In the far future water is the most valuable substance. Two space pirates are captured, sold to a princess, and recruited to help her find her father who disappeared when he found ... See full summary »
Michael D. Roberts
A post-apocalyptic tale based on a novella by Harlan Ellison. A boy communicates telepathically with his dog as they scavenge for food and sex, and they stumble into an underground society ... See full summary »
Neurosurgeon/Rock Star/Superhero Buckaroo has perfected the oscillation overthruster, which allows him to travel through solid matter by using the eighth dimension. The Red Lectroids from Planet 10 are after this device for their own evil ends, and it's up to Buckaroo and his band and crime-fighting team The Hong Kong Cavaliers to stop them. Written by
Jon Reeves <firstname.lastname@example.org>
Ronald Lacey was dubbed by a well known American actor. See more »
During the jet-car test, after they have launched, radio traffic is heard saying "APU start is go". This refers to an auxiliary power unit, a small engine used to run systems and start main engines. This shouldn't be needed after launch. It is also heard prior to launch, and makes much more sense then. See more »
During the closing credits, Buckaroo's team assembles, one by one, walking along. Included in the group is Clancy Brown, whose character, Rawhide, dies during the film. (There is a claim that his character is not dead but in a coma under constant supervision and that was simply never dealt with in the film.) Also in the Closing Credits, Perfect Tommy's (played by Lewis Smith) outfit changes See more »
W.D Richter's Buckaroo Banzai succeeds on many levels, thanks to a wonderfully droll sensibility and inspired casting. Peter Weller lends a perfect, dead-pan seriousness to the very 'out there' proceedings, while John Lithgow chews up the scenery as the fiendish Dr. Lizardo. Ellen Barkin is particularly fetching as Penny Priddy, while Jeff Goldblum stakes out his turf with an engaging feverishness that is all his own. Christopher Lloyd takes a relatively low-key approach to his role and does well for it, allowing for Lithgow's extravagance. Welding the pieces together is a delirious, kinetic script by Earl M. Rauch.The film, although essentially a spoof of science fiction films and comic book superheroes, remains a delightful, inventive enigma of eighties cinema. The look of the picture is quite good, and (considering it's meager budget) highly-digestible. Given that the film never found a mass audience, it is surprising that so many individuals seem to remember it as vividly, and as fondly as they do. I can only hope that after everyone has gotten their fill of a certain "galaxy far, far away", that a return to the more substantial basics of storytelling and characterization is deemed imperative. Meanwhile sit back, relax, and laugh yourself silly with a charming, 'little' film that tends to be so much more.
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