After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally murders his wife and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Max Renn runs a TV channel, and when looking for new material to show--he discovers "Videodrome." His girlfriend, Nicki Brand, goes to audition for the show, and Max gets drawn into the underlying plot that uses the show as its front for a global conspiracy. Written by
Paul Reynolds <email@example.com>
David Tsubouchi, who appears here briefly as a Japanese porn dealer, later became a Minister in the Ontario provincial government. His appearance in this controversial film as a pornographer was exploited by the opposition. See more »
Barry Convex proclaims Lorenzo de Medici as the author of the two famous ocular quotes. The first, "love comes in at the eye", is from a William Butler Yeats poem called "A Drinking Song". The second, "the eye is the window of the soul", is not definitively attributable to any one source. Seemingly similar variations exist in Cicero, European proverbs and the Gospel of Matthew. See more »
I first saw 'Videodrome' around '84 or '85 and it impressed the hell out of me. I thought then that it was ahead of its time, and after watching it again a few days ago (and there have been many, many viewings in between) I STILL think it is. In fact it gets more and more contemporary and relevant as each year goes by. Cronenberg went on to adapt difficult cult novels by William Burroughs and J.G. Ballard, which wouldn't have surprised any of his fans, as ideas from both writers, and the late Philip K. Dick have pervaded his work from 'Shivers' to 'eXistenZ'. (Probably even before that going by descriptions of early efforts like 'Crimes Of The Future' which I unfortunately haven't had the opportunity to see.) But Cronenberg, unlike say the Wachowski brothers, isn't just repackaging science fiction ideas for a new generation of movie goers, he is a genuine original.
'Videodrome' still knocks me out every time I watch it. This innovative mix of science fiction, sex, violence, surrealism and horror has lost none of its punch over the years. I have enjoyed most of Cronenberg's movies, and think he is one of the most underrated directors currently working, but 'Videodrome' still seems his purest and least compromised work, and the movie that most successfully and memorably represents his vision. Simply one of the greatest and most important movies ever made.
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