6.5/10
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29 user 4 critic

Who's the Boss? 

Tony Micelli, a retired baseball player, becomes the housekeeper of Angela Bower, an advertising executive in New York. Together they raise their kids, Samantha Micelli and Jonathon Bower, with help from Mona Robinson, Angela's man-crazy mother.
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Won 1 Golden Globe. Another 17 wins & 30 nominations. See more awards »
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Cast

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Storyline

Former major-leaguer Tony Micelli and his daughter Samantha arrive at the Connecticut household of executive Angela Bower, where Tony has taken a job as live-in housekeeper. The Bowers are an interesting family, to say the least. Angela is uptight and obsessed with her work. Her son Jonathan is shy and lacks self-esteem, and her mother, Mona, is a man-hungry vixen. Tony soon wins them over with his laid-back style, and the Bowers soon begin to loosen up. Over time, romantic tensions begin to surface between Angela and Tony, and we see the children grow up. Written by Jason A. Cormier <wildrose@mindspring.com>

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Genres:

Comedy | Family | Romance

Certificate:

TV-G | See all certifications »

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Release Date:

20 September 1984 (USA)  »

Also Known As:

Quién manda a quién?  »

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Aspect Ratio:

4:3
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Did You Know?

Trivia

In "Car and Driver", it is revealed that Tony's middle name is Morton. See more »

Quotes

Tony: But here's the thing... Uhm... Did I ever tell you how terrific you are and how happy I am with this job?
Angela: I feel a "but" coming on.
Tony: Nonono, no buts. HOWEVER...
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Soundtracks

Brand New Life
Music by Blake Hunter and Robert Kraft
Lyrics by Larry Carlton
Performed by Steve Wariner (Seasons 1 and 2), Larry Weiss (Seasons 3 - 5), Jonathan Wolff (Seasons 6 - 8)
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User Reviews

Great writing and acting
14 November 2000 | by See all my reviews

This show is one of my favorites to watch in re-runs. The quality of acting among the main characters elevated this to a level close to that of a good stage play, rather than that of the throwaway sitcoms that are so prevalent in prime time nowadays. The writers and actors together did a wonderful job of creating and maintaining emotional and sexual tension between Angela and Tony. It's so effective that in certain parts of some episodes I can feel the heart-pounding, did-he-mean-what-I-thought-he-meant, oh-my-gosh-I-think-he-really-likes-me tension right along with the characters in the show. And that kind of emotional effect just doesn't happen often with TV shows. It shows especial skill that they were able to maintain the chemistry and tension over an eight-year period, without it wearing thin or becoming too predictable.

Judith Light is a wonderful actress. It is a mystery to me why she has been stuck in the realm of made-for-TV movies and infomercials since the end of this series. I think she belongs on the stage, personally. And to me, Tony Danza will always be Tony "oh hey, hey oh!" Micelli.

They never should have brought in Billy, though. He was a cute kid, but at that point the show foundered for a while. It did recover in the last season and the final episode actually leaves me in tears when I see it.


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