| Lee Van Cleef | ... | John Peter McAllister / ... (13 episodes, 1984) | |
| Timothy Van Patten | ... | Max Keller (6 episodes, 1984) |
Series Directed by | |||
| Sidney Hayers | (3 episodes, 1984) | ||
| Gordon Hessler | (3 episodes, 1984) | ||
| Ray Austin | (2 episodes, 1984) | ||
Series Writing credits | ||
| Michael Sloan | (11 episodes, 1984) | |
| Susan Woollen | (7 episodes, 1984) | |
| Tom Sawyer | (3 episodes, 1984) | |
Series Produced by | |||
| Michael Sloan | .... | executive producer (13 episodes, 1984) | |
| Joe Boston | .... | producer (11 episodes, 1984) | |
| Martin M. Goldstein | .... | associate producer (7 episodes, 1984) | |
| Larry Whelan | .... | associate producer (7 episodes, 1984) | |
| Judith Pritchard | .... | associate producer (6 episodes, 1984) | |
| Nigel Watts | .... | producer (2 episodes, 1984) | |
Series Original Music by | |||
| Les Hooper | (13 episodes, 1984) | ||
| Bill Conti | (6 episodes, 1984) | ||
Series Cinematography by | |||
| Robert F. Sparks | (9 episodes, 1984) | ||
| Frank Beascoechea | (3 episodes, 1984) | ||
Series Film Editing by | |||
| Edwin F. England | (6 episodes, 1984) | ||
| Beryl Gelfond | (3 episodes, 1984) | ||
| Buford F. Hayes | (3 episodes, 1984) | ||
| Artie Mandelberg | (2 episodes, 1984) | ||
Series Casting by | |||
| Vicki Rosenberg | (4 episodes, 1984) | ||
Series Art Direction by | |||
| William McAllister | (8 episodes, 1984) | ||
| Joseph M. Altadonna | (5 episodes, 1984) | ||
Series Set Decoration by | |||
| Richard Friedman | (7 episodes, 1984) | ||
| Marc E. Meyer Jr. | (6 episodes, 1984) | ||
Series Makeup Department | |||
| Jean Austin | .... | hair stylist (11 episodes, 1984) | |
| Webster Philips | .... | makeup artist (11 episodes, 1984) | |
Series Production Management | |||
| Donald L. Gold | .... | production manager (11 episodes, 1984) | |
Series Second Unit Director or Assistant Director | |||
| Chip Chalmers | .... | assistant director / second assistant director (13 episodes, 1984) | |
| Dirk Petersmann | .... | first assistant director / assistant director (5 episodes, 1984) | |
| G. Warren Smith | .... | first assistant director (4 episodes, 1984) | |
| Cathy Kinsock | .... | first assistant director / second assistant director (2 episodes, 1984) | |
| Jerome M. Siegel | .... | first assistant director (2 episodes, 1984) | |
Series Art Department | |||
| Jim Ellis | .... | property master (4 episodes, 1984) | |
| Roger Pancake | .... | property master (4 episodes, 1984) | |
| Bill Hudson | .... | property master (2 episodes, 1984) | |
Series Sound Department | |||
| Charles M. Wilborn | .... | sound mixer / production sound mixer / ... (11 episodes, 1984) | |
| Charles McCann | .... | supervising sound editor (3 episodes, 1984) | |
| Gordon Webb | .... | cable person (2 episodes, 1984) | |
Series Special Effects by | |||
| Jack Monroe | .... | special effects (8 episodes, 1984) | |
| Phil Cory | .... | special effects (5 episodes, 1984) | |
Series Stunts | |||
| Bruce Paul Barbour | .... | stunt double: Lee Van Cleef / stunts (13 episodes, 1984) | |
| Shô Kosugi | .... | stunt coordinator (13 episodes, 1984) | |
| Phil Adams | .... | stunt coordinator (8 episodes, 1984) | |
| Gary Davis | .... | stunt coordinator (5 episodes, 1984) | |
| Ed Anders | .... | stunts: Lee Van Cleef (unknown episodes) | |
| Gregory J. Barnett | .... | stunts (unknown episodes) | |
| Dick Durock | .... | stunts (unknown episodes) | |
| Pat Romano | .... | stunts (unknown episodes) | |
| Michael M. Vendrell | .... | stunts (unknown episodes) | |
| Dick Warlock | .... | stunts (unknown episodes) | |
Series Casting Department | |||
| Joseph D'Agosta | .... | casting (6 episodes, 1984) | |
| Monica Swann | .... | casting (6 episodes, 1984) | |
Series Costume and Wardrobe Department | |||
| Shelly Levine | .... | costume supervisor (11 episodes, 1984) | |
| Karen Kaufman | .... | costumer: ladies / costumes: ladies (6 episodes, 1984) | |
| Lynette Bernay | .... | costumer: ladies / costumes: ladies (5 episodes, 1984) | |
Series Editorial Department | |||
| Larry Lorden | .... | assistant editor (4 episodes, 1984) | |
| Neil Mandelberg | .... | assistant editor (2 episodes, 1984) | |
Series Music Department | |||
| Bill Conti | .... | composer: theme music (13 episodes, 1984) | |
