| Photos (See all 28 | slideshow) | Videos (see all 2) |
| Mel Gibson | ... | Guy Hamilton | |
| Sigourney Weaver | ... | Jill Bryant | |
| Linda Hunt | ... | Billy Kwan | |
| Michael Murphy | ... | Pete Curtis | |
| Bill Kerr | ... | Colonel Henderson | |
| Noel Ferrier | ... | Wally O'Sullivan | |
| Bembol Roco | ... | Kumar | |
| Paul Sonkkila | ... | Kevin Condon | |
| Ali Nur | ... | Ali | |
| Dominador Robridillo | ... | Betjak Man | |
| Joel Agona | ... | Palace Guard | |
| Mike Emperio | ... | Sukarno | |
| Bernardo Nacilla | ... | Dwarf | |
| Domingo Landicho | ... | Hortono | |
| Hermino De Guzman | ... | Immigration Officer | |
| Coco Marantha | ... | Pool Waiter | |
| Kuh Ledesma | ... | Tiger Lily | |
| Norma Uatuhan | ... | Ibu | |
| Lito Tolentino | ... | Udin | |
| Cecily Polson | ... | Moira | |
| David Oyang | ... | Hadji | |
| Mark Egerton | ... | Embassy Aide | |
| Joonee Gamboa | ... | Naval Officer | |
| Pudji Waseso | ... | Officer in Cafe | |
| Joel Lamangan | ... | Security Man No. 1 | |
| Mario Layco | ... | Security Man No. 2 | |
| Jabo Djohansjan | ... | Doctor | |
| Agoes Widjaya Soedjarwo | ... | Roadblock Soldier (as Agus Widjaja) | |
| Chris Quivak | ... | Airport Official |
Directed by | |||
| Peter Weir | |||
Writing credits(in alphabetical order) | ||
| C.J. Koch | novel | |
| C.J. Koch | screenplay | |
| Peter Weir | screenplay | |
| David Williamson | screenplay | |
Produced by | |||
| Jim McElroy | .... | producer (as James McElroy) | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Russell Boyd | (director of photography) | ||
Film Editing by | |||
| William M. Anderson | (as William Anderson) | ||
Art Direction by | |||
| Herbert Pinter | |||
Costume Design by | |||
| Terry Ryan | |||
Makeup Department | |||
| Judy Lovell | .... | makeup artist: Australia | |
| Judy Lovell | .... | special effects makeup artist: Australia | |
| Bob McCarron | .... | special effects makeup artist: Australia | |
| Cheryl Williams | .... | hair stylist: Australia | |
Sound Department | |||
| Peter Fenton | .... | dialogue mixer: Australia | |
| Phil Heywood | .... | sound effects mixer: Australia | |
| Louise Innes | .... | assistant sound editor: Australia | |
| Robin Judge | .... | assistant sound editor: Australia | |
| Spencer Lee | .... | sound engineer: Australia | |
| Ron Purvis | .... | recording supervisor: Australia | |
| Andrew Steuart | .... | sound editor: Australia | |
| Mark J. Wasiutak | .... | boom operator: Australia (as Mark Wasiutak) | |
| Gary Wilkins | .... | sound recordist: Australia | |
Special Effects by | |||
| Danny Dominguez | .... | special effects: Philippines | |
Stunts | |||
| Peter West | .... | stunt driver | |
Camera and Electrical Department | |||
| Brian Bansgrove | .... | gaffer: Australia | |
| Nixon Binney | .... | camera operator: Australia | |
| Ray Brown | .... | key grip: Australia | |
| Colin Chase | .... | electrician: Australia | |
| Geordie Dryden | .... | assistant grip: Australia | |
| Paul Gantner | .... | best boy: Australia | |
| Stuart Green | .... | assistant grip: Australia | |
| Peter Menzies Jr. | .... | focus puller: Australia | |
| Paul Moyes | .... | electrician: Australia | |
| John Seale | .... | photographer: second unit | |
| Jim Townley | .... | still photographer: Australia | |
| Geoffrey Wharton | .... | clapper loader: Australia (as Geoff Wharton) | |
Casting Department | |||
| Alison Barrett | .... | casting: Australia | |
| Jo Hardie | .... | extras casting: Australia | |
| Precy Iniego | .... | casting: Philippines | |
| Penseroso Libre | .... | casting: Philippines | |
| Sue Parker | .... | extras casting: Australia | |
| Monica Swann | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Ramon Alonzo | .... | wardrobe: Philippines | |
| Jenni Bolton | .... | wardrobe mistress: Australia | |
| Vicente Cabrera | .... | wardrobe: Philippines (as Vic Cabrera) | |
| Phil Eagles | .... | stand-by wardrobe: Australia | |
| Gina Garcia | .... | wardrobe: Philippines | |
| Anthony Jones | .... | costume supervisor: Australia | |
| Roger Monk | .... | stand-by wardrobe: Australia | |
Editorial Department | |||
| Margaret Cardin | .... | negative matcher: Australia (as Maggie Cardin) | |
| Jeanine Chiavlo | .... | associate editor: Australia (as Jeanine Chialvo) | |
| Peter Erskine | .... | assistant editor: Australia | |
| Karen Foster | .... | assistant editor: Australia | |
| Toto Natividad | .... | assistant editor: Philippines (as Federico Natividad) | |
| Lee Smith | .... | associate editor: Australia | |
Music Department | |||
| Gethin Creagh | .... | music mixer: Australia | |
| Sven Libaek | .... | music coordinator: Australia | |
Transportation Department | |||
| Pablo Mercado Sr. | .... | transportation manager: Philippines | |
Thanks | |||
| Richard Woolcott | .... | acknowledgment | |
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| The Quiet American | The Best of Youth | The Passenger | Thank You for Smoking | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Australia section |
I am a little amazed that, so far, only 40 comments have been entered. Fortunately most are of high quality, and all the important points related to the film are clearly highlighted. So, I will not repeat what has been well said by others. I want to explain one additional point, it has to do with my personal experience but might be interesting to mention.
I'm a professional expatriate, living overseas for 25 years. I'm not talking about an American in Paris or an Englishman in New York, I mean African steppes, tropical jungles, Indian slums. Living in a totally foreign country, in a totally strange culture, imperfectly understanding the local language, bewildered by alien logic, you experience a permanent sense of unease. You adapt, you learn to cope, you make what you hope are friends. But you never forget that you are a stranger in unknown territory, and that you are vulnerable.
You may peacefully walk on the street one minute, the next minute bullets are flying all around you. In the evening you have a pleasant drink with your neighbour, in the morning you are arrested, accused of being a foreign mercenary. When you travel inland you come at a road block, not knowing if they'll let you pass, or harass you for a couple of hours, or confiscate your car. As a foreigner in developing countries, you are constantly confronted with uncertainty, an intangible menace lurking around the corner.
I find that TYOLD transmits this sense of menace very poignantly. Many people have commented on its brilliant sense of place, the accurate depiction of Indonesia and the events that took place at the time. Others mention that you get a very real feeling of the tension and uncertainty journalists in times of upheaval are subjected to. But I would like to extend it beyond journalists. The sense of menace in TYOLD is eminently recognizable by all who have lived in countries where the police is not there to protect you, the laws are not there to make society more civilized, the hospitals are not there to cure you. In TYOLD, the menace is made visible because of the troubles that erupt, but usually you do not have to live through civil war when overseas. Still, the menace is not less real, and the sense of foreboding haunting every expatriate was very convincingly conveyed in the film.