7.5/10
2,150
20 user 25 critic

Ziggy Stardust and the Spiders from Mars (1973)

The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From... See full summary »

Director:

On Disc

at Amazon

Learn more

People who liked this also liked... 

Documentary | Music
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

In a career chock full of "you've never seen him like this" moments, you've never seen David Bowie as you will in A Reality Tour. The rock legend and his ace band blaze through stunners ... See full summary »

Director: Marcus Viner
Stars: David Bowie, Gerry Leonard, Sterling Campbell
Documentary | Music
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  
Director: David Mallet
Stars: David Bowie, Carlos Alomar, Steve Elson
Documentary
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A documentary covering five of the most important years of the influential rock star David Bowie's career.

Director: Francis Whately
Stars: David Bowie, Rick Wakeman, John Harris
David Bowie: Blackstar (Video 2015)
Short | Drama | Horror
    1 2 3 4 5 6 7 8 9 10 9/10 X  

A surreal music video for David Bowie's single "Blackstar".

Director: Johan Renck
Stars: David Bowie, Elisa Lasowski
Short | Music
    1 2 3 4 5 6 7 8 9 10 8.2/10 X  

David Bowie's official music video for 'Valentine's Day'.

Director: Indrani Pal-Chaudhuri
Stars: David Bowie
David Bowie: Lazarus (Video 2016)
Short | Drama | Music
    1 2 3 4 5 6 7 8 9 10 9.3/10 X  

David Bowie's last music video released prior to his death depicts him on a death bed, entering a better world through a closet.

Director: Johan Renck
Stars: David Bowie
Monterey Pop (1968)
Documentary | History | Music
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A film about the greatest pre-Woodstock rock music festival.

Director: D.A. Pennebaker
Stars: Otis Redding, Jimi Hendrix, Ravi Shankar
Documentary | Music
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.

Director: D.A. Pennebaker
Stars: Bob Dylan, Albert Grossman, Bob Neuwirth
Documentary | Music
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Both a visual flashback and a telling of the life and birth of the alter ego that was David Bowie's Ziggy Stardust.

Director: James Hale
Stars: Jarvis Cocker, David Bowie, Marc Almond
Documentary
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A documentary about David Bowie's final two albums "The Next Day" (2013) and "Blackstar" (2016) and Broadway musical "Lazarus".

Director: Francis Whately
Stars: David Bowie, Earl Slick, Gail Ann Dorsey
Short | Music
    1 2 3 4 5 6 7 8 9 10 8.5/10 X  

David Bowie's official music video for 'The Stars (Are Out Tonight)'.

Director: Floria Sigismondi
Stars: David Bowie, Tilda Swinton, Saskia de Brauw
Sci-Fi | Drama
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return ... See full summary »

Director: Nicolas Roeg
Stars: David Bowie, Rip Torn, Candy Clark
Edit

Cast

Complete credited cast:
...
Himself / Ziggy Stardust
...
Himself - Guitar and Vocals
Trevor Bolder ...
Himself - Bass
Mick Woodmansey ...
Himself - Drums (as Mick Woodmansy) (as Woody Woodmansey)
Ken Fordham ...
Himself - Sax, Flute
Brian Wilshaw ...
Himself - Sax, Flute
Geoffrey MacCormack ...
Himself - Backing Vocals, Percussions
John 'Hutch' Hutchinson ...
Himself - Guitar
...
Himself - Piano, Mellotron, Organ
Edit

Storyline

The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From Freecloud'/'All The Young Dudes'/'Oh! You Pretty Things', a Lou Reed cover, and a Rolling Stones cover are but some of the highlights. Written by MasoK <grok@tri-lakes.net>

Plot Summary | Add Synopsis

Genres:

Documentary | Music

Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Official Sites:

Country:

Language:

Release Date:

December 1973 (UK)  »

Also Known As:

Bowie '73 with the Spiders from Mars  »

Box Office

Opening Weekend:

$6,816 (USA) (12 July 2002)

Gross:

