Suzanne is sixteen and is having sex with many boys, just for fun, but did not manage to really love one of them. Her family does not understand her. The father does not like her behaviour....
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Dossignan is a zealous rural priest. The dean Menou-Segrais tries to keep him reasonable. But Dossignan will be tempted by Satan, then will try to save the soul of Mouchette, a young girl who killed one of her lovers.
An anguished foster child takes to mischief and lies as his foster parents do their best to love and care for him. But it might be too little, too late in this emotionally devastating portrayal of the orphaned child.
Maurice Pialat's portrait of contemporary France mocks prosperity as a substitute for social and sexual revolution. Nelly abandons her bourgeois friends and a steady relationship for the ... See full summary »
Jean has been married to Francoise for years, but his relationship with his wife has been all but over for a long time. She's hardly ever around, always traveling to Russia for work, and ... See full summary »
How is it that, after years of living together, some couples convey to those about them a radiant and healthy relationship? What is their recipe for avoiding monotony and yet are able to ... See full summary »
Suzanne is sixteen and is having sex with many boys, just for fun, but did not manage to really love one of them. Her family does not understand her. The father does not like her behaviour. When he leaves home, the mother becomes a little bit neurotic. And Suzanne's brother Robert, begins to beat her as a punishment. Written by
In the sequence with the American, Suzanne's outfit changes from a one-shoulder black dress with white stripes trimming just the top of the bodice, to a one-shoulder black&white striped top with a black skirt, and back again. See more »
Being so restrained, blunt and straightforward, Pialat's film is also enormously touching. The concreteness of the world he creates here is tangible. Psychological realism true in each detail, and as ensemble. The brutal restraint is somehow disconcertingbeing given the bad habits inflicted by the standard psychology of most other films. Pialat's project was a naturalist one, hence the impression of a thing just begun, just started, still in progress. (It would be, anyway, absurd and stupid to try reducing Pialat's implicit aesthetics to some theoretical statements and criticism's clichés.) What is obvious is that Pialat achieved his aimfinding the fourth dimension of this coming of age story. For me,Pialat might not be worthy of love; he is certainly worthy of respect. In his moviesnot only in this one, but in several others as wellone finds not only probitybut also genuine power, inspiration, the strength of a secret master, Pialat. Good and serious director, keen psychologist, avid of femme's perfume and scent, intelligent and uncompromising.
In psychology, Pialat rightly perceived the distances and the gaps and ,as it were, the laws of the perspective. In this movie, Pialat uses this sensational and hidden knowledge to tell the tribulations of a gamine.
The amazing lead actress is worth seeing; with her, the film took one more chance at the ineffable.
Any movie is made with elements,but it lives out of the rapports and the ideas.On the cinematographic elements' level,Pialat's movie is austere.There is no bit of stylization,but each element has a 4th. dimension:the rapports' level.This dimension is widened by the music.Purcell's suitable music gives the action a strange coherence.The movie is made out of relations,rapports,reflections.Far from being some kind of a flat realism,Pialat's movie lives entirely out of this wealth of thought.
Most important,this strengthener,firm,intelligent,bitter,even poignant realism is not fake.
A courageous decision is the refusal of all stylization.(The "cruel movie",the ferocious movie relies on stylization.)True realism means ideas,reflection,a lively mind.Far from being mechanical and passive,it is fertile and elastic.
This movie is also a medicament.
I find it disappointing that only 3 comments were written here for "À nos amours ".Also,the weighted average vote of 7.5 / 10 is unfair.
Miss Bonnaire is a standout.Her cinema presence in "A Nos ..." surrounds the viewer.
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