Stubble-faced detective Crockett lived in a sailboat guarded by his alligator Elvis. His partner Tubbs was a black New York cop looking for his brother's killer. Together they took on the Florida drug world. The show influenced men's fashions toward Italo-casual and interior decor toward the Miami look. Very trendy music and unusual guest performers. Written by
Ed Stephan <firstname.lastname@example.org>
The Ferrari Daytona Spider driven by Crockett and Tubbs in seasons one and two was in actuality a kit car. A plexiglass body on top of a Chevy Corvette chassis with a Corvette power plant on Pirelli tires. This was done by producers in order to save cost over using a genuine Daytona Spider. And then Ferrari CEO Enzo Ferrari did not like the fact a kit car was used therefore the auto maker offered the use of a new white Ferrari Testarossa for seasons three to five. See more »
In the beginning of the episode "Calderon's Return, Part 1", a hired assassin, supposedly one of the best in the world, is seen putting on surgical gloves to keep his fingerprints off the gun he is about to use. However, before he puts on the gloves, he moves the gun off of them by touching the gun butt with his fingertips. See more »
You just got to learn to go with the heat, Rico. It's just like life. You just gotta keep telling yourself, no matter how hot it gets, sooner or later there's a cool breeze coming in.
Det. Ricardo Tubbs:
Should I write that down?
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Three episodes of the series have these additional songs playing at the closing credits instead of the show's original theme song: "Calderone's Return": Tina Turner - "What's Love Got to Do With It?"; this song plays over footage of Crockett and Tubbs riding a speedboat, plus flashbacks of Tubbs and Angelina. "Phil the Shill": Phil Collins - "Life is a Rat Race" and "Freefall" (final episode): Terry Kath - "Tell Me"; this song plays over a montage of scenes from the show. See more »
Although made for television this show portrayed a real street presence not often found in the public domain. Having lived through this period and witnessed, first hand, the "drug culture," and its effect on the population, the program stands as a warning to those who want to experiment, the nightmare to the general population, and the ever-present danger and bravery of the police who try to cope with this never-ending misery. The daily antics of Crocket and Tubbs, the characters they meet, the villains and the heroes of their streets,make the reality palatable while at the same time shrouding their discomfort with humor, e.g., Izzy, material breaking down, glitzy surroundings. Well worth watching many times over.
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