"Robin of Sherwood" (1984) TV series 1984-1986

User Rating:

8.7/10   

Creator:

Richard Carpenter

Seasons:

1 | 2 | 3

Release Date:

28 April 1984 (UK)

Genre:

Action | Fantasy | Drama

Plot:

A forest mystical being appoints two men in succession as the legendary outlaw defender of the oppressed.

Plot Keywords:

Outlaw | Magic | Cult Favorite | Fencing | Swashbuckler

Awards:

1 win & 1 nomination

Cast

Peter Llewellyn Williams	...	Much (24 episodes, 1984-1986)
Ray Winstone	...	Will Scarlet (24 episodes, 1984-1986)
Clive Mantle	...	Little John (24 episodes, 1984-1986)
Mark Ryan	...	Nasir (24 episodes, 1984-1986)
Judi Trott	...	Lady Marion / ... (24 episodes, 1984-1986)
Phil Rose	...	Friar Tuck / ... (24 episodes, 1984-1986)
Robert Addie	...	Sir Guy of Gisburne (21 episodes, 1984-1986)
Nickolas Grace	...	Robert de Rainault / ... (17 episodes, 1984-1986)
John Abineri	...	Herne the Hunter (17 episodes, 1984-1986)
Jason Connery	...	Robert of Huntingdon / ... (13 episodes, 1986)
Michael Praed	...	Robin of Loxley (11 episodes, 1984-1985)

Also Known As:

Robin Hood (USA)

Runtime:

60 min (24 episodes)

Country:

UK

Language:

English

Color:

Color

Certification:

Australia:PG | UK:PG

Filming Locations:

Alnwick Castle, Alnwick, Northumberland, England, UK

Company:

Goldcrest Films International

Trivia:

First series director 'Ian Sharp' used an effect during a zoom by freezing and skipping frames for one shot in the opening credits. His successor Robert Young loved it so much he started to use it all the time.

Quotes:

Robin of Loxley: Nothing is forgotten. Nothing is ever forgotten.

Movie Connections:

Spoofed in "Maid Marian and Her Merry Men: The Whitish Knight (#1.6)" (1989)

Soundtrack:

Robin (The Hooded man)

The best retelling of the Robin Hood legend - ever!

This retelling weaves myth and magic with the Robin Hood legend and, indeed, Robin becomes associated with the forest god, Herne the Hunter reinforcing the idea that Robin is a medieval incarnation of The Green Man (the 'foliate head' of the old religion which is often found carved on many churches).

The scripts were were well written, the plotting well thought out and the characters - and ensemble cast - excellent. In particular, congratulations to Mark Ryan - who became Nasir the Saracen. Due to be killed off at the end of the the first episode, he was so good, that he remained as a permanent cast member.

Ultimately, though, the series' immediate appeal was due to the amazing on-screen chemistry between its two leads, Michael Praed and the beautiful Judi Trott as (the first) Robin and his Marion. Praed's youthful, dark, good looks had an almost 'fey' quality which made the magical element entirely believable. (And by 'fey' I don't mean to imply any loss of masculinity.) The first two seasons - with Praed - were by far the best.

In the third season, Jason Connery had a hell of a task following an actor so perfect for the Robin role, but he did reasonably well and the strong ensemble cast carried the change of lead well. Richard Carpeneter's wise decision to make the new 'Robin Hood' a completely different character with a completely different background was a very wise move.

I suppose any review should mention the immense debt Costner's Robin Hood Prince of Thieves owes to Robin of Sherwood. Some might say that 'debt' was putting it mildly! Costner not only retained the Saracen (who until Nasir had never been a Robin Hood character at all) but he filmed in many of the same locations; used the same horsemaster (Stevie Dent) and clung to the magical elements - though being a good old American boy stuck to the idea of Christianity good - old religion bad, whereas Robin of Sherwood often showed the political corruption of the Church (historically accurate)and the simple spirituality of the old religion (unrelated to 'black' magic). Alan Rickman's OTT sheriff was a wilder version of Nickolas Grace's sly characterisation.

What more can I say? If you've never seen Robin of Sherwood, rush out and buy the complete thing on DVD - I guarantee you'll watch it again and again for the lovely filmic quality of the camera work, the leisurely but never dull pacing (which invests in the attention span and intelligence of its audience), the acting, the ideas, the very real emotional kick and (much praised) the delightful music by Clannad.

And did I mention Michael Pread...?