Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends.
Terry Griffith has got it all -- looks, popularity, the perfect college boyfriend, and an article that's a shoo-in to win her a summer internship at the local newspaper... or so she thinks.... See full summary »
The friendship of a group of young friends struggling with teen sex, drugs, and work is jeopardized by a romantic interest which may turn pals into bitter rivals.
Director:
Boaz Davidson
Stars:
Lawrence Monoson,
Diane Franklin,
Steve Antin
Based on the life of Ned Hanlan, the late-19th century Canadian sculler and world champion. Hanlan was one of the first scullers to successfully utilize the "sliding seat."
Director:
Charles Jarrott
Stars:
Nicolas Cage,
Cynthia Dale,
Christopher Plummer
On her deathbed, a mother makes her son promise never to get married, which scars him with psychological blocks to a commitment with his girlfriend. They finally decide to tie the knot in ... See full summary »
Director:
Andrew Bergman
Stars:
James Caan,
Nicolas Cage,
Sarah Jessica Parker
Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends. Written by
Josh Pasnak <chainsaw@intouch.bc.ca>
Director Martha Coolidge was required by the film's producers to show female breasts at least four times. They felt it would make the movie more appealing to younger males. See more »
Goofs
In the party scene where Julie first meets Randy and Fred and the two guys are kicked out of the party we see Julie standing inside the house looking out the window. From the outside it shows her closing the shutters but when it switches back to Julie on the inside of the house, she hadn't closed them yet. See more »
Quotes
Fred Bailey:
[introducing himself to Julie and Stacey]
Hi, I'm Fred. I like tacos and '71 Cabernet. My favorite color is magenta.
See more »
Valley Girl will always hold a special place in my heart: I would say this is certainly the best of the 80's teen-sex-comedies, but that is a back-handed compliment. This is a good movie, period. It is very specific in time and place--nearly twenty years later this is a marvelous snapshot--yet its story remains timeless. (This is just Romeo and Juliet, minus the death, after all!) Nicolas Cage is wonderful, showing all the early promise that, it turns out, he has squandered on overblown action crapola. Deborah Foreman is the revelation of this movie, and I can't believe she didn't go on to have a bigger career; someone rediscover her QUICK. This is sweeter and gentler than most films of the genre--the requisite nudity seems thrown in by contractual obligation--and, while not groundbreaking, it certainly is nice to see this kind of movie that respects its characters and doesn't crucify its shallow young girls for having fun--even Foreman's crew of best friends, misguided by peer pressure, are never presented as villains. (Indeed, her friend Stacy, forced to doubledate w/ Cage's friend Fred, has a good time despite her protests, and makes out w/ Fred in the backseat.) This will take you back to the early 80's if you were there, but it holds up quite well today. Warning to those unfamiliar with the movie: do NOT watch one of VH1's seemingly continual showings of it--go rent it in its unedited glory. Otherwise, you are missing some of the movies' most potent, time-specific dialogue. And one can't write about Valley Girl and not mention the fabu soundtrack of great 80's tunes--most of them by one-hit wonders, which are not only integral to the sense of time and place in this movie, but thematically well-chosen. See it--awesome little flick! Fer shur!!
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Valley Girl will always hold a special place in my heart: I would say this is certainly the best of the 80's teen-sex-comedies, but that is a back-handed compliment. This is a good movie, period. It is very specific in time and place--nearly twenty years later this is a marvelous snapshot--yet its story remains timeless. (This is just Romeo and Juliet, minus the death, after all!) Nicolas Cage is wonderful, showing all the early promise that, it turns out, he has squandered on overblown action crapola. Deborah Foreman is the revelation of this movie, and I can't believe she didn't go on to have a bigger career; someone rediscover her QUICK. This is sweeter and gentler than most films of the genre--the requisite nudity seems thrown in by contractual obligation--and, while not groundbreaking, it certainly is nice to see this kind of movie that respects its characters and doesn't crucify its shallow young girls for having fun--even Foreman's crew of best friends, misguided by peer pressure, are never presented as villains. (Indeed, her friend Stacy, forced to doubledate w/ Cage's friend Fred, has a good time despite her protests, and makes out w/ Fred in the backseat.) This will take you back to the early 80's if you were there, but it holds up quite well today. Warning to those unfamiliar with the movie: do NOT watch one of VH1's seemingly continual showings of it--go rent it in its unedited glory. Otherwise, you are missing some of the movies' most potent, time-specific dialogue. And one can't write about Valley Girl and not mention the fabu soundtrack of great 80's tunes--most of them by one-hit wonders, which are not only integral to the sense of time and place in this movie, but thematically well-chosen. See it--awesome little flick! Fer shur!!