| Photos (See all 15 | slideshow) |
| Woody Allen | ... | Leonard Zelig | |
| Mia Farrow | ... | Dr. Eudora Nesbitt Fletcher | |
| Patrick Horgan | ... | The Narrator (voice) | |
| John Buckwalter | ... | Dr. Sindell | |
| Marvin Chatinover | ... | Glandular Diagnosis Doctor | |
| Stanley Swerdlow | ... | Mexican Food Doctor | |
| Paul Nevens | ... | Dr. Birsky | |
| Howard Erskine | ... | Hypodermic Doctor | |
| George Hamlin | ... | Experimental Drugs Doctor | |
| Ralph Bell | ... | Other Doctor | |
| Richard Whiting | ... | Other Doctor | |
| Will Hussong | ... | Other Doctor | |
| Robert Iglesia | ... | Man in Barber Chair | |
| Eli Resnick | ... | Man in Park | |
| Edward McPhillips | ... | Scotsman | |
| Gale Hansen | ... | Freshman #1 | |
| Michael Jeter | ... | Freshman #2 (as Michael Jeeter) | |
| Peter McRobbie | ... | Workers Rally Speaker | |
| Sol Lomita | ... | Martin Geist | |
| Mary Louise Wilson | ... | Sister Ruth | |
| Alice Beardsley | ... | Telephone Operator | |
| Paula Trueman | ... | Woman on Telephone | |
| Ed Lane | ... | Man on Telephone | |
| Marianne Tatum | ... | Actress Fletcher | |
| Charles Denny | ... | Actor Doctor (as Charles Denney) | |
| Michael Kell | ... | Actor Koslow | |
| Garrett M. Brown | ... | Actor Zelig (as Garrett Brown) | |
| Sharon Ferrol-Young | ... | Miss Baker (as Sharon Ferrol) | |
| Richard Litt | ... | Charles Koslow | |
| Dimitri Vassilopoulos | ... | Martinez | |
| John Rothman | ... | Paul Deghuee | |
| Stephanie Farrow | ... | Meryl Fletcher | |
| Francis Beggins | ... | City Hall Speaker | |
| Jean Trowbridge | ... | Dr. Fletcher's Mother | |
| Ken Chapin | ... | On-Camera Interviewer | |
| Gerald Klein | ... | Hearst Guest | |
| Vincent Jerosa | ... | Hearst Guest | |
| Deborah Rush | ... | Lita Fox | |
| Stanley Simmonds | ... | Lita's Lawyer | |
| Robert Berger | ... | Zelig's Lawyer | |
| Jeanine Jackson | ... | Helen Gray | |
| Erma Campbell | ... | Zelig's Wife | |
| Anton Marco | ... | Wrist Victim | |
| Louise Deitch | ... | House-Painting Victim | |
| Bernice Dowis | ... | Vilification Woman | |
| John Doumanian | ... | Greek Waiter | |
| Willy Holt | ... | Rally Chancellor | |
| Bernie Herold | ... | Carter Dean | |
| Susan Sontag | ... | Herself - Contemporary Interviews | |
| Irving Howe | ... | Himself - Contemporary Interviews | |
| Saul Bellow | ... | Himself - Contemporary Interviews | |
| Bricktop | ... | Herself - Contemporary Interviews | |
| Bruno Bettelheim | ... | Himself - Contemporary Interviews (as Dr. Bruno Bettelheim) | |
| John Morton Blum | ... | Himself - Contemporary Interviews (as Professor John Morton Blum) | |
| Marshall Cole Sr. | ... | Calvin Turner - Contemporary Interviews | |
| Ellen Garrison | ... | Older Dr. Fletcher - Contemporary Interviews | |
| Jack Cannon | ... | Mike Geibell - Contemporary Interviews | |
| Theodore R. Smits | ... | Ted Bierbauer - Contemporary Interviews | |
| Sherman Loud | ... | Older Paul Deghuee - Contemporary Interviews | |
| Elizabeth Rothschild | ... | Older Sister Meryl Fletcher - Contemporary Interviews | |
| Kuno Sponholz | ... | Oswald Pohl - Contemporary Interviews (as Kuno Spunholz) | |
| Ed Herlihy | ... | Pathe News Announcer (voice) | |
| Dwight Weist | ... | Hearst Metrotone Announcer (voice) | |
| Gordon Gould | ... | Radio Announcer (voice) | |
| Wendell Craig | ... | Universal Newsreel Announcer (voice) (as Windy Craig) | |
| Jurgen Kuehn | ... | German U.F.A. Newsreel Announcer (voice) | |
| rest of cast listed alphabetically: | |||
| Max Amann | ... | Himself (with Hitler and Streicher) (archive footage) (uncredited) (unconfirmed) | |
| Arthur Anderson | ... | Other Doctor (uncredited) | |
| Josephine Baker | ... | Herself (archive footage) (uncredited) | |
| Michael Blevins | ... | Lizard Dancer (uncredited) | |
| Fanny Brice | ... | Herself (archive footage) (uncredited) | |
| Wilhelm Brückner | ... | Himself - Walking Behind Hitler (archive footage) (uncredited) | |
| Al Capone | ... | Himself (archive footage) (uncredited) | |
| Charles Chaplin | ... | Himself (archive footage) (uncredited) | |
| Calvin Coolidge | ... | Himself - Pinning Medal (archive footage) (uncredited) | |
| Marion Davies | ... | Herself (archive footage) (uncredited) | |
