IMDb > Zelig (1983)
Zelig
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Zelig (1983) More at IMDbPro »

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Overview

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Director:
Writer:
Woody Allen (written by)
Contact:
View company contact information for Zelig on IMDbPro.
Release Date:
15 July 1983 (USA) See more »
Genre:
Plot:
"Documentary" about a man who can look and act like whoever he's around, and meets various famous people. Full summary » | Add synopsis »
Awards:
Nominated for 2 Oscars. Another 8 wins & 10 nominations See more »
User Reviews:
"Identity Crisis and Its Relationship to Personality Disorder " See more (99 total) »

Cast

  (in credits order) (verified as complete)

Woody Allen ... Leonard Zelig

Mia Farrow ... Dr. Eudora Nesbitt Fletcher
Patrick Horgan ... The Narrator (voice)
John Buckwalter ... Dr. Sindell
Marvin Chatinover ... Glandular Diagnosis Doctor
Stanley Swerdlow ... Mexican Food Doctor
Paul Nevens ... Dr. Birsky
Howard Erskine ... Hypodermic Doctor
George Hamlin ... Experimental Drugs Doctor
Ralph Bell ... Other Doctor
Richard Whiting ... Other Doctor
Will Hussung ... Other Doctor (as Will Hussong)
Robert Iglesia ... Man in Barber Chair
Eli Resnick ... Man in Park
Edward McPhillips ... Scotsman
Gale Hansen ... Freshman #1

Michael Jeter ... Freshman #2 (as Michael Jeeter)

Peter McRobbie ... Workers Rally Speaker
Sol Lomita ... Martin Geist
Mary Louise Wilson ... Sister Ruth

Alice Beardsley ... Telephone Operator
Paula Trueman ... Woman on Telephone
Ed Lane ... Man on Telephone

Marianne Tatum ... Actress Fletcher
Charles Denny ... Actor Doctor (as Charles Denney)
Michael Kell ... Actor Koslow

Garrett M. Brown ... Actor Zelig (as Garrett Brown)
Sharon Ferrol-Young ... Miss Baker (as Sharon Ferrol)
Richard Litt ... Charles Koslow
Dimitri Vassilopoulos ... Martinez

John Rothman ... Paul Deghuee
Stephanie Farrow ... Meryl Fletcher
Francis Beggins ... City Hall Speaker
Jean Trowbridge ... Dr. Fletcher's Mother
Ken Chapin ... On-Camera Interviewer
Gerald Klein ... Hearst Guest

Vincent Jerman-Jerosa ... Hearst Guest (as Vincent Jerosa)

Deborah Rush ... Lita Fox
Stanley Simmonds ... Lita's Lawyer
Robert Berger ... Zelig's Lawyer

Jeanine Jackson ... Helen Gray
Erma Campbell ... Zelig's Wife
Anton Marco ... Wrist Victim
Louise Deitch ... House-Painting Victim
Bernice Dowis ... Vilification Woman
John Doumanian ... Greek Waiter
Willy Holt ... Rally Chancellor
Bernie Herold ... Carter Dean
Susan Sontag ... Herself - Contemporary Interviews
Irving Howe ... Himself - Contemporary Interviews
Saul Bellow ... Himself - Contemporary Interviews
Bricktop ... Herself - Contemporary Interviews
Bruno Bettelheim ... Himself - Contemporary Interviews (as Dr. Bruno Bettelheim)
John Morton Blum ... Himself - Contemporary Interviews (as Professor John Morton Blum)
Marshall Cole Sr. ... Calvin Turner - Contemporary Interviews
Ellen Garrison ... Older Dr. Fletcher - Contemporary Interviews
Jack Cannon ... Mike Geibell - Contemporary Interviews
Theodore R. Smits ... Ted Bierbauer - Contemporary Interviews
Sherman Loud ... Older Paul Deghuee - Contemporary Interviews
Elizabeth Rothschild ... Older Sister Meryl Fletcher - Contemporary Interviews
Kuno Sponholz ... Oswald Pohl - Contemporary Interviews (as Kuno Spunholz)
Ed Herlihy ... Pathe News Announcer (voice)
Dwight Weist ... Hearst Metrotone Announcer (voice)
Gordon Gould ... Radio Announcer (voice)
Wendell Craig ... Universal Newsreel Announcer (voice) (as Windy Craig)
Jurgen Kuehn ... German U.F.A. Newsreel Announcer (voice)
rest of cast listed alphabetically:
Max Amann ... Himself (with Hitler and Streicher) (archive footage) (uncredited) (unconfirmed)
Arthur Anderson ... Other Doctor (uncredited)