| James D. Young | .... | music editor (unknown episodes) | |
Series Transportation Department | |||
| Marlo Hellerstein | .... | transportation coordinator (5 episodes, 1984) | |
| Hank Nesel | .... | transportation coordinator (4 episodes, 1984) | |
| Ron White | .... | transportation coordinator (3 episodes, 1984) | |
Series Other crew | |||
| Shô Kosugi | .... | ninja coordinator / technical advisor / ... (13 episodes, 1984) | |
| Tom Sawyer | .... | executive story consultant (13 episodes, 1984) | |
| Tami Smight | .... | assistant to executive producer / assistant to producer (13 episodes, 1984) | |
| Gene Kraft | .... | title designer (12 episodes, 1984) | |
| Terry Morse Jr. | .... | production executive (12 episodes, 1984) | |
| Beverly Setlowe | .... | assistant to producer / production coordinator (12 episodes, 1984) | |
| Cliff T.E. Roseman | .... | location manager (9 episodes, 1984) | |
| Esther Beardslee | .... | production coordinator (7 episodes, 1984) | |
| Tamra Fitzgerald | .... | post-production coordinator / production secretary (7 episodes, 1984) | |
| Sally Roddy | .... | script supervisor (7 episodes, 1984) | |
| Michael J. Burmeister | .... | location manager (2 episodes, 1984) | |
| Johnine Novosel | .... | assistant to producer (2 episodes, 1984) | |
| Recent Posts (updated daily) | User |
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| Want to buy all episodes | gary-513 |
| Theme song | darkmoon44 |
| Just watched the first episode last night | Kurohashi |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Adventure section | IMDb USA section |
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I thought that the first couple of episodes of "The Master" (later released as "Master Ninja I') had some nice moments. Lee Van Clief may have been far too old, flabby, and frail to physically convince the audience that he could be a ninja master (amazing how "he" lost his gut whenever the stunt double stood in for him in the black ninja costume) but he did project a certain old school machismo and he could always deliver a good line. Yes, Demi Moore stuck out like a sore thumb in episode 1, and the wheelchair chick and the dancer from episode two delivered some of the worst lines in the history of television, but still...There were some decent stunts (for a TV series) and some energetic sword fights and a few decent attempts at wry East-meets-West humor. It was never 'great' the way "The Fugitive" was great, but it didn't actively suck...at first. And episode 2 had one great line (even though Van Patten flubbed it): "I knew the Master would find a way to get me up on a tightrope sooner or later." Given the situation, it was pretty funny.
The problem lay in the fact that a) the producers rapidly ran out of ideas after the first few episodes, reducing the show to a buddy version of "Then Came Bronson", and b) Timothy Van Patten's mush-mouthed delivery and frozen faced acting got old quick and c) there was very little chemistry between the two lead actors. Anyone who wasn't a male adolescent with an obsession with martial arts would find very little to interest them, especially since the series producers watered down the 'ninja' content extensively - they seemed to be trying to increase the series' appeal to American audiences, but they only alienated that core element who was only watching the show for the ninja action in the first place.
Especially annoying was the fact that Van Patten was supposed to be some kind of "Tiger Beat" teen-idol and had a different love interest in every episode, but the lack of chemistry between him and his female of the week was apparent even to a blind man. To be fair to Van Patten, the writers put him in some incredibly contrived situations and gave him some very dopey dialog to convey his hipness...I'm not sure Cary Grant could have pulled off some of those scenes.
Although I spend a lot of time thinking about and practicing martial arts, I gave up on this series by episode 4, and every time I checked in on it for a minute or two (as the season wore on) I found even less to keep me going back. It looks like everyone else agreed, and the show sank without a trace. Too bad...but the series was a day late (to cash in on Bruce Lee) and a dollar short (wasn't willing to live up to the potential of its concept).