16 items from 2016
Chucky’s back and better than ever… Mezco Toyz presents their newest Chucky doll based on his likeness in the first Child’s Play movie. Also: Wizard World and Crypt TV’s eight-city video showcase, Mondo’s Cronenberg vinyls, the Screamfest 2016 announcement, and over 10 photos from Shortwave.
Photos of Mezco Toyz’s New Chucky Doll: From Mezco Toyz: “Unlike the scarred and battle-damaged look Chucky normally bears (people have tried to destroy him in six films so far), this version represents the cleaner, earlier Chucky. His trademark outfit is un-slashed, his face is not yet mauled.
Just as he did in his films, Chucky has lots to say from his trademark “My name is Chucky” to far more sinister phrases.
The star of the Child’S Play films, Chucky stands fifteen inches tall and features real cloth Good Guys clothing, eleven points of articulation, his trademark orange hair and realistic glass-like eyes. »
- Tamika Jones
As far as predicting our media-obsessed contemporary culture, David Cronenberg’s unsettling and socio-politically important body horror masterpiece “Videodrome” is almost as significant and prescient as Paddy Chayefsky and Sidney Lumet’s masterpiece “Network.” Basically, if you want to experience the anti-tv and anti-media-saturation messages in “Network” in a less expositional and more visceral way, and if […]
- Oktay Ege Kozak
Exclusive: Organisers behind the Cannes Marché’s third Next event set to run from May 12-18 have lined up an expanded future of cinema showcase that places heavy emphasis on the fast-rising world of virtual reality.
For the first time Next events will take place at the entrance of the Village International on the Pantiero side – the site previously occupied by Canal+ – and will feature installations, interactive films, screenings, conferences and workshops on subjects such as big data, theatres of the future, and VOD opportunities.
The Next schedule will include 15 innovative companies that will conduct business at the Next Pavilion. Creative Wallonia and the Canadian Film Center will have their own corner. The full Next programme will be announced shortly.
Vr Days programme
The centerpiece is the Vr Days programme, a rich roster featuring work from the world’s leading exponents that takes place over May 15 and 16 and stems from a clamour by content creators to focus »
- email@example.com (Jeremy Kay)
Everyone’s gotta start somewhere. You don’t make your first masterpiece overnight, and before he made the likes of “Scanners,” “Videodrome,” “The Fly,” “Naked Lunch,” and “A History of Violence,” David Cronenberg was just a 23-year-old University of Toronto student with a English Literature and Language degree on the horizon and a dream in his eye. And that’s where he was in life when he made his first six-minute short film, 1966’s “Transfer,” which Cronenberg wrote, directed, co-produced and co-edited. And those most familiar with his work may not exactly see the genius on hand, but they can most certainly notice the creative juices were flowing out of him even from an early age. The 16mm short, uncovered by Dangerous Minds, is, as one would expect, quite odd. From the first minute onward — featuring a man in the middle of barren, snow-glazed backcountry field of grassland brushing his »
- Will Ashton
“The television screen is the retina of the mind’s eye.”
Videodrome Screens Midnights this weekend (March 11th and 12th) at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, Mo 63108) as part of Destroy the Brain’s monthly Late Night Grindhouse film series.
Have you ever woken up in front of the TV and found yourself watching some really bizzare show? Take that premise a few steps further and you end up in David Cronenberg’s 1983 shocker Videodrome. A strong statement about the influence of mass media on human conscience, Videodrome is one of the weirdest films ever made, even by Cronenberg standards. And although its outdated gore effects may seem a bit cheesy today, the underlying message Cronenberg wanted to convey through its over-the-top depiction of violence and gore hasn’t aged one bit.
The film tells the story of Max Renn; the CEO of a small television station who, »
- Tom Stockman
Stars: Graham Skipper, Lauren Ashley Carter, John Speredakos, Larry Fessenden, Noah Segan, Matt Mercer, Michael A. LoCicero, Jeremy Gardner, Patrick M. Walsh, Brian Morvant, Josh Ethier, Susan T. Travers | Written and Directed by Joe Begos
Back in 2014 first-time director Joe Begos exploded on the horror scene with Almost Human, an alien abduction movie drenched in 80s flair. Now he’s back with his second feature, The Mind’s Eye, another film that’s not afraid to wear its love of 80s horror on its sleeve. In this case referencing the work of David Cronenberg and Brian De Palma, and films like the Scanners franchise, Carrie and the classic telekinetic fear flick The Fury.
Confession time: I’m not the biggest fan of David Cronenberg’s Scanners. If not for exploding head scene and the final battle between Revok and Vale, the film would be a very dull futuristic thriller. However »
- Phil Wheat
Sister directors Jen and Sylvia Soska ("American Mary," "See No Evil 2") have come on board to helm a remake of David Cronenberg's 1977 Canadian zombie thriller "Rabid" for Somerville House Releasing.
Porn star Marilyn Chambers played the lead role in the original of a woman injured in a motorcycle accident who undergoes experimental plastic surgery and develops a stinger that she uses to feed on people’s blood - triggering an outbreak of a rabies-like epidemic that turns its victims into bloodthirsty zombies.
Source: Variety »
- Garth Franklin
John Vidette’s Somerville House Releasing has entered into a joint venture with Paul Lalonde and Michael Walker to produce a feature film and original TV series based on the 1977 Canadian horror film.
“Rabid” starred Marilyn Chambers, who was attempting to move from her successful career as a pornographic actress into the mainstream. The film explored the world of experimental plastic surgery with Chambers playing a woman injured in a motorcycle accident who underwent a surgical operation and developed a stinger that she used to feed on people’s blood — triggering an outbreak of a rabies-like epidemic that turned its victims into bloodthirsty zombies.
