Antonio Salieri believes that Mozart's music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can't understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge.
Written by Khaled Salem
Milos Forman and Peter Shaffer spent four months adapting the very stylized play into a workable script. They added characters such as the priest, maid, archbishop, and mother-in-law; Mozart's character was enlarged beyond Salieri's perceptions; and Salieri's monologues were reworked visually.
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Goofs
Anachronisms:
When the confessor is waiting to enter Salieri's door from the hallway of the asylum, there is a woman sitting with her back to him (and the camera) talking to a patient. She is wearing a red business suit jacket with obvious, 80's style, shoulder pads.
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Quotes
[first lines]
Salieri:
Mozart! Mozart, forgive your assassin! I confess, I killed you... See more »
Crazy Credits
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus":
-The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787.
-His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace.
-The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia.
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