Dr. Watson, finds a mystery in an empty house, while Holmes and he later solve the mysteries of an abbey grange, the Musgrave ritual, a second stain, a man with a twisted lip, the priory ... See full summary »
After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle gets permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes.
Detective Inspector Jack Frost is an unconventional policeman with sympathy for the underdog and an instinct for moral justice. Sloppy, disorganized and disrespectful, he attracts trouble like a magnet.
Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.
This highly detailed series recreated the adventures of Conan Doyle's Victorian detective in painstaking detail, sometimes to the extent of recreating the illustrations which accompanied the original story publication in "Strand" magazine during the late 19th century. Thirteen of the Holmes short stories were adapted in this series, which was followed by two sequels ("Return" and "Casebook") as well as several TV movie adaptations. Written by
Marg Baskin <email@example.com>
When I started reading the Holmes canon in grade school, I was struck by the character of Holmes. He was obnoxious, priggish, intolerant of anyone who was beneath him intellectually (which is almost everyone but Mycroft) and anti-social. Dr. Watson was a more well-rounded character. A doctor trained at Edinburgh (which was stringent in Victorian times), a soldier who undoubtedly performed surgery under fire, wounded (twice) and a fine lad with the ladies. It was clear Holmes needed Watson to operate in society. Without Watson, Holmes would have been a freak. But in movie versions I caught later (such as the otherwise fine Rathbone/Bruce pairings, and perhaps most egregiously in Bernard Fox's Watson opposite Stewart Granger's Holmes) Holmes appeared to be Watson's keeper; or, as with Howard Marion-Crawford, Watson was the officious Britisher to a more cosmopolitan Holmes. Even as late as "Crucifer of Blood", Richard Johnson's Watson is something of a dunderhead. Some of this scurrilous misinterpreting of Watson was chipped away by Colin Blakely in "The Private Life of Sherlock Holmes", a misfired comedy; and some in "Murder by Decree" by James Mason's Watson, who, while not as incisive as Christopher Plummer's Holmes, is only dunderheaded on the exterior, and who proves he can take care of himself. But with the advent of the Jeremy Brett "Sherlock Holmes", David Burke's Watson, while still not an intellectual rival to Holmes (who is?) is competent, athletic, courageous, and more of a partner to the great detective. One senses that Holmes needs Watson to operate in society, and Watson needs Holmes as mental stimulation to take him out of his dreary medical practice.
"The Adventures of Sherlock Holmes" is the finest adaptation of the Holmes canon yet. Taking a few liberties (such as giving Watson some of Holmes' lines or putting Moriarty in "The Red Headed League") it nevertheless presents a superb Holmes (Brett) and a Watson who, for the first time, is an invaluable colleague.
"The Adventures of Sherlock Holmes" is a must for any Holmes fan and a great introduction to anyone who doesn't want to read the stories but wants to see a Holmes close to the original as possible. (Though I was disappointed Burke didn't return in the "Return of Sherlock Holmes" series, Edward Hardwicke continued the tradition of an accomplished Watson, but also giving him a mellowed flavor like fine old vintage wine).
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