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Videodrome (1983)

7.3
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Ratings: 7.3/10 from 47,819 users   Metascore: 60/100
Reviews: 204 user | 139 critic | 6 from Metacritic.com

A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station.

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Title: Videodrome (1983)

Videodrome (1983) on IMDb 7.3/10

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3 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sonja Smits ...
...
Peter Dvorsky ...
Leslie Carlson ...
Barry Convex (as Les Carlson)
Jack Creley ...
Lynne Gorman ...
...
Reiner Schwarz ...
David Bolt ...
Lally Cadeau ...
Henry Gomez ...
Harvey Chao ...
David Tsubouchi ...
Kay Hawtrey ...
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Storyline

Max Renn runs a TV channel, and when looking for new material to show--he discovers "Videodrome." His girlfriend, Nicki Brand, goes to audition for the show, and Max gets drawn into the underlying plot that uses the show as its front for a global conspiracy. Written by Paul Reynolds <pauljr@innotts.co.uk>

Plot Summary | Plot Synopsis

Taglines:

A shocking new vision. See more »

Genres:

Action | Horror | Sci-Fi

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 February 1983 (USA)  »

Also Known As:

Cuerpos invadidos  »

Box Office

Budget:

$5,952,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (unrated)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The character of Brian O'Blivion is based on Marshall McLuhan. David Cronenberg was a student of McLuhan's during college. See more »

Goofs

Barry Convex proclaims Lorenzo de Medici as the author of the two famous ocular quotes. The first, "love comes in at the eye", is from a William Butler Yeats poem called "A Drinking Song". The second, "the eye is the window of the soul", is not definitively attributable to any one source. Seemingly similar variations exist in Cicero, European proverbs and the Gospel of Matthew. See more »

Quotes

Masha: Videodrome. What you see on that show, it's for real. It's not acting. It's snuff TV.
Max Renn: I don't believe it.
Masha: So, don't believe.
Max Renn: Why do it for real? It's easier and safer to fake it.
Masha: Because it has something that you don't have, Max. It has a philosophy. And that is what makes it dangerous.
See more »

Crazy Credits

The VIDEODROME title experiences a TV white noise distortion. See more »

Connections

Spoofed in Video Bone (1986) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Network" + "Brazil" + "Clockwork Orange" = "Videodrome"?
10 January 1999 | by See all my reviews

Wow! My favorite actor and my favorite singer in the same movie! Deborah Harry (of Blondie fame) gives a great non-blonde performance as an "emotionally energized" radio show host, and James Woods is a scummy business-minded owner of a seedy TV station.

Like "Brazil" or "Twelve Monkeys" this movie will make you think, and even though there isn't really much violence or horror, your mind will fill in the parts that aren't there. The ability of a movie to do this makes it a must-see alone. You constantly ask yourself "is this real?" just as the main character is asking the same thing.

One thing about this movie is that they never really answer a lot of things. As we watch the main character go in and out of reality, the audience is never quite sure what is really happening either. They never tell us. They never truly explain who is behind Videodrome, or even what happens to James Woods. If you didn't like the ending of Network or Twelve Monkeys, then you won't like the lack of explanation here either.

Lots of underlying messages here too, involving television, pornography, and technology - all of which are more significant today than in 1983. Note common themes such as the head in a box. Excellently made film, the only thing that would have made it better is more story.


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