A scientist who has created a super helicopter has defected to Libya and taken the machine with him. A secretive government agency hires an ex-Vietnam War pilot to go to Libya, steal the chopper and bring it back.
Donald P. Bellisario
Stubble-faced detective Crockett lived in a sailboat guarded by his alligator Elvis. His partner Tubbs was a black New York cop looking for his brother's killer. Together they took on the Florida drug world. The show influenced men's fashions toward Italo-casual and interior decor toward the Miami look. Very trendy music and unusual guest performers. Written by
Ed Stephan <email@example.com>
NBC originally wanted to spin off the characters of Officers Renko (a white cop raised in the South) and Hill (a black cop raised in the East) from Hill Street Blues (1981) into their own show, but decided not to when it was discovered that they were two of the most popular characters with viewers of the show. However, network executives liked the idea, and eventually it was incoporated into the characters of Sonny Crockett (white cop raised in the South) and Ricardo Tubbs (black cop raised in the East) on this show. See more »
In the beginning of the episode "Calderon's Return, Part 1", a hired assassin, supposedly one of the best in the world, is seen putting on surgical gloves to keep his fingerprints off the gun he is about to use. However, before he puts on the gloves, he moves the gun off of them by touching the gun butt with his fingertips. See more »
Three episodes of the series have these additional songs playing at the closing credits instead of the show's original theme song: "Calderone's Return": Tina Turner - "What's Love Got to Do With It?"; this song plays over footage of Crockett and Tubbs riding a speedboat, plus flashbacks of Tubbs and Angelina. "Phil the Shill": Phil Collins - "Life is a Rat Race" and "Freefall" (final episode): Terry Kath - "Tell Me"; this song plays over a montage of scenes from the show. See more »
I won't bore you with what I think are the best episodes, but season 2 was where I started watching it originally as a kid and I've revisited the show again on DVD just recently some 25 years later
The things that strike me now are that Don Johnson is a damn fine actor, Jan Hammers music was and is awesome, and the show had a noticeable upturn in production values from around about 'Yankee Dollar' onward - from that moment we have real on-set undubbed dialogue, proper location ambiences, camera shots onboard speed boats. It really does get awesome from here. I just watched the episode and loved it
You can tell that Mann is primed and ready to get into film work at this point and really had honed his skills as a Producer
All I can tell you is if you've never seen it, watch the show. It has Edward James Olmos who went on to star in my other favourite TV show of all-time 'Battlestar Galactica'. Don Johnson who really should be recognized for his acting talents imho and some of the coolest music you will ever hear in a TV show in Season 2. I'm definitely not talking about the pop music btw, but the Jan Hammer tracks - if you like vintage retro synths you will absolutely love it
While some of the fashion styles might seem silly now, interestingly Miami Vice had a huge influence on popular culture and fashion during the 80's rather than vice versa. I still think Sonny and Crocket look slick most of the time, but some of the extras do look like aliens from outer space, and the shorts are Bjorn Borg short!!! The 80's were a pretty crazy decade
Great show. Brings back a lot of memories seeing it again, and very satisfying that Michael Mann went on to become one of the best movie Directors of all time with films like 'Manhunter' and 'Heat'
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