| Dolores del Rio | ... | Herself (archive footage) (uncredited) | |
| Sepp Dietrich | ... | Himself - with Hitler and Streicher (archive footage) (uncredited) | |
| Joe DiMaggio | ... | Himself - Playing Baseball (archive footage) (uncredited) | |
| Marie Dressler | ... | Herself (archive footage) (uncredited) | |
| F. Scott Fitzgerald | ... | Himself (archive footage) (uncredited) | |
| Lou Gehrig | ... | Himself (archive footage) (uncredited) | |
| Josef Goebbels | ... | Himself (archive footage) (uncredited) | |
| Harold 'Red' Grange | ... | Himself (archive footage) (uncredited) | |
| Hermann Göring | ... | Himself (archive footage) (uncredited) | |
| William Randolph Hearst | ... | Himself (archive footage) (uncredited) | |
| Rudolf Hess | ... | Himself (archive footage) (uncredited) | |
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| Elizabeth Kaitan | ... | German Girl (uncredited) | |
| Robert Ley | ... | Himself - with Goebbels (archive footage) (uncredited) | |
| Charles A. Lindbergh | ... | Himself (archive footage) (uncredited) | |
| Carole Lombard | ... | Herself (archive footage) (uncredited) | |
| Adolphe Menjou | ... | Himself (archive footage) (uncredited) | |
| Tom Mix | ... | Himself - At San Simeon (archive footage) (uncredited) | |
| Franz Pfeffer von Salomon | ... | Himself with Hitler and Streicher (archive footage) (uncredited) | |
| Mae Questel | ... | voice of Helen Kane (uncredited) | |
| Billy Rose | ... | Himself (archive footage) (uncredited) | |
| Babe Ruth | ... | Himself - Swinging Bat (archive footage) (uncredited) | |
| Julius Schaub | ... | Himself - Walking Behind Hitler (archive footage) (uncredited) | |
| Gregor Strasser | ... | Himself - with Back to Hitler (archive footage) (uncredited) | |
| Julius Streicher | ... | Himself - with Hitler and Hess (archive footage) (uncredited) | |
| Kim Johnston Ulrich | ... | Beauty Contestant (uncredited) | |
| Franz von Epp | ... | Himself - with Goebbels and Ley (archive footage) (uncredited) | |
| Jimmy Walker | ... | Himself - Mayor of New York (archive footage) (uncredited) | |
| Claire Windsor | ... | Herself (archive footage) (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) | |
Produced by | |||
| Robert Greenhut | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Michael Peyser | .... | associate producer | |
| Jack Rollins | .... | executive producer | |
Original Music by | |||
| Dick Hyman | (music composed by) | ||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Mel Bourne | |||
Art Direction by | |||
| Speed Hopkins | |||
Set Decoration by | |||
| Leslie Bloom | (as Les Bloom) | ||
| Janet Rosenbloom | |||
Costume Design by | |||
| Santo Loquasto | |||
Makeup Department | |||
| Fern Buchner | .... | makeup designer | |
| John Caglione Jr. | .... | special makeup (as John Caglione) | |
| Romaine Greene | .... | hair designer | |
| Werner Sherer | .... | hair stylist (as Werner Scherer) | |
Production Management | |||
| Michael Peyser | .... | production manager | |
| Ezra Swerdlow | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Frederic B. Blankfein | .... | first assistant director | |
| Jim Chory | .... | additional second assistant director | |
| Jim Chory | .... | dga trainee | |
| Tony Gittelson | .... | second assistant director (as Anthony Gittleson) | |
| Thomas A. Reilly | .... | additional first assistant director (as Thomas Reilly) | |
| Duncan Scott | .... | additional second assistant director | |
Art Department | |||
| Joseph Badalucco Jr. | .... | chief set dresser | |
| Joan Lopate | .... | art department coordinator | |
| James Mazzola | .... | property master | |
| Michael Molly | .... | associate art director | |
| Arne Olsen | .... | construction grip | |
| Cosmo Sorice | .... | stand-by scenic artist | |
| James Sorice | .... | master scenic artist | |
| Kenneth Vogt | .... | property man | |
| Anthony Zappia | .... | shop craftsman (as Tony Zappia) | |
| Susan Kaufman | .... | assistant to designer (uncredited) | |
Sound Department | |||
| Debra Bard | .... | assistant sound editor | |
| Randall Coleman | .... | assistant sound editor | |
| Marjorie Deutsch | .... | sound editor | |
