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Amadeus (1984)

 -  Biography | Drama | Music  -  5 April 1985 (USA)
8.4
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Ratings: 8.4/10 from 216,017 users   Metascore: 93/100
Reviews: 510 user | 125 critic | 12 from Metacritic.com

The incredible story of Wolfgang Amadeus Mozart, told by his peer and secret rival Antonio Salieri - now confined to an insane asylum.

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Writers:

(original stage play), (original screenplay)
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Title: Amadeus (1984)

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Top 250 #91 | Won 8 Oscars. Another 34 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Charles Kay ...
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Papagena (as Lisabeth Bartlett)
Barbara Bryne ...
Martin Cavina ...
Young Salieri (as Martin Cavani)
Roderick Cook ...
Milan Demjanenko ...
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Storyline

Antonio Salieri believes that Mozart's music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can't understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge. Written by Khaled Salem

Plot Summary | Plot Synopsis

Taglines:

The man... The music... The madness... The murder... The motion picture... See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for brief nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| | |

Release Date:

5 April 1985 (USA)  »

Also Known As:

Amadeus: The Director's Cut  »

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$86,764 (USA) (5 April 2002)

Gross:

$366,401 (USA) (17 May 2002)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

(70 mm prints)| (director's cut)| (35 mm prints)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Only four sets needed to be built: Salieri's hospital room, Mozart's apartment, a staircase, and the vaudeville theater. All other locations were found locally. See more »

Goofs

At the first meeting of Mozart, Emperor Josef II finishes playing the march for Mozart and as he stands, he picks up the parchment from the piano. As Mozart kneels to kiss the Emperor's hand, the parchment is still held by the Emperor. When Mozart stands, the parchment is back on the piano, remaining there until the Emperor turns and steps back to pick it up. See more »

Quotes

[first lines]
Salieri: Mozart! Mozart, forgive your assassin! I confess, I killed you...
See more »

Crazy Credits

"Amadeus" was originally a National Theater Production in London, then produced in America by The Shubert Organization, Elizabeth I. McCann/Nelle Nugent and Roger Berlind. See more »

Connections

Referenced in Blow Dry (2001) See more »

Soundtracks

Le Nozze di Figaro (The Marriage of Figaro), K.492: Act 1 - Non Più Andrai (Overture)
(uncredited)
Written by Wolfgang Amadeus Mozart
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A triumph of genius
9 September 2000 | by (Samara, Russia) – See all my reviews

"Amadeus", while historically inaccurate in numerous ways, is a brilliant film. Its central character is not a man but an attribute of man at his most remarkable: genius. Mozart's genius was at the highest level, on par with Shakespeare, Michelangelo and Balanchine. Forman knew this when he undertook translating Peter Shaffer's play. Although most of the acting is on a very high plane, the actors themselves are not top tier, not should they be. A famous, easily recognizable actor would have detracted from the central thesis that genius is greater than the one on whom it has been entrusted. Mozart was, of course, deeper than the character shown in the movie, but no personal life could equal the extent and depth of the musical genius that flowed from this little man. The letters he sent to his father show a remarkable sensitivity and depth of understanding. However, they are not paradigms of literary greatness. The immense contribution of W. A. Mozart lay in some of the most sublime music ever written. Fortunately, the film gave us snippets of some of the real gems in the Mozart canon: the great C Minor Mass, the Requiem and "Don Giovanni". Forman realized that no human being will ever be great enough or have the background to pen such masterpieces without intervention from elsewhere. This is certainly true of Shakespeare as well. So what we have here, ultimately, is a celebration of genius, that great gift to mankind that nearly always proves to be too much for the person who is chosen to manifest it to the rest of us. Many thanks to Milos Forman for the wisdom to keep out of the way and allow genius to shine through. In that sense, "Amadeus" is an exercise in humility. Few films come across as blessings for those who experience them. "Amadeus" is one such film.


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