A film director, Jean, his producer, Marc, and his assistant, Lucette, board the Trans-Europ-Express in Paris bound for Antwerp. Once in their compartment it occurs to them that the drama ... See full summary »
A sad man meets a beautiful, secretive woman who may or may not be involved in some conspiracy ring dealing in kidnapped women used as prostitutes. After several days of their sadly ... See full summary »
Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, ... See full summary »
When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he ... See full summary »
José Luis López Vázquez,
A 4-year-old child is the element from and around which the action develops, and brings sentiments and emotions to light. The French word "révélateur"/developper describes the product to develop or "reveal" film negatives.)
A woman recently released from prison and a strange young female street urchin keep running into each other on the streets of Paris and finally become companions in a very strange and very ... See full summary »
Man, would I love to see this film again! The problem is, it has seemed to disappear completely; never shown in theaters or at festivals anymore, never shown on European television. I saw it twice, many years ago, and can't remember much detail, let alone a story-line if there is any. Ruiz' film is a gallery of stunning images, woven together to make a surrealistic masterpiece. A woman sleepwalking through a moonlit mediterranean village; a man on a terrace eating lunch, the camera inside his mouth. And best of all: a kitchen-scene in which someone opens a window and you can actually feel the temperature dropping. A wonderful wonderful film, but i don't know why. Isn't that the essence of all great art? Would I love to see this film again!
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