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The Violent Breed (1984)
"Razza violenta" (original title)

R  |   |  Action  |  24 February 1984 (Italy)
4.0
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Ratings: 4.0/10 from 86 users  
Reviews: 7 user | 2 critic

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Cast

Cast overview, first billed only:
...
Kirk Cooper
Harrison Muller Jr. ...
Mike Martin
...
Polo
...
Sharon Morris
Deborah Keith
Danika La Loggia ...
Madame Fra (as Danika)
Raul Lovecchio ...
(as Ettore Lo Vecchio)
Loris Bazzocchi ...
(as Loris Bartock)
Sergio Doria ...
(as Serge Doran)
Adrian Jeffries
Maurizio Mattioli ...
(as Maurice Matteo)
Silvano Spadaccino ...
(as Silvan Ospensky)
Agostino Crisafulli ...
(as Al Chrystal)
Pierangelo Pozzato ...
(as Pietro Angelo Pozzato)
Gerry Wexler
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guerilla | nudity | drugs | spy | cambodia | See All (10) »

Genres:

Action

Certificate:

R | See all certifications »
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Release Date:

24 February 1984 (Italy)  »

Also Known As:

Real Soulja  »

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Connections

Edited into Getting Even (1989) See more »

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User Reviews

 
Come again. Yes, come again.
27 August 2007 | by (the Mad Hatter's tea party.) – See all my reviews

On a mission in Vietnam Kirk, Mike and Polo are the only survivors of their platoon who rescue a bunch of children, but Polo stays behind when they get to their boat and tells them to leave. Polo happens to be in arms and drug trafficking operation with the KGB and the mafia. Kirk now working for the CIA sends out Mike to Vietnam to stop Polo's enterprise.

What an incoherent mess. The good folks of Cannon produce this very low-rent Italian b-action fodder. Well there's not a whole lot to say about this one, but it's poorly executed and the cast are all but washed up. Woody Strode and Henry Silva go through the motions with such little effort, while the leading man Harrison Muller provides the personality, but his timing seems off. Most the time his running and jumping in or out of windows. Those sneakers of his cop a real work out. Carole Andre's sly part was small, but prominent. The no frills action drags on, especially the film's final standoff where the bad guys have terrible aim and plenty of explosions are assured. The continuous gun fire also made sure that there was some bloody pulp. But boy does it go on, because if feel like its in slow motion! The tempo throughout stays mellow and lacks oomph. How about that conclusion though?! Talk about baffling. The one-man team of Fernando Di Leo who directed and wrote the screenplay and story does a clumsy job on all fronts. The whole premise is slipshod and embarrassingly one-note, and the insipid script chalks up many tacky lines. His blunt direction is quite aimless and clunky. Being shot location in the Philippines gives the film a raw touch and makes it quite ugly to look at. The hybrid sounding music score seems to actually work and fit right in, despite some junky passages.

Never boring, but there's no denying how unbelievably trite it turns out to be.


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