| Rick Dior | .... | re-recording mixer: Trans/Audio Inc. (as Richard Dior) | |
| Frank Graziadei | .... | sound recordist | |
| Harry Peck Bolles | .... | assistant sound editor (as Harry Boles) | |
| Suzanne Pillsbury | .... | assistant sound editor | |
| Janet Lund Robbins | .... | apprentice sound editor (as Janet Lund) | |
| Gina Roose | .... | assistant sound editor | |
| Fred Rosenberg | .... | assistant sound editor | |
| James Sabat | .... | production sound mixer | |
| Louis Sabat | .... | boom man | |
| Dan Sable | .... | supervising sound editor | |
| Lynn Sable | .... | apprentice sound editor | |
| Jeffrey Stern | .... | assistant sound editor | |
| Roy B. Yokelson | .... | period sound recreator (uncredited) | |
Special Effects by | |||
| David J. Schweitzer | .... | special effects consultant (uncredited) | |
Visual Effects by | |||
| Bill Hansard | .... | rear process photography | |
| Joel Hynek | .... | optical effects: R/Greenberg Associates (as Joel Hyneck) | |
| Steven Plastrik | .... | stills animation: Computer Opticals, Inc. | |
| Stuart Robertson | .... | optical effects: R/Greenberg Associates | |
| Karen Siegel Engel | .... | newsreel artcards: Computer Opticals, Inc. | |
| Stuart Robertson | .... | visual effects co-supervisor (uncredited) | |
Stunts | |||
| Pam Barber | .... | stunt double: Fletcher | |
| Cole Palen | .... | stunt double: Zelig | |
Camera and Electrical Department | |||
| Ronald Burke | .... | set grip | |
| Robert Connors | .... | best boy (as Bob Conners) | |
| Brian Hamill | .... | unit photographer | |
| Douglas C. Hart | .... | assistant cameraman | |
| Kerry Hayes | .... | still photographer | |
| Kerry Hayes | .... | unit photographer | |
| Dick Mingalone | .... | camera operator | |
| Robert Paone | .... | second assistant cameraman (as Bob Paone) | |
| Ray Quinlan | .... | gaffer | |
| Robert Ward | .... | key grip (as Bob Ward) | |
| Douglas Pellegrino | .... | second assistant camera (uncredited) | |
Casting Department | |||
| Paula Herold | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lyn Carroll | .... | costume assistant | |
| Bill Christians | .... | wardrobe supervisor: men | |
| Lancey Saunders Clough | .... | wardrobe supervisor: women | |
| Richard Hornung | .... | costume assistant | |
| Jeffrey Kurland | .... | associate costume designer | |
| Tom McKinley | .... | costume assistant | |
| Mark Burchard | .... | wardrobe (uncredited) | |
Music Department | |||
| Dick Hyman | .... | music adapted by | |
| Roy B. Yokelson | .... | music recording engineer | |
| Vince Giordano | .... | musician (uncredited) | |
| Walt Levinsky | .... | music recording supervisor (uncredited) | |
Transportation Department | |||
| James Fanning | .... | transportation captain | |
| Patrick Hogan | .... | driver (uncredited) | |
Other crew | |||
| Ken Bernstein | .... | production assistant | |
| Timothy M. Bourne | .... | location coordinator (as Timothy Marshall Bourne) | |
| Dell Byrne | .... | stock researcher | |
| Kay Chapin | .... | script supervisor | |
| Danny Daniels | .... | choreographer | |
| James A. Davis | .... | production assistant | |
| Karen Dean | .... | photo researcher | |
| Don Donigi | .... | film laboratory supervisor: Du Art Film Laboratories Inc. | |
| David Epstein | .... | assistant location auditor | |
| Jeff Goodman | .... | stock researcher | |
| James Greenhut | .... | studio manager | |
| Joseph Hartwick | .... | location auditor | |
| Cheryl Hill | .... | location scout | |
| Charles Kaufman | .... | production assistant | |
| Judith Lamb | .... | photo researcher | |
| Mary Lance | .... | stock researcher | |
| Peter Lombardi | .... | assistant location auditor | |
| Kati Meister | .... | stock researcher (as Katie Meister) | |
| Philip Moore | .... | retouching strip printer | |
| Charles Musser | .... | stock researcher (as Charlie Musser) | |
| Carol Nast | .... | location scout | |
| Gloria Norris | .... | assistant: Mr. Allen | |
| Joseph Pierson | .... | production assistant | |
| Helen Robin | .... | production coordinator | |
| Susan Rollins | .... | location scout | |
| Ken Rothstein | .... | location scout | |
| Gail Sicilia | .... | creative coordinator | |
| Gail Sicilia | .... | unit publicist | |