Josephine Baker ... Herself (archive footage) (uncredited)
Michael Blevins ... Lizard Dancer (uncredited)

Fanny Brice ... Herself (archive footage) (uncredited)
Wilhelm Brückner ... Himself - Walking Behind Hitler (archive footage) (uncredited)

Al Capone ... Himself (archive footage) (uncredited)

Charles Chaplin ... Himself (archive footage) (uncredited)
Calvin Coolidge ... Himself - Pinning Medal (archive footage) (uncredited)

Marion Davies ... Herself (archive footage) (uncredited)

Dolores del Rio ... Herself (archive footage) (uncredited)
Sepp Dietrich ... Himself - with Hitler and Streicher (archive footage) (uncredited)

Joe DiMaggio ... Himself - Playing Baseball (archive footage) (uncredited)

Marie Dressler ... Herself (archive footage) (uncredited)
F. Scott Fitzgerald ... Himself (archive footage) (uncredited)
Lou Gehrig ... Himself (archive footage) (uncredited)
Joseph Goebbels ... Himself (archive footage) (uncredited)
Harold 'Red' Grange ... Himself (archive footage) (uncredited)
Hermann Göring ... Himself (archive footage) (uncredited)
William Randolph Hearst ... Himself (archive footage) (uncredited)
Rudolf Hess ... Himself (archive footage) (uncredited)

Adolf Hitler ... Himself (archive footage) (uncredited)
Elizabeth Kaitan ... German Girl (uncredited)
Robert Ley ... Himself - with Goebbels (archive footage) (uncredited)
Charles A. Lindbergh ... Himself (archive footage) (uncredited)

Carole Lombard ... Herself (archive footage) (uncredited)

Adolphe Menjou ... Himself (archive footage) (uncredited)

Tom Mix ... Himself - At San Simeon (archive footage) (uncredited)
Franz Pfeffer von Salomon ... Himself with Hitler and Streicher (archive footage) (uncredited)

Mae Questel ... voice of Helen Kane (uncredited)
Billy Rose ... Himself (archive footage) (uncredited)

Babe Ruth ... Himself - Swinging Bat (archive footage) (uncredited)
Julius Schaub ... Himself - Walking Behind Hitler (archive footage) (uncredited)
Gregor Strasser ... Himself - with Back to Hitler (archive footage) (uncredited)
Julius Streicher ... Himself - with Hitler and Hess (archive footage) (uncredited)

Kim Johnston Ulrich ... Beauty Contestant (uncredited)
Franz von Epp ... Himself - with Goebbels and Ley (archive footage) (uncredited)
Jimmy Walker ... Himself - Mayor of New York (archive footage) (uncredited)

Claire Windsor ... Herself (archive footage) (uncredited)

Directed by
Woody Allen 
 
Writing credits
Woody Allen (written by)

Produced by
Robert Greenhut .... producer
Charles H. Joffe .... executive producer
Michael Peyser .... associate producer
Jack Rollins .... executive producer
 
Original Music by
Dick Hyman (music composed by)
 
