IMDb > "Shaka Zulu" (1986)

"Shaka Zulu" (1986) More at IMDbPro »TV mini-series

Overview

User Rating:
7.8/10   546 votes
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Director:
William C. Faure
Writer:
Joshua Sinclair (writer)
Contact:
View company contact information for Shaka Zulu on IMDbPro.
Release Date:
24 November 1986 (USA) more
Genre:
Drama | History | War more
Plot:
Actually, the movie begins and lasts mostly through the reign of George IV, the latter Queen Victoria incidents were classified as the "Zulu Wars". Shaka was dead by then. full summary
Plot Keywords:
more
User Comments:
Zulu History carefully reconstructed!! more (9 total)

Cast

  (Series Cast overview, first billed only)
Edward Fox ... Lt. Francis Farewell
Robert Powell ... Dr. Henry Fynn / Narrator
Trevor Howard ... Lord Charles Somerset
Fiona Fullerton ... Elizabeth Farewell

Christopher Lee ... Lord Bathurst
Henry Cele ... Shaka
Dudu Mkhize ... Nandi
Roy Dotrice ... King George IV
Gordon Jackson ... Prof. Bramston
Kenneth Griffith ... Zacharias Abrahams
Conrad Magwaza ... Senzagakona
Patrick Ndlovu ... Mudli
Roland Mqwebu ... Ngomane
Gugu Nxumalo ... Mkabayi
Tu Nokwe ... Pampata
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Additional Details

Runtime:
300 min
Country:
USA | Italy | Australia | South Africa | West Germany
Language:
English
Color:
Color
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono
Certification:
Argentina:13 | Australia:M | UK:15 | Singapore:PG
Filming Locations:
South Africa
Company:
Harmony Gold more

Fun Stuff

Trivia:
Based on Joshua Sinclair's own novel "Shaka Zulu", itself based on the oral tradition of the Zulu people. more
Quotes:
Dr. Henry Fynn: It would appear that Sommerset was right, wouldn't it? It all comes down to blowing their heads off. more
Movie Connections:
Referenced in "The Shield: The Spread (#1.3)" (2002) more

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User Comments

   (Comment on this title)
5 out of 8 people found the following comment useful.
Zulu History carefully reconstructed!!, 22 June 2007
8/10
Author: njmollo from London

"Shaka Zulu" the ten part mini-series is an interesting mix of good film-making and bad film-making. Certain scenes are beautifully done and perfectly paced while others seem to be the work of a bored and untalented film student.

The late William C. Faure's talent as a director really starts to shine when the story is told from the Zulu point of view. For instance, the love scene between Nandi and Senzagakona at the river is beautifully played and executed. The scenes with the young Shaka are generally over played and poorly directed. All the scenes with the British are of a poor standard especially the pontificating and condescending opening scene with the Zulu King and Queen Victoria. The best British scenes are the ones involving Christopher Lee.

The acting is generally of a very high standard. Edward Fox is as good as always. He plays his part with dash and honesty rarely seen nowadays. Robert Powell is his usual studied and self-conscious self. The beautiful Dudu Kkhize portrays Nandi and for the most part she is very good.

The most remarkable performance has to be that of Henry Cele as Shaka. It is hard, if not impossible, to imagine anyone else in the part of Shaka. He is simply perfect in every aspect and is a surprisingly good actor. It is possible to empathize with Shaka, even understand him and this is because of the towering performance given by Henry Cele. He lets you inside the mind of this despot and translates his pain, confusion and arrogance. This has to be one of the best pieces of casting in cinema history. Conrad Magwaza gives a great performance as Shaka's father, Senzagakona. He plays the part with confidence, comedy and charm.

The production design and costumes for the Zulu sequences are first class. Also a remarkable amount of historically accurate material finds itself within the script and this has to be commended. The death of Shaka is open to interpretation but it is generally believed that a relative poisoned him.

The contrasting styles of film-making that abound in this production are a shame. An inept scene usually follows an excellent one and visa versa. I am sure this was partly due to the tight scheduling and production constraints.

The musical score is dated and histrionic. A low quality keyboard orchestra pervades scenes that need no accompaniment and destroys certain well-crafted moments. The songs are pretty cheesy as well. With the wealth of extraordinary Zulu music that exists, it is a shame that the score could not have utilized its rhythms and instruments to a more satisfying degree.

Having so little African history on film, this mini series has to be classed as a classic. The whole experience is rewarding, exciting and surprisingly refreshing.

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