A scientist who has created a super helicopter has defected to Libya and taken the machine with him. A secretive government agency hires an ex-Vietnam War pilot to go to Libya, steal the chopper and bring it back.
Donald P. Bellisario
The series has been revamped with an all new cast. The brother that Stringfellow Hawke had been looking for during the original series has finally been found and is now the new pilot of the... See full summary »
Barry Van Dyke,
Geraint Wyn Davies,
Lt. Frank Chaney of the LAPD is a maverick cop with unorthodox methods who is assigned to the Blue Thunder Team, which uses a very advanced gadget-filled helicopter in its fight against crime. "Blue Thunder" is capable of great speed and maneuverability, can run silently in "whisper mode", and is armed with the most powerful weapons in development. His partner is a fresh-faced rookie with the improbable name of Wonderlove, and ground support is supplied by ex-athletes Ski and Bubba, who drive a sophisticated van. Written by
Marty McKee <firstname.lastname@example.org>
Throughout the show a lot of the aerial shots were taken from the movie Blue Thunder (1983) to save money. Quite frequently throughout the season you can see that the pilot is wearing the green flight suit from the movie and not the blue flight suit that they're wearing in the television show. See more »
Well what's that bird Chaney? You look like you're flying my Grandmother's old wringle washer!
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Though this show was named after the movie, and even used the same model helicopter as the movie, it was nothing like the movie.
The whole point of the movie was to warn people about the over-militarization of big-city police departments, and about the dangerous scapegoat treatment given to the residents (usually minority residents) of a city's poorer quarters. In the half season this series ran, none of that survived. Instead, a sympathetic crew takes on the kind of case you never hear about in real life, because it never happens.
What a cop-out. At least Airwolf had a more believable basic premise, and ironically came closer to the premise of the Roy Scheider movie: just because the government has a cool gadget, doesn't mean what the government means to do with it is just as cool.
Then again, the movie was thirty-one years ahead of its time. This series was a product of its time, just as shallow, and suffering even more for its hackneyed writing and the wooden performances of its regulars.
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