Cinematography by
Gordon Willis 
 
Film Editing by
Susan E. Morse 
 
Casting by
Juliet Taylor 
 
Production Design by
Mel Bourne 
 
Art Direction by
Speed Hopkins 
 
Set Decoration by
Leslie Bloom  (as Les Bloom)
Janet Rosenbloom 
 
Costume Design by
Santo Loquasto 
 
Makeup Department
Fern Buchner .... makeup designer
John Caglione Jr. .... special makeup (as John Caglione)
Romaine Greene .... hair designer
Werner Sherer .... hair stylist (as Werner Scherer)
 
Production Management
Michael Peyser .... production manager
Ezra Swerdlow .... unit manager
 
Second Unit Director or Assistant Director
Frederic B. Blankfein .... first assistant director
Jim Chory .... additional second assistant director
Jim Chory .... dga trainee
Tony Gittelson .... second assistant director (as Anthony Gittleson)
Thomas A. Reilly .... additional first assistant director (as Thomas Reilly)
Duncan Scott .... additional second assistant director
 
Art Department
Joseph Badalucco Jr. .... chief set dresser
Joan Lopate .... art department coordinator
James Mazzola .... property master
Michael Molly .... associate art director
Arne Olsen .... construction grip
Cosmo Sorice .... stand-by scenic artist
James Sorice .... master scenic artist
Kenneth Vogt .... property man
Anthony Zappia .... shop craftsman (as Tony Zappia)
Susan Kaufman .... assistant to designer (uncredited)
 
Sound Department
Debra Bard .... assistant sound editor
Randall Coleman .... assistant sound editor
Marjorie Deutsch .... sound editor
Rick Dior .... re-recording mixer: Trans/Audio Inc. (as Richard Dior)
Frank Graziadei .... sound recordist
Harry Peck Bolles .... assistant sound editor (as Harry Boles)
Suzanne Pillsbury .... assistant sound editor
Janet Lund Robbins .... apprentice sound editor (as Janet Lund)
Gina Roose .... assistant sound editor
Fred Rosenberg .... assistant sound editor
James Sabat .... production sound mixer
Louis Sabat .... boom man
Dan Sable .... supervising sound editor
Lynn Sable .... apprentice sound editor
Jeffrey Stern .... assistant sound editor
Roy B. Yokelson .... period sound recreator (uncredited)
 
Special Effects by
David J. Schweitzer .... special effects consultant (uncredited)
 
Visual Effects by
Bill Hansard .... rear process photography
Joel Hynek .... optical effects: R/Greenberg Associates (as Joel Hyneck)
Steven Plastrik .... stills animation: Computer Opticals, Inc.
Stuart Robertson .... optical effects: R/Greenberg Associates
Karen Siegel Engel .... newsreel artcards: Computer Opticals, Inc.
Stuart Robertson .... visual effects co-supervisor (uncredited)
 
Stunts
Pam Barber .... stunt double: Fletcher
Cole Palen .... stunt double: Zelig
 
Camera and Electrical Department
Ronald Burke .... set grip
Robert Connors .... best boy (as Bob Conners)
Brian Hamill .... unit photographer
Douglas C. Hart .... assistant cameraman
Kerry Hayes .... still photographer
Kerry Hayes .... unit photographer
Dick Mingalone .... camera operator
Robert Paone .... second assistant cameraman (as Bob Paone)
Ray Quinlan .... gaffer
Robert Ward .... key grip (as Bob Ward)
Douglas Pellegrino .... second assistant camera (uncredited)
 
Casting Department
Paula Herold .... casting associate
 
Costume and Wardrobe Department
Lyn Carroll .... costume assistant
Bill Christians .... wardrobe supervisor: men
Lancey Saunders Clough .... wardrobe supervisor: women
Richard Hornung .... costume assistant
Jeffrey Kurland .... associate costume designer
Tom McKinley .... costume assistant
Mark Burchard .... wardrobe (uncredited)
 
