Amadeus (1984)

The incredible story of Wolfgang Amadeus Mozart, told in flashback by his peer and secret rival Antonio Salieri - now confined to an insane asylum.

Director:

Milos Forman

Writers:

Peter Shaffer (original stage play), Peter Shaffer (original screenplay)

Stars:

F. Murray Abraham, Tom Hulce, Elizabeth Berridge

Top 250 #92 | Won 8 Oscars. Another 33 wins & 13 nominations.

Cast

Cast overview, first billed only:
F. Murray Abraham	...	Antonio Salieri
Tom Hulce	...	Wolfgang Amadeus Mozart
Elizabeth Berridge	...	Constanze Mozart
Simon Callow	...	Emanuel Schikaneder / Papageno in 'The Magic Flute'
Roy Dotrice	...	Leopold Mozart
Christine Ebersole	...	Katerina Cavalieri / Constanza in 'Abduction from the Seraglio'
Jeffrey Jones	...	Emperor Joseph II
Charles Kay	...	Count Orsini-Rosenberg
Kenneth McMillan	...	Michael Schlumberg (2002 Director's Cut)
Kenny Baker	...	Parody Commendatore
Lisabeth Bartlett	...	Papagena in 'The Magic Flute'
Barbara Bryne	...	Frau Weber
Martin Cavina	...	Young Salieri (as Martin Cavani)
Roderick Cook	...	Count Von Strack
Milan Demjanenko	...	Karl Mozart

Storyline

Antonio Salieri believes that Mozart's music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can't understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge.

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Plot Keywords:

composer | emperor | musician | told in flashback | opera | 

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Taglines:

The man... The music... The madness... The murder... The motion picture...

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Genres:

Biography | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for brief nudity

Details

Country:

USA

Language:

English Italian Latin German

Release Date:

19 September 1984 (USA)

Also Known As:

Amadeus: The Director's Cut

Filming Locations:

Kromeríz, Czech Republic

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$86,764 (USA) (5 April 2002)

Gross:

$366,401 (USA) (17 May 2002)

Company Credits

Production Co:

The Saul Zaentz Company

Technical Specs

Runtime:

160 min 180 min (director's cut)

Sound Mix:

70 mm 6-Track (70 mm prints) Dolby Digital (director's cut) Dolby (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Several real (or at least apocryphal) events from Wolfgang Amadeus Mozart's life were incorporated into the screenplay, including the interlude between the child Mozart and Marie Antionette, and the Emperor's comment that "Abduction from the Seraglio" had "too many notes".

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Goofs

At the end of the funeral procession, Katerina Cavalieri lowers and closes her umbrella, as a steady rain continues.

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Quotes

[first lines]
Salieri: Mozart! Mozart, forgive your assassin! I confess, I killed you...

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Crazy Credits

"Amadeus" was originally a National Theater Production in London, then produced in America by The Shubert Organization, Elizabeth I. McCann/Nelle Nugent and Roger Berlind.

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Connections

Featured in The Secrets of Dick Smith (1991)

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Soundtracks

"Concerto for Piano in d minor, K466"
(1782-86)
Music by Wolfgang Amadeus Mozart (uncredited)
Performed by The Academy of St. Martin-in-the-Fields (as Academy of St Martin In The Fields)
Conducted by Neville Marriner
Instrumental Soloist: Imogen Cooper

User Reviews

Ravishing in sound and vision

The unseen star of this film is the Academy of St Martin's in the Field, London. Buy the soundtrack and you will be rewarded with some of the most stunning music you can hear. Mozart's music excells with brilliant treatment and dies with a bad performance. And that, after all, is what the film is about. Without his music, Mozart would be lost in time, a fate that the narrator of the story, the composer Salieri, saw as his own. Ironically, while Salieri has indeed been completely overshadowed by Mozart, his music still survives and has its followers.

But beyond the music this is an outstanding film. Set in the prettiest and most flamboyant century of the last millennium, it is visually stunning and the writer's portrayal of jealousy is perceptive. The casting of the Austrian King and courtiers, (indeed all the actors in this film) that Mozart needed to impress capture the gentility and courtesy of the time, and also subtly shows their growing indignation and impatience at Mozart's personality and behaviour; the presentation of Mozart as punk musician is probably the only failing in the film. As a theatrical device to show that genius can come in disastrous packages it succeeds well, but anyone with any historic sense of social ettiquette or manners will know that Mozart's sill y behaviour would be well wide of the truth, as might, perhaps, be the concept of Salieri as murderer-in-chief. Only in the final scenes is Mozart's brilliance as a composer truly explored in what amounts to a deconstruction of his final composition - his moving, uncompleted and poignant Requiem mass.

Another unintended star in this film are the candle lit sets and theatres of the 18th Century; their operas and drama ooze a magic that is lacking in the present world and which modern producers might well try to reintroduce; so lovely are these buildings with their flickering lights and theatrical techniques that one is left desperate to to seek out these rare theatres to experience them.

This film leaves one breathless from its visual beauty, its magnificent score and the choreography, indeed, of the two together. Mozart's life had the air of tragedy, and his undoubted genius speaks to us now and forever. This film is a monument to the skills of the writer, maker, performers and, of course, Mozart's music. If you have not yet done so, see it.