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| Fri. July 24 | 10:15 PM | TCM |
Directed by | |||
| John Badham | |||
Writing credits | ||
| Lawrence Lasker | (written by) & | |
| Walter F. Parkes | (written by) | |
| Walon Green | uncredited | |
Produced by | |||
| Leonard Goldberg | .... | executive producer | |
| Richard Hashimoto | .... | associate producer | |
| Harold Schneider | .... | producer | |
| Bruce McNall | .... | producer (uncredited) | |
Original Music by | |||
| Arthur B. Rubinstein | |||
Cinematography by | |||
| William A. Fraker | |||
Film Editing by | |||
| Tom Rolf | |||
Casting by | |||
| Wallis Nicita | |||
Production Design by | |||
| Angelo P. Graham | |||
Art Direction by | |||
| James J. Murakami | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Barry Francis Delaney | (costumes: men) (as Barry F. Delaney) | ||
Makeup Department | |||
| Michael Germain | .... | makeup artist (as Perry Michael Germain) | |
| Lynda Gurasich | .... | hair stylist | |
| Brenda Todd | .... | makeup artist | |
Production Management | |||
| Richard Hashimoto | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | first assistant director | |
| Robert J. Doherty | .... | second assistant director | |
Art Department | |||
| Gregg H. Bilson | .... | property master | |
| Robert Scaife | .... | construction coordinator | |
| John M. Schenk | .... | assistant property master | |
| Kevin Shanks | .... | tile/floor covering (uncredited) | |
| Daniel Turk | .... | carpenter (uncredited) | |
Sound Department | |||
| Milton C. Burrow | .... | supervising sound effects editor | |
| Willie D. Burton | .... | sound mixer | |
| Carlos Delarios | .... | sound re-recording mixer | |
| Michael J. Kohut | .... | sound re-recording mixer | |
| William L. Manger | .... | supervising sound effects editor | |
| Aaron Rochin | .... | sound re-recording mixer | |
| Craig Harris | .... | voice processing (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Mick Baran | .... | special electronic effects crew | |
| Bill Cobb | .... | special electronic effects crew | |
| Robert Cole | .... | special electronic effects foreman | |
| Joe Digaetano | .... | special effects | |
| Richard Hoffenberg | .... | special electronic effects crew | |
| Bruce Knechtges | .... | special electronic effects crew | |
| Robin Dean Leyden | .... | special electronic effects crew | |
| Robin Reilly | .... | special electronic effects crew | |
| Mark Stivers | .... | special electronic effects crew | |
| Robert Wilcox | .... | special electronic effects crew (as Robert G. Wilcox Jr.) | |
| David Domeyer | .... | special effects (uncredited) | |
| R.J. Hohman | .... | special effects wireman (uncredited) | |
Visual Effects by | |||
| Colin Cantwell | .... | computer graphics design consultant | |
| Jack Cooperman | .... | miniature photography | |
| Marcia Dripchak | .... | computer graphics unit | |
| Michael L. Fink | .... | visual effects supervisor | |
| Linda Fleisher | .... | visual effects consultant | |
| Steve Grumette | .... | computer video consultant | |
| David R. Hardberger | .... | computer graphics unit (as David Hardberger) | |
| Judith Herman | .... | computer graphics unit | |
| Geoffrey Kirkland | .... | visual consultant | |
| Sylvia Lovegren | .... | computer graphics unit | |
| Jonathan Seay | .... | computer graphics unit | |
| Wayne Baker | .... | assistant camera: miniature unit (uncredited) | |
Stunts | |||
| Tom Elliott | .... | stunt double: Matthew Broderick | |
| Marguerite Happy | .... | stunts | |
| Al Jones | .... | stunts | |
| Michael Adams | .... | stunt coordinator (uncredited) | |
| Rick Avery | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dave Anderberg | .... | grip | |
| Gerald H. Boatright | .... | assistant chief lighting technician | |
| David E. Diano | .... | assistant camera | |
| Gary R. Dodd | .... | key grip (as Gary Dodd) | |
| To Lee | .... | camera assistant trainee | |
| Ralph Nelson | .... | still photographer (as Ralph Nelson Jr.) | |
| Doug Pentek | .... | chief lighting technician | |
