Rose and Gregory, both Columbia University professors meet when Rose's sister answers Gregory's "personals" ad. Several times burned, the handsome-but-boring Gregory believes that sex has ... See full summary »
Hillary Kramer, successful Perfume magnate awakes one morning to find that her accountant has robbed her blind and left for South America. Going through all of her remaining assets she ... See full summary »
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
Dramatization of "Yentl, the Yeshiva Boy," by Isaac Bashevis Singer (1902-1991); originally published in Yiddish c. 1960, then in English c. 1983. The story: In an Ashkenazic shtetl in Poland, Yentl Mendel is the boyishly klutzy daughter and only child of long widowed Rebbe ("Talmud Teacher") Mendel, who teaches Talmud (a codification of Jewish Law) to local boys - and to Yentl, but secretly because girls were not allowed to learn the law in those days. When her father dies, Yentl is all alone in the world. She takes the momentous decision to leave the village and - disguised as a boy and calling herself by the name of her late brother, Anshel - seeks and gets admitted to a Yeshiva, to study the texts, traditions, subtleties and complexities of Torah, Talmud, etc. She befriends Avigdor who is engaged to Haddas, but her family discovers his brother committed suicide so they call off the wedding (in case Avigdor possesses the same madness). Anshel then finds "him"-self in the awkward ... Written by
Amy Irving became the first (and, as of 2011, only) actress to be nominated for an Academy Award and a Razzie for the same performance. She won neither. See more »
Anshel's suit coat is buttoned as if it were a woman's coat. It's not a flipped shot; Avigdor is wearing a man's coat in the same frame. See more »
You're in the wrong place, storybooks for women are over here.
[holding a book]
I'd like this one, please.
[takes the book away]
Sacred books are for men.
It's the law.
Where's it written?
It doesn't matter where it's written, it's the law.
Well if it's the law it must be written somewhere, perhaps in here
. I'll take it.
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At the very end of the closing credits: This film is dedicated to my father... and to all our fathers. See more »
for basic idea of equal rights out of any feminism. for the flavor of "80 years and for slices of shtetl life, for Jew space in Russian Empire as place of interior freedom, for music and for the delicate story. for last image of a way to happiness. for fabulous role of young Yentl/Anschel and for fragile performance of Amy Irving. it is difficult to define it.because it is a profound humanist pledge for normality. not accusation against a community. not stone against rules.but a open window.that is all. central piece - courage. central message - nothing is impossible. axis - force to be yourself. after 20 years, it is more important today.because in time of globalization, time of positive discrimination, Yentl is a wise advise. and good model to build personal trip in life.
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