Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others. Written by
Scott Renshaw <email@example.com>
Cinematographer Gordon Willis has said of this film: ""There was a point when I thought we were never going to finish, a point when I thought I was going to go nuts. I have never worked so hard at making something difficult look so simple". See more »
A presidential pardon would not clear Zelig of the state-level crimes of which he was convicted. See more »
That Zelig could be responsible for the behavior of each of the personalities he assumed means dozens of lawsuits. He is sued for bigamy, adultery, automobile accidents, plagiarism, household damages, negligence, property damages, and performing unnecessary dental extractions.
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"Zelig" is a very clever movie, the kind you just know Woody Allen is capable of. In this "mockumentary," Woody plays Leonard Zelig, an insecure man who goes to the ultimate length to fit in. Mia Farrow offers the love interest as Dr. Eudora Fletcher. In "Zelig," we get to see Woody spliced into old footage, including the Nazi rally. This came before the effect became used more often, in movies like "Forrest Gump." I see this as a transition in Woody's movies. It comes somewhere between his early funnier movies, like "Bananas" and "Take the Money and Run," and his later, more introspective ones, like "Hannah and Her Sisters" and "Husbands and Wives." It makes a statement about individuality, and produces laughs in the process.
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