Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Written by
Entire film was shot with natural light. In order to get the proper diffusion of light for some scenes, the DPs covered windows from the outside with tracing paper. See more »
When Mozart goes into the bedroom late at night to check on his son (and Stanzi awakens and looks at him), the candles on the candelabrum that he's holding are shorter before he goes into the bedroom than when he's in the room. See more »
F. Murray Abraham portrays Salieri, a hard working but mediocre composer driven mad by the arrival of a ``natural'' talent, Mozart (played by Tom Hulce) in a highly political environment. The movie provides some crucial insights into the motivations of the characters, and shows both a superficial image and reveals deeper truths (e.g. Mozart appears to party all the time, but is actually a very diligent worker). I am uncertain as to the historical accuracy, but this movie (i) was entertaining, (ii) inspired a greater love and knowledge of Mozart's Music, (iii) dramatized the undoing of a great talent by both external forces and his own weaknesses (iv) has great costumes and music and (v) has a great supporting cast.
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