- Dave McNary
At first, they might look as different as night and day. One is the directorial debut from a maverick Canadian director, the other is a Hollywood movie funded by 20th Century Fox. One is set in deep space, the other in a luxury apartment block on terra firma. One had a decent amount of money to throw at the construction of sets and special effects, the other was made for a few thousand dollars.
Yet Alien, released in 1979 and triggering a franchise that is still growing and mutating today, has more in common with Shivers than at first meets the eye. Cronenberg made Shivers for approximately $130,000 in 1975. Could it be that this low-budget shocker inspired what is still considered to be the ultimate space horror movie? »
Genre fans have a quiet week of home entertainment releases ahead of them as February 16th features only a handful of horror and sci-fi Blu-ray and DVD offerings. That being said, cult and classic horror film fanatics should be ecstatic with several of the Blus coming out on Tuesday, including The Vincent Price Collection III, The Mutilator, Curse of the Faceless Man and My Science Project, featuring none other than the legendary Dennis Hopper.
Other releases this week include Estranged and Riddle Room.
Entombed for eons and turned to stone... the Volcano Man of 2,000 years ago stalks the earth to claim his woman! A team of archeologists, led by Dr. Paul Mallon (Richard Anderson, TV’s The Six Million Dollar Man and The Bionic Woman) excavates a perfectly preserved faceless man of stone encased in lava from a site at ancient Pompeii. »
- Heather Wixson
Deadpool made $150 million this weekend, which is fairly amazing for an R-rated film. I'd be curious to know how much more it would have made if every single person who saw it actually paid for a ticket, because it does not take a genius to know that there were teenagers sneaking in to see it. Good for them. Let's be clear about something: the MPAA does not know your child, nor do they care about your child. The entire reason movie ratings exist is so the government didn't get involved in the process. Beyond that, they are outdated and out-of-touch, and absolutely useless as a practical guide for individual parents when it comes to understanding what is or isn't appropriate for your child. There are things I'd show my sons that you would not show to any kid, and there are things other parents have shown their kids that my »
- Drew McWeeny
I love a heartwarming, feel-good romance story just as much as the next person, but sometimes, it’s those doomed cinematic relationships that tend to stick with you the most. One of the more interesting ill-fated couples I recently encountered was Rob (Cian Barry) and Holly (Abigail Hardingham) from Nina Forever. The new couple must endure the looming presence of Rob’s ex-girlfriend, Nina (Fiona O’Shaughnessy), who died recently in a car accident and happens to show up anytime they become intimate.
The pitch-black comedy touches on a lot of the complications that come with modern relationships and all the proverbial baggage we endure as a result of our previous romantic entanglements. It really struck me throughout the story just how well directors Ben and Chris Blaine perfectly explore those themes in Nina Forever, making me realize that some of my very favorite movie love affairs, particularly from the 1980s, »
- Heather Wixson
The Notebook is the North American home for Locarno Film Festival Artistic Director Carlo Chatrian's blog. Chatrian has been writing thoughtful blog entries in Italian on Locarno's website since he took over as Director in late 2012, and now you can find the English translations here on the Notebook as they're published. The Locarno Film Festival will be taking place August 3 - 13. Howard Shore. © Benjamin Ealovega Film music is a subject that requires very delicate handling. As if music, more so even than sound itself, had arrived in the cinema with the table laid and the party already begun, requiring it therefore to be a very discreet guest.It makes little difference that we know that the movies – well before they became the talkies – needed musical accompaniment; it makes little difference that film music, whether by pioneering pianists or great composers, has given greater depth to the moving image and developed »
- Carlo Chatrian
Long Live The New Flesh!
In case you haven’t heard, Late Nite Grindhouse had to move venues in order to continue (read more here). From here on out, the theater that will play host to Late Nite Grindhouse is the Moolah Theatre & Lounge. To celebrate this new flesh, I wanted to bring in the Cronenberg classic, Videodrome. If you have never experienced Videodrome, you’re in for a mind melting trip.
As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon “Videodrome,” a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought. »
- Andy Triefenbach
Demonic activity, skinheads, and psychopaths: these are the words one might use to describe the upcoming genre films of 2016. From a possessed painter, to a devilish leg wound, to full-on war waged within the confines of a futuristic apartment complex, blood flies and fingers point in what looks to be one of the most intense, purposely-paced and experimental years for independent films to date.
Traces of David Cronenberg's Videodrome and Scanners, Stuart Rosenberg's The Amityville Horror, Stanley Kubrick's The Shining, and Nicholas Hytner's The Crucible can be found within these electrifying new entries from promising, emerging artists, proving that pulling from the past can wind up making a project feel fresh and new.
Although many of the films carry similar traits and themes like directorial debuts, single set locations, cult activity, and the ever-present presence of the devil's unholy spirit, each of these features is unique in its own persona. »
- Kalyn Corrigan
It’s often the case where the original film is clearly better than the remake, or sometimes vice-versa. In this case, however, it’s actually hard to determine which of them is better because they’re both so well done. Both were financially successful and well-reviewed. Both versions inspired sequels. For horror fans, both versions of this film are worth a viewing. Additionally, they both had great poster catchphrases. The 1958 version had, “He was once human!” and the remake had the even more memorable “Be afraid! Be very afraid!”
The original version of The Fly (1958), based on a short story by George Langalaan, was made during the sci-fi boom of the 1950s, »
- firstname.lastname@example.org (Rob Young)
16 items from 2016
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