| Todd M. Thaler | .... | assistant production coordinator (as Todd Michael Thaler) | |
| Carl Turnquest Jr. | .... | projectionist (as Carl Turnquest) | |
| Dennis Kear | .... | stand-in: Woody Allen (uncredited) | |
Thanks | |||
| John E. Allen | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Harold Axe | .... | the producers gratefully acknowledge and wish to thank for their assistance (as Harold Axe M.D.) | |
| Nancy Casey | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Bernard Chertok | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| William K. Everson | .... | the producers gratefully acknowledge and wish to thank for their assistance (as William Everson) | |
| Ralph Friedman | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Rich Herzog | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Dan Jones | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Paul Killiam | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Laura Kreiss | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Adele Lerner | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Walt Levinsky | .... | the producers gratefully acknowledge and wish to thank for their assistance (as Walter Levinsky) | |
| Joe Mallon | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Bill Murphy | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Ken Murray | .... | special thanks: "Golden Days of San Simeon" footage now appearing at the Hearst Castle in California | |
| Robert Paquette | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Richard Plagge | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Harold Potter | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| John Rogers | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Andrea Sheen | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Bob Summers | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Ted Troll | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Irwin Young | .... | the producers gratefully acknowledge and wish to thank for their assistance | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Yes, a masterpiece. The entire premise of the movie is wildly original, even coming from WOODY ALLEN who continually cranks out one interesting film after another to this day.
The label of mock-umentary just doesn't do justice to the uniqueness of this film. ALLEN and his amazingly talented staff created a movie that no other director could have made nor even thought of doing. Some of the humor is rather modern like the forward references to self-gratification during the psychiatrist scenes with MIA FARROW. But mostly, it's filled with humor from another time and place which we'll never return.
To me, one of the wonderful aspects of this is the period music dispersed throughout with joyful admiration. We are lucky that ALLEN has continued to use music from the early part of the 20th century. I think no other director has so consistently had such a reverence for this wonderful music. Perhaps no other director has such a strong knowledge of it either.
That WOODY ALLEN normally portrays himself as a nebbishy character in many of his own movies works so well in this movie. A more aggressive person who becomes a chameleon would not have worked as well at all. I am glad that MIA FARROW was still associated with him when he made this film, I think no other modern actress could have pulled this off as well as she did. She has that timeless look that is appealing but has a far-off feeling.
The flavor of the period-looking cinematography and photography is part of the genius of the implementation here. It is so right on the money. The flickering of projectors, the out-of-focus look to so man scenes shot today meld amazingly well with the contrived shots.
THINK ABOUT THIS - this is years before CGI took over Hollywood...years before FORREST GUMP and countless of other knock-offs have proliferated in movies. Gee whiz, there is CGI in so many movies these days. I watched a DVD of a recent movie recently which used special effects in the most unexpected, unlikely and unnecessary parts you'd be surprised.
Yes, ZELIG is a masterpiece and I only feel sorry for those who cannot see the astounding piece of cinema this is.