After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Max Renn runs a TV channel, and when looking for new material to show--he discovers "Videodrome." His girlfriend, Nicki Brand, goes to audition for the show, and Max gets drawn into the underlying plot that uses the show as its front for a global conspiracy. Written by
Paul Reynolds <firstname.lastname@example.org>
Three different endings were filmed. The ending used in the film was James Woods's idea. See more »
Barry Convex proclaims Lorenzo de Medici as the author of the two famous ocular quotes. The first, "love comes in at the eye", is from a William Butler Yeats poem called "A Drinking Song". The second, "the eye is the window of the soul", is not definitively attributable to any one source. Seemingly similar variations exist in Cicero, European proverbs and the Gospel of Matthew. See more »
Videodrome. What you see on that show, it's for real. It's not acting. It's snuff TV.
I don't believe it.
So, don't believe.
Why do it for real? It's easier and safer to fake it.
Because it has something that you don't have, Max. It has a philosophy. And that is what makes it dangerous.
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The VIDEODROME title experiences a TV white noise distortion. See more »
Videodrome (1983) was a bizarre film that David Cronenberg made before he become a "director-for-hire" for his next couple of films. He takes a cerebral look at the ever popular fad of pirate satellite feeds and small-time t.v. channels. It was during this time that video tapes and satellite t.v. were becoming popular. Cronenberg decided to uses these and make a very strange and clinically sexually film. As with all of his films the sex seems mechanical, neither stimulating or sensual.
James Woods stars as the part owner of a small t.v. station who pirates satellite feeds and scours the world for erotic film and programming that he could use for his station. That is until one day he stumbles across a video feed that he wished he never had. He slowly becomes addicted to the perverse violence and sex that he witnesses on the tapes. But soon his life and those around him will be changed forever. Debra Harry co-stars as Woods love interest who slowly enjoys the tapes, more so than Woods.
Videodrome is a film that has to be seen to be believed. Yes, it's one of those films that has built up a following over the years and a reputation. This is one of the films that deserves it. However I must warn you that this is a Cronenberg film so thinking will be necessary when viewing it. The effects and visuals are quite the show. Croneneberg keeps his theme from the past films such as Shivers, Rabid and Scanners. We must welcome the new flesh!
This film is available in an R-rated and Unrated versions. For full enjoyment please watch the unrated director's cut. If you watch the R-rated version not only will you miss out on all of the cool visuals and effects but you'll be pretty much confused
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