The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfield girl, subsequent career and her personal life, particularly her relationship with Nick Arnstein.
Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
In an Ashkenazic shtetl in Poland, Yentl Mendel is the boyishly klutzy daughter and only child of long widowed Rebbe ("Talmud Teacher") Mendel, who teaches Talmud (a codification of Jewish Law) to local boys - and to Yentl, but secretly because girls were not allowed to learn the law in those days. When her father dies, Yentl is all alone in the world. She takes the momentous decision to leave the village and - disguised as a boy and calling herself by the name of her late brother, Anshel - seeks and gets admitted to a Yeshiva, to study the texts, traditions, subtleties and complexities of Torah, Talmud, etc. She befriends Avigdor who is engaged to Haddas, but her family discovers his brother committed suicide so they call off the wedding (in case Avigdor possesses the same madness). Anshel then finds "him"-self in the awkward position of being called into service as substitute bridegroom, so that the wedding can go ahead and Haddas will have a husband. It is a marriage that never ... Written by
One of the supporting roles had to be recast when the actor died suddenly; the same actor had been booked as well for The Trail of The Pink Panther and The Curse of The Pink Panther, but was replaced by Harold Kasket. See more »
When Yentl sings "Papa, Can You Hear Me?" her glasses are laid down in front of her. They have modern temple and ear pieces. In other scenes Yentl's glasses are the old-fashioned, wrap-around-the-ear-style glasses. See more »
It's by their questions that we choose our students, not only by their answers.
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At the very end of the closing credits: This film is dedicated to my father... and to all our fathers. See more »
Reading the few awfully and derogatorily negative reviews for this film here on the IMDb, it still befuddles me about the total oppression and negativity that people throw out of their mouths without expressing themselves in a more precise and intelligent manner, mainly on a film that presents such important issues and social commentaries. Even though the film is set in the past, all it says is still very noteworthy and easy to relate to in the past few decades and definitely in the decades to come.
YENTL is a film to be shared and enjoyed regardless of ethnicity, religion or background. Its universality speaks and raises voices to different generations and social groups.
Motivational, moving and exquisitely shot with rich period flavor and mood (AND THIS IS WITHOUT HAVING SEEN THE DVD YET, SINCE IT IS NOT AVAILABLE, AND MS. STREISAND HERSELF NOTED THAT THE COLOR TINT ON THE VHS TAPE IS INCORRECT, SOMETHING SHE HAD CORRECTED FOR THE UPCOMING DVD), this is the type of story about conquering your fears and stop at nothing to achieve your dreams that is fatally missing from films in our present time.
If there is an aspect to this movie that is the most formidable, it's the music and songs in it that's what is most successful about it, since they carry the story as it progresses through its tale of passion, love, struggle and perseverance.
Ignorance has kept the film from being enjoyed and appreciated by several groups and individuals. Hopefully someday they will find the courage and wit to understand such incredible gem.
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