Peter Soffel is the stuffy warden of a remote American prison around the turn of the century. His wife, Kate, finds herself attracted to prisoner Ed Biddle. She abandons her husband and ... See full summary »
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
Tim is a young man with below average intelligence. He works as a builder's labourer, and is often taken advantage of by his fellow workers and other people. Mary asks Tim to work around ... See full summary »
Guy Hamilton is a journalist on his first job as a foreign correspondent. His apparently humdrum assignment to Indonesia soon turns hot as President Sukarno electrifies the populace and frightens foreign powers. Guy soon is the hottest reporter on the story with the help of his photographer, half- Chinese dwarf Billy Kwan, who has gone native. Guy's affair with diplomat Jill Bryant also helps. Eventually Guy must face some major moral choices and the relationship between Billy and him reaches a crisis at the same time the politics of Indonesia does. Written by
The January-February 1983 edition of American "Coming Attractions" magazine states that this movie marked "...the first time that an Australian movie has been fully financed and distributed by a major American motion picture company - MGM/UA." Website 'Allmovie' adds that "...the film was financed by MGM, in the first such American-Australian financial collaboration" whilst website 'Wikipedia' maintains that this film "...was the first co-production of Australia and a Hollywood studio". See more »
The song by Richard Strauss is incorrectly listed in the end credits. It's "Beim Schlafengehen" ("Going to Sleep"), not "September." "September" is another of the "Four Last Songs" from which this one is taken; lyrics to both are by Herman Hesse. See more »
-Don't think about the major issues. You do what you can about the misery in front of you. You add your light to the sum of all light.
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I watched TYLD after a prof recommended it in grad school. I had to rent it from an obscure-movies rental place in Alexandria, Virginia and I now own the picture.
There are three elements, mixed together, that make TYLD superb, rich cinema. First, it captures the feel of westerners living abroad, the cluster of expat personalities that you find were you to live or work abroad.
Second, it is one of the best love stories ever crafted, with a "fleeting end of summer feel" between Mel Gibson and Sigourney Weaver. They are both young; Weaver is stunningly gorgeous. Their romance ends almost as abruptly as it begins. We've all been there.
The movie also captures an awesome historical moment and is fascinating Cold War history. The movie is flawless.
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