Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Written by
The young boy that Mozart smiles at in the party scene as he plays the piano is supposed to be the young Beethoven. See more »
When Mozart is conducting "The Marriage of Figaro", the Emperor can be seen yawning in the background. He is shown yawning about two minutes later, and Salieri specifically states that the Emperor only yawned once during the performance. See more »
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia. See more »
When the two worlds of Antonio Salieri and Wolfgang Amadeus Mozart collide in Milos Forman's Amadeus, it is anything but a symphony. As the court composer of the Emperor of Austria, all Salieri desires are fame and recognition as a composer; it is all he had wanted his whole life. When he learns that Mozart, whose name he had known as long as he can remember, is going to come to the court to play, Salieri cannot wait to meet the outstanding and righteous man that he knows he must be. However, when Salieri learns that Mozart is a young, crude, and unrefined young man, endowed with all the talent and ability that he ever wanted and strived for, it plants a seed of jealousy that soon grows into bitter resentment and hatred, not only for Mozart, but also towards God. Salieri's desire to get rid of him is seemingly boundless as he plots and schemes for Mozart's demise. It is no wonder why Amadeus won eight Academy Awards, including Best Picture, with 5-Star performances by F. Murry Abraham as Antonio Salieri and Tom Hulce as Mozart. Amadeus is an emotionally charged and tragic piece, a story of the life of one of the world's most famous composers, as seen through the eyes of his worst enemy.
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