What is scurrying around inside the closet of the upstairs room that grad student Gail Aynsley rents from veterinary school dean Dr. Fenner? Gail doesn't know, but she is determined to find out and ...
An exclusive all-new interstitial content for the first time in 15 years. See the Cryptkeeper take a blast through the past, decomposing the best of the '70s, '80s, '90s and '00s, on his way to welcoming in 2013.
Rhianne Paz Bergado
A horror anthology about a family of monsters watching a different horror story every week on their TV. Each tale is separate, often cautionary with occasional dark humor and irony and features various deadly creatures.
Pamela Dean Kelly,
Michael J. Anderson
Each episode of this TV series depicts a short, strange tale...with a twist! With eerie stories vaguely reminiscent of 'The Twilight Zone,' viewers learn to appreciate that things are often not as they seem. The usual plot formula is comprised of an initial normal, mundane situation that gradually begins to get off-kilter, with suspense building up to the final, chilling, surprise conclusion. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The series originally aired as a pilot in October 1983 as "Trick Or Treat" starring Barnard Hughes. Apparently, this was before it became "Tales From The Darkside". The original broadcast wasn't intended as a episode of it until the "Tales From The Darkside" intro was tacked on future repeats of it. See more »
Man lives in the sunlit world of what he believes to be reality. But... there is, unseen by most, an underworld, a place that is just as real, but not as brightly lit... a Darkside.
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The premise which inspired "Distant Signals" is guaranteed to ignite the inspiration of anyone who has loved the characters of a TV series. Mr. Smith (Lenny Von Dohlen), an otherworldly visitor, approaches the creator of a 1965 detective series (David Margulies) which was canceled in mid-season. This "fan" offers him $2 million - in gold - to write and direct six more episodes, including a vital series finale, which will remove the wandering hero from "limbo." Darren McGavin, with heartbreaking pathos, portrays the actor who is physically and metaphysically transformed from an aging dead-drunk bartender into his former self as a mythic star. This peculiarly "impossible," yet patently real idea glows with magic and life as an example of how a mere half hour installment of a small screen anthology can represent "the height of televisual art."
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