Three vietnam veterans (Nick Ryder, Cody Allen and Murray Bozinsky) now work as private eyes in sunny southern California. Nick and Cody are the muscles and Murray is a computer wizard of ... See full summary »
Due to a political conspiracy an innocent man is sent to death row and his only hope is his brother who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out from the inside out.
Two New York cops get involved in a gang war between members of the Yakuza, the Japanese Mafia. They arrest one of their killers and are ordered to escort him back to Japan. In Japan, ... See full summary »
Stubble-faced detective Crockett lived in a sailboat guarded by his alligator Elvis. His partner Tubbs was a black New York cop looking for his brother's killer. Together they took on the Florida drug world. The show influenced men's fashions toward Italo-casual and interior decor toward the Memphis look. Very trendy music and unusual guest performers. Written by
Ed Stephan <firstname.lastname@example.org>
Michael Mann was inspired to create the show's trademark pastel color scheme after a visit to a paint store. See more »
In the beginning of the episode "Calderon's Return, Part 1", a hired assassin, supposedly one of the best in the world, is seen putting on surgical gloves to keep his fingerprints off the gun he is about to use. However, before he puts on the gloves, he moves the gun off of them by touching the gun butt with his fingertips. See more »
Three episodes of the series have these additional songs playing at the closing credits instead of the show's original theme song: "Calderone's Return": Tina Turner - "What's Love Got to Do With It?"; this song plays over footage of Crockett and Tubbs riding a speedboat, plus flashbacks of Tubbs and Angelina. "Phil the Shill": Phil Collins - "Life is a Rat Race" and "Freefall" (final episode): Terry Kath - "Tell Me"; this song plays over a montage of scenes from the show. See more »
Although made for television this show portrayed a real street presence not often found in the public domain. Having lived through this period and witnessed, first hand, the "drug culture," and its effect on the population, the program stands as a warning to those who want to experiment, the nightmare to the general population, and the ever-present danger and bravery of the police who try to cope with this never-ending misery. The daily antics of Crocket and Tubbs, the characters they meet, the villains and the heroes of their streets,make the reality palatable while at the same time shrouding their discomfort with humor, e.g., Izzy, material breaking down, glitzy surroundings. Well worth watching many times over.
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