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Zelig (1983)

 -  Comedy | Fantasy  -  15 July 1983 (USA)
7.8
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Ratings: 7.8/10 from 25,895 users  
Reviews: 99 user | 56 critic

"Documentary" about a man who can look and act like whoever he's around, and meets various famous people.

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Title: Zelig (1983)

Zelig (1983) on IMDb 7.8/10

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Nominated for 2 Oscars. Another 8 wins & 10 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Patrick Horgan ...
The Narrator (voice)
John Buckwalter ...
Marvin Chatinover ...
Stanley Swerdlow ...
Paul Nevens ...
Howard Erskine ...
George Hamlin ...
Ralph Bell ...
Richard Whiting ...
Will Hussung ...
Other Doctor (as Will Hussong)
Robert Iglesia ...
Eli Resnick ...
Edward McPhillips ...
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Storyline

Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others. Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Fantasy

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

15 July 1983 (USA)  »

Also Known As:

Identity Crisis and Its Relationship to Personality Disorder  »

Filming Locations:

 »

Box Office

Gross:

$11,800,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The nickname of Leonard Zelig (Woody Allen) was "the human chameleon". See more »

Goofs

The speaking person in his 60s in one of the modern interviews in the film is subtitled as "Former SS-Obergruppenführer Oswald Pohl". If the interviews were conducted in the early 1980s, the person is evidently too young; the real Pohl was born in June 1892, so he would have been in his late 80s/early 90s at the time - of course if he had not been hanged for war crimes in 1951. See more »

Quotes

Bruno Bettelheim: The question of weather Zelig was a psychotic or merely neurotic was a question that was endlessly discussed among his doctors. Now I myself felt his feelings were really not all that different from the normal, what one would call the well-adjusted, normal person, only carried to an extreme degree, to an extreme extent. I myself felt that one could really think of him as the ultimate conformist.
See more »

Connections

Featured in 71st Golden Globe Awards (2014) See more »

Soundtracks

Ain't We Got Fun
(1921)
Music by Richard A. Whiting (as Richard Whiting)
Lyrics by Ray Egan (as Raymond B. Egan) and Gus Kahn
Performed by The Charleston City All Stars
Courtesy of MCA Records
See more »

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User Reviews

Terrific concept, great effects, lackluster final product.
4 June 2004 | by (Los Angeles, CA) – See all my reviews

This movie looks and feels just like a real documentary. Real 1920's newsreel footage (into which Woody Allen has been seamlessly inserted) is impossible to tell from the faux-footage Mr. Allen filmed himself. Scenes from the fake 1935 movie telling the Leonard Zelig story, which are shown periodically throughout the film, not only look like a film of that era, but are written and acted as such as well. And interviews with real experts, on the fictional character of Zelig, complete the effect quite nicely. There can be no doubt that this movie looks terrific. But the problem lies in the content.

Leonard Zelig, the human chameleon, is a fascinating character. But someone besides Woody Allen should have played him. Mr. Allen is (or can be) a brilliant writer/director, but his range as an actor is limited. And so, though we see plenty of brilliantly done, authentic-looking footage, photos, etc. of Leonard Zelig blending in with his surroundings, we hardly ever see him interact in those surroundings. The pictures and clips of Woody Allen as a rabbi, a fat person, a Nazi, etc. are amusing, but they are not substantial. We are told that he is able, not only to look like those around him, but to converse like them to. But the only time we see him do this is when he's playing a psychiatrist: no stretch for Mr. Allen, who discusses psychoanalysis in many of his films (though usually from the recipient's point-of-view). And so the only time we actually hear from Zelig is when Dr. Eudora Fletcher puts him into a trance, at which time he has no personality of his own. It's a shame; he's such a fascinating character, but the only way we really know he's a fascinating character is because we are told so by others. In lieu of scenes that help us get to know the characters personally, we are given narration and talking heads. This is not the way to make any film, not even a documentary.

When it comes to Woody Allen mockumentaries, I much prefer Take the Money and Run. It's not as researched and authentic-looking as Zelig, but it's far funnier, and far more engaging.


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