzer | .... | production manager (uncredited) | |
| Vaclav Eisenhamer | .... | unit manager (uncredited) | |
| Katerina Schauerová | .... | unit manager (uncredited) | |
Art Department | |||
| Bedrich Cermák | .... | property master: Czechoslovakia (as Bedrich Cermak) | |
| Jaroslav Cesal | .... | property master: Czechoslovakia | |
| Francesco Chianese | .... | art director: Italy | |
| Josef Hrabusicky | .... | set designer assistant: Czechoslovakia | |
| Karel Koci | .... | property master: Czechoslovakia | |
| Jaroslav Lehman | .... | property assistant: Czechoslovakia | |
| Vladimir Macha | .... | property assistant: Czechoslovakia | |
| Boris Ondrusek | .... | set designer assistant: Czechoslovakia | |
| Michael Ross | .... | property master | |
| Josef Svoboda | .... | designer: opera sets | |
Special Effects by | |||
| Dave Case | .... | special effects rigger (as David Case) | |
| Bill Cohen | .... | special effects | |
| Ian Corbould | .... | special effects | |
| Neil Corbould | .... | special effects | |
| Paul Corbould | .... | special effects | |
| Gordon Coxon | .... | special effects (as Gordon Coxen) | |
| Steve Crawley | .... | special effects | |
| Gary Evans | .... | special effects rigger | |
| Ricky Farns | .... | special effects (as Rick Farns) | |
| Dave Garrett | .... | special effects | |
| Martin Gutteridge | .... | special effects | |
| Jimmy Harris | .... | special effects (as Jim Harris) | |
| Garth Inns | .... | special effects | |
| Ian Lowe | .... | special effects rigger | |
| Ian Luke | .... | special effects rigger | |
| Kevin Mathews | .... | special effects rigger (as Kevin Matthews) | |
| Kevin Mathews | .... | special effects (as Kevin Matthews) | |
| Brian Smithies | .... | special effects | |
| Kevin Welch | .... | special effects rigger | |
| Alan Whibley | .... | special effects rigger | |
Visual Effects by | |||
| Thomas Baker | .... | motion control (uncredited) | |
Casting Department | |||
| Maggie Cartier | .... | casting: London | |
| Mary Goldberg | .... | casting: New York and Hollywood | |
| David Rubin | .... | casting associate | |
| Bonnie Timmermann | .... | additional casting | |
Costume and Wardrobe Department | |||
| Fabrizio Caracciolo | .... | costume coordinator | |
| Pauline Doran | .... | assistant costume coordinator | |
| Zuzana Máchová | .... | wardrobe: Czechoslovakia | |
| Iveta Trmalova | .... | wardrobe: Czechoslovakia (as Yveta Trmalova) | |
| Alex Winslow | .... | assistant costume coordinator | |
| Beth Zaentz | .... | assistant costume coordinator | |
| Frantisek Zapletal | .... | wardrobe: Czechoslovakia | |
| Sarka Zrostlikova | .... | wardrobe: Czechoslovakia | |
| Vera Mirová | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Teresa Book | .... | assistant film editor | |
| Rick Finney | .... | apprentice editor | |
| Tim Fox | .... | assistant film editor (2002 director's cut) | |
| Magdalena Hajkova | .... | assistant location editor: Czechoslovakia | |
| Bob Hart | .... | negative cutter (2002 director's cut) | |
| Aubrey Head | .... | color timer | |
| Miroslav Hájek | .... | location editor: Czechoslovakia (as Miroslav Hajek) | |
| Michael Magill | .... | assistant film editor | |
| Debra McDermott | .... | associate film editor | |
| Donald Ord | .... | assistant film editor (2002 director's cut) | |
| Craig A. Patterson | .... | apprentice film editor (as Craig Patterson) | |
| Bob Putynkowski | .... | color timer (2002 director's cut) | |
| Jules Roman | .... | assistant film editor (as Julie Roman) | |
| Josh Zaentz | .... | apprentice film editor (as Joshua Zaentz) | |
Music Department | |||
| Mark Adler | .... | music editor | |
| Laszlo Heltay | .... | conductor: Academy Chorus of St Martin In The Fields | |
| Ling Ling Li | .... | assistant music editor: 2002 director's cut | |
| Zdenek Mahler | .... | special music consultant | |
| Neville Marriner | .... | conductor (as Sir Neville Marriner) | |