| Richard Turner | .... | assistant camera | |
| Richard Walden | .... | additional camera operator | |
| Steve Yaconelli | .... | camera operator | |
Casting Department | |||
| Pat Orseth | .... | location casting: Seattle | |
Costume and Wardrobe Department | |||
| Linda Matthews | .... | costumer: women | |
| Ray Summers | .... | wardrobe supervisor | |
Editorial Department | |||
| Ray Martin | .... | color timer | |
| Liza Randol | .... | assistant film editor | |
| Michael Ripps | .... | associate film editor | |
Music Department | |||
| Mark Hoder | .... | orchestrator | |
| Joe Tuley | .... | music editor | |
| Anthony Marinelli | .... | musician: synthesizer (uncredited) | |
| Anthony Marinelli | .... | song producer (uncredited) | |
Transportation Department | |||
| Randy Musselman | .... | driver captain | |
Other crew | |||
| Joy Anzarouth | .... | production coordinator | |
| Robert C. Decker | .... | location manager (as Robert Decker) | |
| Robert Eggenweiler | .... | location manager | |
| Lyla Foggia | .... | unit publicist | |
| John Garber | .... | dialogue coach | |
| Dana Satler Hankins | .... | assistant: Mr. Badham (as Dana Satler) | |
| Don Hansard | .... | process coordinator | |
| Richard Keefe | .... | process librarian | |
| Harold Michelson | .... | continuity consultant | |
| H. Bud Otto | .... | script supervisor | |
| Derry J. Pearce | .... | production auditor | |
| Bill Watson | .... | pterosaur consultant | |
| Duncan Wilmore | .... | technical advisor | |
| Mike Berro | .... | computer programmer (uncredited) | |
| Lynn Hendee | .... | production executive (uncredited) | |
| Kevin King | .... | payroll accountant (uncredited) | |
| Anthony Marinelli | .... | synthesizer programmer (uncredited) | |
| Lynn Dee Schwarz | .... | location scout (uncredited) | |
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_WarGames_ is a classic and remains one of the best of the hacker subgenre. Some technical inaccuracies (An IMSAI with a voice synthesizer? A 300 baud acoustic coupler that is as fast as a 28.8k modem? The main computer at NORAD covered with 1960's style blinking lights?) are there but they are few and far between enough to be excusable - this is a fun film that doesn't require complete technical accuracy to work. The nuclear war theme was certainly timely for the early 80's, and the film brought the previously obscure activities of crackers/hackers into the limelight. More than that, watching it nowadays brings a feeling of nostalgia for the early days of personal computers, when the Commodore PET, TRS-80, Sinclair ZX-81, Apple II, and of course Pac-Man, and the Atari and Odyssey2 home video games reigned supreme for a short time.
Matthew Broderick's nerdy yet clever, intelligent, and persistent anti-hero character is certainly the sort of role model we could use more of in the 1990's (and less, by comparison, of the one-dimensional grunge/slacker type). Broderick's wily use of technology know-how time and time again to get him out of various situations (using a metal pull tab to make an electrical connection on a pay phone and get a dial tone; using a miniature tape recorder to escape from a room at NORAD he has been locked into) is great, and turns up again a couple of years later in another film starring Broderick, _Ferris Bueller's Day Off_.
The adult characters, on the other hand, tend to be one-dimensional, with the exception of Professor Falken, the man who designed NORAD's computer system and then became disillusioned and turned his back on the arms race to live as a hermit on the Oregon coast. Some of the lines from the adults are hilarious in their stupidity ("he's a classic case for recruitment by the Soviets"; "I worry about that kid, sometimes I think we're all going to get electrocuted"; "Ah'll be damned if Ah'll turn over our national security to some...silly-cone di-ode"). This has the effect of making almost all the adults, including Broderick's parents but excluding Professor Falken, look set in their ways, clueless, and ultimately completely outwitted by the more intelligent Broderick and his girlfriend.