Amadeus (1984)

The incredible story of Wolfgang Amadeus Mozart, told in flashback by his peer and secret rival Antonio Salieri - now confined to an insane asylum.

Director:

Milos Forman

Writers:

Peter Shaffer (original stage play), Peter Shaffer (original screenplay)

Stars:

F. Murray Abraham, Tom Hulce, Elizabeth Berridge

Top 250 #91 | Won 8 Oscars. Another 33 wins & 13 nominations.

Cast

Cast overview, first billed only:
F. Murray Abraham	...	Antonio Salieri
Tom Hulce	...	Wolfgang Amadeus Mozart
Elizabeth Berridge	...	Constanze Mozart
Simon Callow	...	Emanuel Schikaneder / Papageno in 'The Magic Flute'
Roy Dotrice	...	Leopold Mozart
Christine Ebersole	...	Katerina Cavalieri / Constanza in 'Abduction from the Seraglio'
Jeffrey Jones	...	Emperor Joseph II
Charles Kay	...	Count Orsini-Rosenberg
Kenneth McMillan	...	Michael Schlumberg (2002 Director's Cut)
Kenny Baker	...	Parody Commendatore
Lisabeth Bartlett	...	Papagena in 'The Magic Flute'
Barbara Bryne	...	Frau Weber
Martin Cavina	...	Young Salieri (as Martin Cavani)
Roderick Cook	...	Count Von Strack
Milan Demjanenko	...	Karl Mozart

Storyline

Antonio Salieri believes that Mozart's music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can't understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge.

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Plot Keywords:

composer | emperor | musician | told in flashback | opera | 

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Taglines:

The man... The music... The madness... The murder... The motion picture...

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Genres:

Biography | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for brief nudity

Details

Country:

USA

Language:

English Italian Latin German

Release Date:

19 September 1984 (USA)

Also Known As:

Amadeus: The Director's Cut

Filming Locations:

Kromeríz, Czech Republic

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$86,764 (USA) (5 April 2002)

Gross:

$366,401 (USA) (17 May 2002)

Company Credits

Production Co:

The Saul Zaentz Company

Technical Specs

Runtime:

160 min 180 min (director's cut)

Sound Mix:

70 mm 6-Track (70 mm prints) Dolby Digital (director's cut) Dolby (35 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

According to Milos Forman's autobiography, one studio offered to provide funding for Amadeus on the one condition that Forman cast Walter Matthau (a reported Mozart enthusiast) for the role of Wolfgang Amadeus Mozart. Forman refused the offer, considering Matthau to be too old for the role.

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Goofs

The dancers in the opera/ballet scene are wearing costumes with zippers clearly visible.

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Quotes

[first lines]
Salieri: Mozart! Mozart, forgive your assassin! I confess, I killed you...

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Crazy Credits

"Amadeus" was originally a National Theater Production in London, then produced in America by The Shubert Organization, Elizabeth I. McCann/Nelle Nugent and Roger Berlind.

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Connections

Referenced in Film Geek (2005)

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Soundtracks

"Concerto for Piano in E flat, K482"
(1782-86)
Music by Wolfgang Amadeus Mozart (uncredited)
Performed by The Academy of St. Martin-in-the-Fields (as Academy of St Martin In The Fields)
Conducted by Neville Marriner
Instrumental Soloist: Ivan Moravec

User Reviews

Amadeus Speaks for All Mankind

In 1984, Saul Zaentz, Peter Shaffer and Milos Forman collaborated in bringing a truly remarkable life to the silver screen. The story of Wolfgang Amadeus Mozart, through the eyes of rival composer, Antonio Salieri. The film is complete with an insightful script (courtesy of Mr. Shaffer), magnificent acting, wondrous sets and costume designs, incredible choreography (thanks to Twyla Tharp), and, above all, the glorious music of Mozart himself.

The movie of Salieri's life, through which Mozart played an integral part, is told in flashback mode, beginning in around the year 1822. An old and perhaps emotionally disturbed Antonio Salieri attempts suicide, and in doing so, apologizes for killing Mozart some 31 years earlier. He survives and is admitted to an insane asylum, where he tells a young priest his tale of jealousy and mediocrity.

The priest is fascinated and alternately troubled by the lengthy and emotional story. Salieri tells of growing up in Italy with a father who did not care for music; and how he rejoiced for the chance to go to Vienna after his father's untimely death. He tells of how he first had met the young Mozart, and how immature and dirty minded Mozart was. He also tells of how "The Creature" had an intimate relationship with the girl that Salieri had cared for. Most importantly, however, he confided in the priest that he had learned to hate God for giving him a deep love of music, only to deny him the talent to create truly memorable music. He thought God had given him Mozart to mock him. Salieri's heart filled with such rage, such hatred and such jealousy, that he had vowed to himself to make God an enemy and to kill the young Mozart.

As the movie moves along, carrying with it a deep sadness of the human condition, it also celebrates life by giving the audience joyous music, wonderful atmosphere and a general appreciation of humanity for not only eighteenth century Europe, but in any age where music speaks for our emotions.

The movie won eight Academy Awards in March of 1985. The only reason it did not win nine was that Tom Hulce was nominated for best actor instead of best supporting actor. He actually was in a supporting role, and in a strange twist of irony, F. Murray Abraham won the best actor statuette; citing probably the only time when Salieri beat out Mozart in anything.

The movie itself was shot in Prague where Milos Forman said "(It) is a gem because it's possible to pivot the camera a full three hundred and sixty degrees and never encounter a modern vision." Very few new sets had to be built, as the scenes and buildings they found were quite often apropos to their needs.

Amadeus works well on virtually every cinematic plane that exists. It is a masterpiece that must be viewed multiple times to receive what the film has to offer. The emotions of humanity, through the eyes of the troubled Salieri, indeed speak for all of mediocrity. He is their champion and their king.