| Neville Marriner | .... | music supervisor (as Sir Neville Marriner) | |
| John McCarthy | .... | conductor: Ambrosian Opera Chorus | |
| Simon Preston | .... | conductor: The Choristers of Westminster Abbey | |
| Robert Randles | .... | music editor: 2002 director's cut | |
| John Strauss | .... | music coordinator | |
| Jonas Thaler | .... | assistant music editor (as Jon Thaler) | |
Transportation Department | |||
| Jiri Bauer | .... | driver: Czechoslovakia | |
| Jiri 'George' Fictum | .... | driver: Czechoslovakia (as Jiri Fictum) | |
| Burkhardt Gaertke | .... | international air transportation | |
| Jaroslav Kindl | .... | driver: Czechoslovakia | |
| Pavel Turek | .... | driver: Czechoslovakia | |
| Vladimir Vesely | .... | driver: Czechoslovakia | |
Other crew | |||
| James Austin | .... | staff: Film Center | |
| Jerry Beasley | .... | staff: Film Center | |
| Roger Berlind | .... | play producer: America, The Shubert Organization | |
| John L. Brenneis | .... | staff: Film Center | |
| Leon Briggs | .... | laboratory consultant (2002 director's cut) | |
| Letizia Bucci-Casari | .... | production assistant: Italy | |
| Loren Byer | .... | staff: Film Center (2002 director's cut) | |
| Alice B. Caldwell | .... | staff: Film Center | |
| Frank Canonica | .... | staff: Film Center (2002 director's cut) | |
| Philip Carroll | .... | title design | |
| Vince Casper | .... | staff: Film Center (2002 director's cut) | |
| Zdena Cerná | .... | production assistant: Czechoslovakia (as Zdena Cerna) | |
| Amanda Chan | .... | staff: Film Center (2002 director's cut) | |
| Scott Chandler | .... | staff: Film Center | |
| Luis Colina | .... | staff: Film Center | |
| Nancy Eichler | .... | assistant: Saul Zaentz | |
| Vaclav Eisenhamer | .... | production assistant: Czechoslovakia (as Vaclav Eisenhammer) | |
| Paolo Fabbri | .... | location manager: Italy | |
| Grant Foerster | .... | staff: Film Center (2002 director's cut) | |
| Zdena Fojtlova | .... | translator: Czechoslovakia | |
| Milos Forman | .... | supervisor (2002 director's cut) | |
| Anna Geyer | .... | staff: Film Center (2002 director's cut) | |
| Deborah Guardian | .... | assistant: Milos Forman | |
| Anne Gyory | .... | script supervisor | |
| Miloslav Halik | .... | piano coach: Czechoslovakia | |
| Ruth Hasty | .... | staff: Film Center | |
| Jana Hauserova | .... | production assistant: Czechoslovakia | |
| Cathy Hausman | .... | production assistant | |
| Pam Hausman | .... | production assistant | |
| Zuzanna Jettmarova | .... | translator: Czechoslovakia | |
| Daniela Jezkova | .... | translator: Czechoslovakia | |
| Rick Kahn | .... | staff: Film Center (2002 director's cut) | |
| Michael Kelly | .... | staff: Film Center (2002 director's cut) | |
| Annamaria Kolarova | .... | translator: Czechoslovakia | |
| Mirek Lux | .... | translator: Czechoslovakia (as Miroslav Lux) | |
| Zdenek Mahler | .... | historical consultant | |
| Robert Marty | .... | staff: Film Center | |
| Elizabeth I. McCann | .... | play producer: America, The Shubert Organization (as Elizabeth McCann) | |
| Iva Nesvadbova | .... | translator: Czechoslovakia | |
| Nelle Nugent | .... | play producer: America, The Shubert Organization | |
| Daniel Olmsted | .... | staff: Film Center (2002 director's cut) | |
| Dawn Oltman | .... | staff: Film Center | |
| Vaclav Petr | .... | production assistant: Czechoslovakia | |
| Lynda Redfield | .... | production assistant | |
| Scott G. Roberts | .... | staff: Film Center (as Scott Roberts) | |
| David Roesch | .... | staff: Film Center (2002 director's cut) | |
| Katerina Schauerová | .... | production assistant: Czechoslovakia (as Katerina Schauerova) | |
| Roy Segal | .... | staff: Film Center | |
| Peter Shaffer | .... | supervisor (2002 director's cut) | |
| Steve Shurtz | .... | staff: Film Center (2002 director's cut) | |
| Daniela Staskova | .... | production assistant: Czechoslovakia | |