Editorial Department
Pamela Scott Arnold .... assistant editor: stills and duping coordinator (as Pamela S. Arnold)
John Guidone .... negative cutter: J.G. Films
Eugenia Morrison .... negative cutter: J.G. Films
Richard Nord .... assistant editor: optical and sound coordinator
Christine P. Williams .... assistant editor: stock footage coordinator
Kris Cole .... apprentice editor (uncredited)
 
Music Department
Dick Hyman .... music adapted by
Roy B. Yokelson .... music recording engineer
Vince Giordano .... musician (uncredited)
Walt Levinsky .... music recording supervisor (uncredited)
 
Transportation Department
James Fanning .... transportation captain
Patrick Hogan .... driver (uncredited)
 
Other crew
Ken Bernstein .... production assistant
Timothy M. Bourne .... location coordinator (as Timothy Marshall Bourne)
Dell Byrne .... stock researcher
Kay Chapin .... script supervisor
Danny Daniels .... choreographer
James A. Davis .... production assistant
Karen Dean .... photo researcher
Don Donigi .... film laboratory supervisor: Du Art Film Laboratories Inc.
David Epstein .... assistant location auditor
Jeff Goodman .... stock researcher
James Greenhut .... studio manager
Joseph Hartwick .... location auditor
Cheryl Hill .... location scout
Charles Kaufman .... production assistant
Judith Lamb .... photo researcher
Mary Lance .... stock researcher
Peter Lombardi .... assistant location auditor
Kati Meister .... stock researcher (as Katie Meister)
Philip Moore .... retouching strip printer
Charles Musser .... stock researcher (as Charlie Musser)
Carol Nast .... location scout
Gloria Norris .... assistant: Mr. Allen
Joseph Pierson .... production assistant
Helen Robin .... production coordinator
Susan Rollins .... location scout
Ken Rothstein .... location scout
Gail Sicilia .... creative coordinator
Gail Sicilia .... unit publicist
Todd Thaler .... assistant production coordinator (as Todd Michael Thaler)
Carl Turnquest Jr. .... projectionist (as Carl Turnquest)
Dennis Kear .... stand-in: Woody Allen (uncredited)
 
Thanks
John E. Allen .... the producers gratefully acknowledge and wish to thank for their assistance
Harold Axe .... the producers gratefully acknowledge and wish to thank for their assistance (as Harold Axe M.D.)
Nancy Casey .... the producers gratefully acknowledge and wish to thank for their assistance
Bernard Chertok .... the producers gratefully acknowledge and wish to thank for their assistance
William K. Everson .... the producers gratefully acknowledge and wish to thank for their assistance (as William Everson)
Ralph Friedman .... the producers gratefully acknowledge and wish to thank for their assistance
Rich Herzog .... the producers gratefully acknowledge and wish to thank for their assistance
Dan Jones .... the producers gratefully acknowledge and wish to thank for their assistance
Paul Killiam .... the producers gratefully acknowledge and wish to thank for their assistance
Laura Kreiss .... the producers gratefully acknowledge and wish to thank for their assistance
Adele Lerner .... the producers gratefully acknowledge and wish to thank for their assistance
Walt Levinsky .... the producers gratefully acknowledge and wish to thank for their assistance (as Walter Levinsky)
Joe Mallon .... the producers gratefully acknowledge and wish to thank for their assistance
Bill Murphy .... the producers gratefully acknowledge and wish to thank for their assistance
Ken Murray .... special thanks: "Golden Days of San Simeon" footage now appearing at the Hearst Castle in California
Robert Paquette .... the producers gratefully acknowledge and wish to thank for their assistance
Richard Plagge .... the producers gratefully acknowledge and wish to thank for their assistance
Harold Potter .... the producers gratefully acknowledge and wish to thank for their assistance
John Rogers .... the producers gratefully acknowledge and wish to thank for their assistance
Andrea Sheen .... the producers gratefully acknowledge and wish to thank for their assistance
Bob Summers .... the producers gratefully acknowledge and wish to thank for their assistance
Ted Troll .... the producers gratefully acknowledge and wish to thank for their assistance
Irwin Young .... the producers gratefully acknowledge and wish to thank for their assistance
 
