Dr. Watson, finds a mystery in an empty house, while Holmes and he later solve the mysteries of an abbey grange, the Musgrave ritual, a second stain, a man with a twisted lip, the priory ... See full summary »
Detective Inspector Jack Frost is an unconventional policeman with sympathy for the underdog and an instinct for moral justice. Sloppy, disorganized and disrespectful, he attracts trouble like a magnet.
After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle gets permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes.
Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.
This highly detailed series recreated the adventures of Conan Doyle's Victorian detective in painstaking detail, sometimes to the extent of recreating the illustrations which accompanied the original story publication in "Strand" magazine during the late 19th century. Thirteen of the Holmes short stories were adapted in this series, which was followed by two sequels ("Return" and "Casebook") as well as several TV movie adaptations. Written by
Marg Baskin <email@example.com>
If you are going to buy one Conan Doyle DVD let this be it. If you're going to watch a single episode, let it be The Crooked Man.
For this is as good as it gets. We have a glorious incarnation of Holmes and Watson here. Brett's Holmes - cantankerous, affected, whimsical, rude, arrogant, precipitous, charming - can only have been drawn from the deepest possible understanding of the text. There have been similar efforts along the same lines, though none so successful. No other Holmes has come close to Brett's portrayal of the brilliant but obsessed mind, teetering on the knife edge dividing madness and genius.
Brett's portrayal of Holmes is enough to lift this series above any other. But Granada (who are damn good at this sort of thing when they try) have nailed the two other vital essences of the stories and this makes their achievement unique.
Firstly we have a totally new take on Watson, a brisk, wonderfully intelligent man of action, a fearless fellow crime fighter and stalwart support. As David Burke leads Holmes round the Aldershot camp in The Crooked Man, you understand exactly what Holmes found appealing in the bluff ex-soldier, who chronicles his victories, appreciates and learns his methods and soothes his clients when Holme's interrogation causes offence. This is new and unsurpassed. I prefer Burke's to Hardwicke's more thoughtful Watson. Both are top drawer character actors with fantastic credits, but for me, Burke has an impulsiveness and breezy candour that gives his Watson extra light and colour. Hardwicke, in the later series, does a lot more to suggest the difficulty of living with a man like Holmes.
An even more significant achievement is the recreation of the deft energy, economy and speed with which Conan Doyle transports his audiences into the heart of Victorian London. Only Dickens did it with anything like the same authority and style. Lovers of the fantastic Sydney Paget illustrations will recognise his work everywhere in the props and scenery. Many of the more famous illustrations are lovingly recreated, but this is really about the chemistry of detail and pace. Granada have the formula just right. So perfect in fact, that when they try to extend it to feature length, it fails, just as Conan Doyle failed in his own attempts to extend the format to novel-length stories. The longer pieces are again, the weakest of the set.
If this disk doesn't fill you with delight, go back to the text, read again and look again, or you risk undervaluing one of the greatest achievements of TV drama.
Sir Arthur, I'm sure, would have been both delighted and impressed.
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