On the last day before summer vacations Michael receives a glowing, but anonymous, love-letter. He suspects, or better: hopes, it's from Deborah, the girl he's after since a while, but who ... See full summary »
C. Thomas Howell,
Terry Griffith has got it all -- looks, popularity, the perfect college boyfriend, and an article that's a shoo-in to win her a summer internship at the local newspaper... or so she thinks.... See full summary »
Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which he is told will only be his if he marries Susan. He does not love Susan, but she ... See full summary »
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
Julie, a girl from the valley, meets Randy, a punk from the city. They are from different worlds and find love. Somehow they need to stay together in spite of her trendy, shallow friends. Written by
Josh Pasnak <firstname.lastname@example.org>
When Julie and Tommy are at Du-par's, he puts his bracelet on her wrist, but because he does not properly fasten the clasp, one end of the bracelet clearly falls open on the table. Deborah Foreman has to obviously keep her wrist rigid on the table for the rest of the scene in order to keep the bracelet from slipping any further. See more »
Yeah, but Tommy can be such a dork, ya know? Like he's got the bod, but his brains are bad news.
But he is bitchin'. You really are so lucky, Julie.
I know, but we've been going together so long now. Like I'm beginning to think I'm a piece of furniture or something, like an old chair!
Oh, bad news!
[glancing at Brad]
I definitely need something new.
See more »
Valley Girl will always hold a special place in my heart: I would say this is certainly the best of the 80's teen-sex-comedies, but that is a back-handed compliment. This is a good movie, period. It is very specific in time and place--nearly twenty years later this is a marvelous snapshot--yet its story remains timeless. (This is just Romeo and Juliet, minus the death, after all!) Nicolas Cage is wonderful, showing all the early promise that, it turns out, he has squandered on overblown action crapola. Deborah Foreman is the revelation of this movie, and I can't believe she didn't go on to have a bigger career; someone rediscover her QUICK. This is sweeter and gentler than most films of the genre--the requisite nudity seems thrown in by contractual obligation--and, while not groundbreaking, it certainly is nice to see this kind of movie that respects its characters and doesn't crucify its shallow young girls for having fun--even Foreman's crew of best friends, misguided by peer pressure, are never presented as villains. (Indeed, her friend Stacy, forced to doubledate w/ Cage's friend Fred, has a good time despite her protests, and makes out w/ Fred in the backseat.) This will take you back to the early 80's if you were there, but it holds up quite well today. Warning to those unfamiliar with the movie: do NOT watch one of VH1's seemingly continual showings of it--go rent it in its unedited glory. Otherwise, you are missing some of the movies' most potent, time-specific dialogue. And one can't write about Valley Girl and not mention the fabu soundtrack of great 80's tunes--most of them by one-hit wonders, which are not only integral to the sense of time and place in this movie, but thematically well-chosen. See it--awesome little flick! Fer shur!!
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