Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor tries to buy some jazz records but this leads to ... See full summary »
Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. They live together and just want a quiet life. Then they meet ... See full summary »
Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Chapman teaches English and wants to help save the planet. They live together and just want a quiet life. Since their last ... See full summary »
A rather naive, middle-class man is admitted to a hospital ward and finds that he is sharing it with a working-class layabout and an upper-class hypochondriac. All three of them cause headaches for the hospital staff.
Terry and Bob from The Likely Lads (1964) continue their life after Terry arrives home from serving in the Army to discover that Bob is about to marry his girlfriend Thelma. Can Thelma lead... See full summary »
The adventures of two "likely lads" ostensibly set in the North East of England (but filmed in Willesden Junction, London). Terry and Bob have been friends since childhood. Bob is the ... See full summary »
Set in Gallowshields on Tyneside between the 2 World Wars, this story follows the life of ex-sergeant Jack Ford and the Seaton family as they deal with the aftermath of the Great War, the Great 1920s Depression and trade union activists.
Three old men from Yorkshire who have never grown up face the trials of their fellow town citizens and everyday life and stay young by reminiscing about the days of their youth and attempting feats not common to the elderly.
Terry is divorced from his German wife and has a Finnish girlfriend Christina. At Thelma's suggestion they join her and Bob on a caravan holiday but due to a mishap the men get separated ... See full summary »
Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor tries to buy some jazz records but this leads to meeting a "dazzlingly beautiful platinum blond", a suspicious detective sergeant and a strange pair of men running a junior football team. Big Al and Little Norm agree to help Trevor and Jill with their school supplies problems. Jill decides to stand as a local councillor. A tale of "Black Economies", council corruption and many strange characters all set to a background of Bix Beiderbecke. Written by
Steve Crook <email@example.com>
The names of the leading characters were developed from the characters in Alan Plater's earlier series Get Lost! (1981). When the actors had to be re-cast, Plater looked for new names for what were similar characters. Neville Keaton from 'Get Lost' was a woodwork teacher who liked jazz and football. For the Beiderbecke Trilogy, he became Trevor Chaplin, Keaton and Chaplin being two of Plater's comic heroes. Judy Threadgold from 'Get Lost' was an English teacher and an environmentalist who had been named in homage to Sunderland A.F.C. goalkeeper Harry Threadgold. For the Beiderbecke Trilogy, she became Jill Swinburne, named after Newcastle United F.C. goalkeeper Tom Swinburne. See more »
This was not the first outing for Alan Plater's schoolteacher detectives, who in 1981's Get Lost had been played admirably by Alun Armstrong and Frances Tomelty. However no-one could quibble with the re-casting. James Bolam effortlessly nails each line of the arch dialogue, while the talented Barbara Flynn has that rare quality of looking both believably ordinary and incredibly fanciable. Some wonderful British character actors also get plenty of screen time in what is effectively an ensemble piece. Colin Blakely, Keith Marsh, Danny Schiller, Robert Longden and Keith Clarke all do sterling work, but special mention must be made of Dudley Sutton's tweedy schoolmaster and Terence Rigby's saturnine Big Al, while Dominic Jephcott was a real find as the callow university educated detective. A beautifully constructed series, that remains as pertinent as ever in a society increasingly disrespectful of privacy and intolerant of eccentricity.
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