Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Written by
Salieri says that Mozart composed his first concerto at the age of four, his first symphony at seven, and a full-scale opera at twelve. Modern scholarship believes that Mozart wrote his first symphony (Symphony No 1 in E flat, K16) at the age of eight, and his first concerto (Piano Concerto No 1 in F, K37) at eleven. As for opera, the term "Full-scale" is open to interpretation, but most would cite La Finta Simplice, K46a, written when Mozart was twelve. However, Mozart's father routinely lied about his son's age to make him seem even more of a prodigy, so Salieri's statement was quite possibly what was then believed. See more »
During "The Abduction from the Seraglio" performance, we see Kappelmeister Bonno watching from the box seat with two ladies flanking him. Milos Forman had the actors, including the extras in the adjacent box seat, remain in their positions to film a brief shot for a scene later in the movie (during "The Marriage of Figaro" opera, where we see Kappelmeister Bonno tapping his nose and smiling because the Emperor yawned). The result of this economical use of equipment and actors is that Kappelmeister Bonno, flanking ladies and extras all appear to have attended both operas sitting in the same seats and wearing the exact same clothing, wigs, jewelry and makeup. See more »
Before I saw this movie, I respected Mozart's genius, but his music wasn't my cup of tea. Beethoven was more to my taste, I tended more toward heavier classics. But this movie moved me to tears, especially at the end when they did Mozart's REQUIEM while he was working on what was to be his last piece of music. Now, I'm a Mozart fiend. This was a great movie. True, there are some historical inaccuracies. Anyone who has studied music history knows that Sallieri did not help Mozart with his Requiem. It was a student of his named Sussmayer. But it does make this story ironic, that the man who was so dedicated to the ruination of Mozart ended up helping him in the end. (I question the historical accuracy of that as well.) I recently bought the director's cut to this movie. Until I saw the director's cut, Sallieri seemed like a more sympathetic character, someone who just couldn't buy a break. Who can't identify with that? But after seeing the director's cut and seeing what I think is an important scene between Sallieri and Mozart's wife, he seemed more like a jerk. You also understand why Frau Mozart was so rude to Sallieri at the end of the movie, whereas before, you see the next to the last scene and you think, "Whoa! Where did this come from?" This was a great movie, for entertainment value only. If you want historical accuracy, watch a documentary or read a biography from the library or something. Because of this movie, I am now a rabid Mozart fan. If the movie can make Mozart converts, then it can't be bad at all.
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