$161,634 (USA) (4 April 2003)
 »

Company Credits

Production Co:

, ,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

RCA requested that many references to, mostly, death and suicide in Bowie's lyrics should be bleeped. Pennebaker gave way. But he only bleeped the mono-sound negative, while the stereo film print and soundtrack remained non-bleeped. See more »

Quotes

David Bowie: What do you know about make-up? You're Just a Girl.
See more »

Connections

Followed by El fulgor (2002) See more »

Soundtracks

White Light/White Heat
Written by David Bowie
Performed by David Bowie (as Ziggy Stardust and the Spiders from Mars)
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
"Just turn on with me, and you're not alone!"
13 May 2016 | by (United States) – See all my reviews

To look at Ziggy Stardust and the Spiders from Mars and be much too critical of it, and this is now four months since David Bowie left his corporeal form (has it been that long already?) is difficult. I know I can certainly nitpick certain things, mostly in the streak of the 'auteur'; given that this is DA Pennebaker, who also brought us basically the definitive Dylan doc from the era a decade before this, Don't Look Back, and the precursor to Woodstock in Monterey Pop, this isn't quite as superlative as those films as far as the Cinema Verite fly-on-the-wall approach. There's some behind the scenes stuff, but it's not terribly involving (aside from seeing Bowie's make-up put on to make him Ziggy) as the conversations seem muted and uninteresting (yes, even with Ringo backstage which seems a feat).

BUT, and this is the big but here, I know deep down I don't care, at least as far as why I wanted to watch this again. And somehow, of all things, watching his life performance here of 'Space Oddity' finally made me cry. I don't know whether it would've brought me to tears (not for too long, just enough, and some of it was due to feeling a connection with the audience as a couple of people shown by Pennebaker's camera were also in tears), but it was in that moment it hit me: we won't get this again, not quite in this style, not quite in this style, not shot on such rough film and in such an atmosphere.

Of course there are still provocateurs in rock/pop (Marilyn Manson on the heavier side, Lady Gaga on the more space-driven and sexual, if it can somehow get more sexual than Bowie), but Bowie was his own sound much as Tarantino was and is his own filmmaker: taking from various sources (rock, blues, glam from T-Rex, the avant-garde rock of Lou Reed, Iggy Pop to an extent) and making it his own giant and unmistakbale SOUND in full caps. And don't forget this is David Bowie as Ziggy friggin Stardust and the Spiders from Mars - including the practically incomparable guitarist Mick Ronson on guitar playing like he's ten years ahead of the fashion and heavy metal stars only still in his own class - and playing off of all the works he'd done up through the masterpiece Aladdin Sane.

Here you get to see him perform many of his big hits (along with Oddity you get 'Changes' and 'Suffragette City' and his own rendition of 'All the Young Dudes' which he wrote), and Pennebaker and his crew are at times breathless to keep up and yet have enough cameras and sense to also get the crowd. The audience is a key part of this, even as at times it's hard to see all of them and the lights make it into its own stylized piece of filmmaking; they're often seen only briefly, and yet what we see is enough and, again, I think this helps to connect the audience watching the film further with the band. But for all the hits (and some covers, like 'White Light White Heat' and 'Let's Spend the Night Together'), the stand-outs here are the songs that people who only know Bowie from classic rock radio won't know as well.

By the time that Bowie and the Spiders get to 'Time', which is more indebted to German lounge singing of the early 20th century (Threepenny Opera anyone?), the softer but incredibly incisive 'My Death', and a wild, possibly overlong but who the hell cares rendition of his most metal-ish song 'The Width of a Circle', he's on fire as a performer and totally in control of how he can command a stage and an audience. In other words it may not be the perfect rock documentary, hence why it's not the full top-star rating. But as far as performances by mega-stars in their prime, this is a keeper (and ironic that this was his "final" performance, of course just the beginning of the many many Bowies). And yet the tears I had briefly watching this and coming to grips after months of feeling numb to his loss were I think the fact that he'd still be iconic if all he left was this.


1 of 1 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for:
?