| Barry Stokes | ... | Anders | |
| Sally Faulkner | ... | Josephine | |
| Glory Annen | ... | Jessica | |
| Sandy Chinney | ... | Sandy | |
| Eddie Stacey | ... | 1st Policeman | |
| Jerry Crampton | ... | 2nd Policeman | |
| rest of cast listed alphabetically: | |||
| Derek Kavanagh | ... | Radio DJ (voice) (uncredited) | |
Directed by | |||
| Norman J. Warren | |||
Writing credits(in alphabetical order) | ||
| Max Cuff | writer | |
| Quinn Donoghue | story | |
Produced by | |||
| Terry Marcel | .... | producer (as Terence Marcel) | |
| Kevin J.J. O'Driscoll | .... | executive producer | |
| David Wimbury | .... | producer | |
Original Music by | |||
| Ivor Slaney | |||
Cinematography by | |||
| Derek V. Browne | (director of photography) | ||
Film Editing by | |||
| Alan Jones | |||
Art Direction by | |||
| Hayden Pearce | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist | |
Production Management | |||
| Derek Kavanagh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Nigel Goldsack | .... | assistant director | |
| Iain White | .... | assistant director | |
Art Department | |||
| Charles Torbett | .... | property master | |
Sound Department | |||
| Robin Gregory | .... | sound mixer | |
| Bob Jones | .... | sound mixer | |
| Jim Roddan | .... | dubbing editor | |
| Terry Sharratt | .... | boom operator | |
| Doug E. Turner | .... | dubbing mixer | |
Stunts | |||
| Eddie Stacey | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe | |
Editorial Department | |||
| Geraldine Eaton | .... | assistant editor | |
| Ean Wood | .... | assistant editor | |
Transportation Department | |||
| Dan Cressy | .... | transportation | |
Other crew | |||
| Mary Dalison | .... | script supervisor | |
| Beryl Harvey | .... | production assistant | |
| Lynda Levy | .... | unit publicist | |
| Francine Taylor | .... | assistant to producers | |
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| Nowhere | Boulevard | Freeway | Flesh Gordon | Monster |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
A quick peek at the IMDb trivia section teaches us that "Prey" was shot in only ten days and that most of the script actually had to be improvised during shooting. These usually aren't very good signs, especially not when the director already holds the reputation of delivering movies with a low level of quality. Norman J. Warren's other films (like "Inseminoid" and "Satan's Slave") are fun but extremely unoriginal, mainly revolving on graphic bloodshed and copious amounts gratuitous sleaze. "Prey" is exactly like that, but now he totally didn't even bother to come up with a script. The result is a bizarre and often laughable film that makes no sense whatsoever, but the whole ineptness is irresistibly charming nevertheless. The story goes like this: An alien, who goes by the name of Keator, arrives in rural England with a mission to research possible new food sources to save his whole species, but the poor sucker never makes it further than the isolated mansion of two crazed lesbians. He ends up living with them; they dress him up in women's clothing like he's their third lesbian toy-girl and together they hunt down a fox. When the poor animal is eventually dead, they celebrate it with a giant party, which is just a little over-the-top if you ask me. In the meantime, Keator whose human name is Anders Anderson (!) develops a more or less intimate relationship with the youngest lesbian and she slowly falls for him. For you see, she's not a real lesbian but just an insecure girl and the other is a scary dominatrix that literally forces the young girl to be her lover. It's a mad world, indeed. The whole middle-section of "Prey" is rather tedious and uneventful, and only hilariously cheesy & inept dialogs keep it tolerable to sit through. Then the climax is extremely gross and bloody with a sudden massacre. Surely the sick puppies and avid admirers of 70's exploitation will appreciate the graphic bloodshed of the finale, but it comes ridiculously abrupt, like Warren suddenly got tired of his film and wanted to end it, and it totally misfits the rest of the film's tone. "Prey" is a pretty bad but curiously intriguing 70's trash-film, inclusively intended for fans of this type of cinema.