Crew verified as complete


Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Runtime:
79 min
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Trivia:
One of two early-mid 1980s black-and-white movies which were collage pictures edited with adding new footage into old material. The other film was Carl Reiner's Dead Men Don't Wear Plaid (1982).See more »
Goofs:
Factual errors: Last name of Broadway impresario Florenz Ziegfeld is misspelled (Zeigfeld) on title card for Pathe newsreel.See more »
Quotes:
Wrist Victim:He was the guy who smashed my car up. It was brand new. Then he backed-up over my mother's wrist. She's elderly... and uses her wrist a lot.See more »
Movie Connections:
Referenced in Lost Embrace (2004)See more »
Soundtrack:
CharlestonSee more »

FAQ

This FAQ is empty. Add the first question.
15 out of 18 people found the following review useful.
"Identity Crisis and Its Relationship to Personality Disorder ", 25 May 2006
Author: Galina from Virginia, USA

One of the most sophisticated, cleverest, funniest, exquisitely shot and edited, scored, and acted movies ever made, "Zelig" is a masterpiece and astounding work even for Woody Allen whose mediocre movies are way above the regular Hollywood fares.

With the modest running time less than 80 minutes, this mockumentary tells the story of a "human chameleon", Leonard Zelig, Leonard the Lizard who possessed an extraordinary ability to transform himself in anyone he met (or should I say, an extraordinary ability possessed him?).

Leonard is a shy, little, meek Jewish man whose rare personality disorder consists of not having his own personality at all and successfully and effortlessly adapting any personality he came close to and fitting perfectly to any surroundings. His skin turns black when he is with the Black people, with the Native Americans, he became one; attending the dinner with the intellectuals, he speaks brilliantly with F.S. Fitzgerald, when on the baseball field, he is Babe Ruth. The meeting with an intelligent and compassionate psychiatrist, Dr. Eudora Fletcher (Mia Farrow) will begin the slow and long process for Zelig of searching and finding his own personality and possibility for love and happiness. The movie provides laughs and smiles but it also makes the viewer think of more serious subjects. Are we all have a Zelig inside? Don't we all want to be liked and try to adapt to our surroundings to feel comfortable? The movie can also be viewed as the meditation on the nature of the acting ability. While watching "Zelig", I kept thinking of a book I read recently. One of the characters was a great actor who had the similar to Zelig's disorder - he had no personality at all until he was given a part to act on stage. That Actor made the best and most convincing and complex Shakespeare's heroes - he was a brilliant reflective Hamlet but his greatest success was tragic Othello. The actor's transformation to Othello was so real that he acted it at home with his wife whom he suspected in cheating - he played his role perfectly with the same as in the play results. He ended up in the asylum where he could not act but he was allowed to read...Dostoevsky's novel "The Possessed" from which he chose to adapt the personality of Nikolai Stavrogin with rather unpredictable results. When his doctor finally realized what happened, he took all books with the exception of "The Idiot". Finally, the actor became a gentle and kind Prinz Myshkin, and that was the end of book.

Both, the book and the movie "Zelig" made me think of the price the artists pay to achieve perfection in their art. Are they vampires sucking the life out of their victims only to use them as characters for their acting roles? Is that the ultimate price the artist is paying for being a great artist? Does he need lives and souls of others to be able to create? This is one of many subjects "Zelig" makes you think about.

Allen seamlessly weds Black and white newsreel footage with his humorous but deep and fascinating tale allowing Zelig to be exactly where and when History was made. Using special lenses to give the movie the old style, mixing his own footage with the real documentaries, including his favorite music, dances, feeling perfectly forever gone era, Woody recreates The Roaring 20Th with breathtaking authenticity.

M:IWIHSIIT - according to my new grading system, a Masterpiece, I wish I had seen in the theater

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