| Simona Sternova | .... | translator: Czechoslovakia | |
| Ewa Sztompke | .... | staff: Film Center | |
| Twyla Tharp | .... | choreography | |
| Twyla Tharp | .... | opera staging by | |
| Viet Tran | .... | staff: Film Center (2002 director's cut) | |
| Ken Tuohy | .... | location manager | |
| Joe Tysl | .... | staff: Film Center (as Joseph Tysl) | |
| Vera Vlacilova | .... | script supervisor: Czechoslovakia | |
| Frantisek Vlácil | .... | production assistant: Czechoslovakia (as Frantisek Vlacil) | |
| Wayne Wagner | .... | staff: Film Center | |
| Laurie Wentworth | .... | staff: Film Center (2002 director's cut) | |
| Michael Yoshida | .... | staff: Film Center (2002 director's cut) | |
| Bernard Zaentz | .... | caterer | |
| Josh Zaentz | .... | production assistant (as Joshua Zaentz) | |
| Paul Zaentz | .... | production controller | |
| Saul Zaentz | .... | supervisor (2002 director's cut) | |
| Milos Zajdl | .... | production assistant: Czechoslovakia | |
| Gita Zbavitelova | .... | translator: Czechoslovakia | |
| Adam Samuelson | .... | louma crane technician (uncredited) | |
| Nancy Seltzer | .... | public relations (uncredited) | |
Thanks | |||
| Frantisek Tomasek | .... | the producer & screenplay writer and director thank: for his kindness in permitting his beautiful residence headquarters in Prague as the Emperor's palace (as His Eminence Cardinal Frantisek Tomasek) | |
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| The Phantom of the Opera | Madame Bovary | The Best of Youth | Madame Bovary | Marie Antoinette |
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The unseen star of this film is the Academy of St Martin's in the Field, London. Buy the soundtrack and you will be rewarded with some of the most stunning music you can hear. Mozart's music excells with brilliant treatment and dies with a bad performance. And that, after all, is what the film is about. Without his music, Mozart would be lost in time, a fate that the narrator of the story, the composer Salieri, saw as his own. Ironically, while Salieri has indeed been completely overshadowed by Mozart, his music still survives and has its followers.
But beyond the music this is an outstanding film. Set in the prettiest and most flamboyant century of the last millennium, it is visually stunning and the writer's portrayal of jealousy is perceptive. The casting of the Austrian King and courtiers, (indeed all the actors in this film) that Mozart needed to impress capture the gentility and courtesy of the time, and also subtly shows their growing indignation and impatience at Mozart's personality and behaviour; the presentation of Mozart as punk musician is probably the only failing in the film. As a theatrical device to show that genius can come in disastrous packages it succeeds well, but anyone with any historic sense of social ettiquette or manners will know that Mozart's sill y behaviour would be well wide of the truth, as might, perhaps, be the concept of Salieri as murderer-in-chief. Only in the final scenes is Mozart's brilliance as a composer truly explored in what amounts to a deconstruction of his final composition - his moving, uncompleted and poignant Requiem mass.
Another unintended star in this film are the candle lit sets and theatres of the 18th Century; their operas and drama ooze a magic that is lacking in the present world and which modern producers might well try to reintroduce; so lovely are these buildings with their flickering lights and theatrical techniques that one is left desperate to to seek out these rare theatres to experience them.
This film leaves one breathless from its visual beauty, its magnificent score and the choreography, indeed, of the two together. Mozart's life had the air of tragedy, and his undoubted genius speaks to us now and forever. This film is a monument to the skills of the writer, maker, performers and, of course, Mozart's music. If you have not yet done so, see it.