Epic drama about China's first emperor (221 BC) who struggles to make his childhood best friend, now China's greatest composer, succumb to his will and compose a grand anthem to his ... See full summary »
A Cantonese opera company arrives in Cheung Chau to perform for a rich man, who wants to marry of his nephew Dick to the star of the company Ah Gee. As soon as they arrive, the company is ... See full summary »
Following WWII and with China brought to it's knees by the actions of the Japanese, prior to the rise of the Communists, led by Chairman Mao. This is the time during which Fei Mu's film ... See full summary »
A loose adaptation of Hamlet, "The Night Banquet" is set in an empire in chaos. The Emperor, the Empress, the Crown Prince, the Minister and the General all have their own enemies they would like to finish off at a night banquet.
In a post-apocalyptic world, in which a large part of the population consists of demented and deformed mutants being kept in reservations, a man embarks upon visiting the ruins of a museum ... See full summary »
Sega, a Taiwanese born in the years of Japanese rule, felt closer to Japanese nationality and culture than to the Mainland Chinese authorities who took over in 1945. The Japanese ... See full summary »
A-yuan and A-yun are both from the small mining town of Jio-fen. In the city, A-yuan is an apprentice by day and goes to night school, and A-yun works as a helper at a tailors. Everyone ... See full summary »
This film concerns eight criminal prisoners of the Chinese 8th Army and one unjustly accused commander, also imprisoned; the prologue to the film leaves no doubt as towards the culpability of the eight and the innocence of the one. The nine accompany the army as it is harried by the Japanese during the Second Sino-Japanese War. Zhang Yimou gets an early credit as cinematographer. It's the earliest Chinese war film I've seen where the characters aren't flagrant personifications of revolutionary values. It has pleasant concessions to humanity whilst still banging the propaganda drum (only to the same extent as The Green Berets). Whilst it is propaganda, I'm in no doubt that there was heroic defence against Japanese aggression at the time.
There is to an extent a disconnect between some particularly exorbitant cinematography (you could freeze many great still photos from the film), and a story that doesn't really flow and feels like it has too many gaps. There is however genuine pathos in the movie and the journey the men go on is compelling. The source text is trying to point out that the exemplary acts of one individual can knock onto the rest, although its seeming conviction that innocence is self-evident and will always out could be seen as an obnoxious repudiation of many innocent dead from this period. Would bear interesting comparison to Aldrich's Dirty Dozen in terms of archetype.
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