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Gandhi's character is fully explained as a man of nonviolence. Through his patience, he is able to drive the British out of the subcontinent. And the stubborn nature of Jinnah and his commitment towards Pakistan is portrayed.
Antonio Salieri believes that Wolfgang Amadeus Mozart's music is divine and miraculous. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. He began his career as a devout man who believes his success and talent as a composer are God's rewards for his piety. He's also content as the respected, financially well-off, court composer of Austrian Emperor Joseph II. But he's shocked to learn that Mozart is such a vulgar creature, and can't understand why God favored Mozart to be his instrument. Salieri's envy has made him an enemy of God whose greatness was evident in Mozart. He is ready to take revenge against God and Mozart for his own musical mediocrity. Written by
At the first meeting of Mozart, Emperor Josef II finishes playing the march for Mozart and as he stands, he picks up the parchment from the piano. As Mozart kneels to kiss the Emperor's hand, the parchment is still held by the Emperor. When Mozart stands, the parchment is back on the piano, remaining there until the Emperor turns and steps back to pick it up. See more »
The producer, screenplay writer and director thank the following for their boundless assistance in our effort to present the physical authenticity and aura you have seen and felt in "Amadeus": -The National Theatre of Czechoslovakia and Prague's Tyl Theatre management for allowing us to film in the Tyl sequences from the operas: "Abduction from the Seraglio," "The Marriage of Figaro," and "Don Giovanni." It was actually in this magnificently preserved theatre that Wolfgang Amadeus Mozart conducted the premiere performance of "Don Giovanni" on October 29, 1787. -His Eminence Cardinal Frantisek Tomasek for his kindness in permitting us to use his beautiful residence headquarters in Prague as the Emperor's palace. -The Barrandov Studios and CS Filmexport for their help in filming "Amadeus" in Prague and in castles and palaces throughout Czechoslovakia. See more »
Before I saw this movie, I respected Mozart's genius, but his music wasn't my cup of tea. Beethoven was more to my taste, I tended more toward heavier classics. But this movie moved me to tears, especially at the end when they did Mozart's REQUIEM while he was working on what was to be his last piece of music. Now, I'm a Mozart fiend. This was a great movie. True, there are some historical inaccuracies. Anyone who has studied music history knows that Sallieri did not help Mozart with his Requiem. It was a student of his named Sussmayer. But it does make this story ironic, that the man who was so dedicated to the ruination of Mozart ended up helping him in the end. (I question the historical accuracy of that as well.) I recently bought the director's cut to this movie. Until I saw the director's cut, Sallieri seemed like a more sympathetic character, someone who just couldn't buy a break. Who can't identify with that? But after seeing the director's cut and seeing what I think is an important scene between Sallieri and Mozart's wife, he seemed more like a jerk. You also understand why Frau Mozart was so rude to Sallieri at the end of the movie, whereas before, you see the next to the last scene and you think, "Whoa! Where did this come from?" This was a great movie, for entertainment value only. If you want historical accuracy, watch a documentary or read a biography from the library or something. Because of this movie, I am now a rabid Mozart fan. If the movie can make Mozart converts, then it can't be bad at all.
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