| Photos (see all 2 | slideshow) |
| Marilyn Chambers | ... | Cassie Harland | |
| Lisa De Leeuw | ... | Althea Anderson | |
| Herschel Savage | ... | Jimmy King | |
| Richard Pacheco | ... | Tommy Harper | |
| Cody Nicole | ... | Melanie | |
| Loni Sanders | ... | Dixanne (as Loni Saunders) | |
| John Lazar | ... | Paul Fallon (as John La Zar) | |
| Clay Tanning | ... | T.J. | |
| Ferris Weal | ... | Geno | |
| Tina Marie | ... | Geno's Girlfriend (as Tiny Mary) | |
| Steve Douglas | ... | Frank (as Doug Rossi) | |
| Tom Byron | ... | Jessie (as Tom Byrom) | |
| Marc Wallice | ... | Larry Don Wayne (as Jay B. David) | |
| Donna Capris | ... | Boat Capt. #3 | |
| Brandy | ... | Boat Girl #2 | |
| Monique Gabrielle | ... | Boat Girl #1 (as Monique) | |
| Winston Cleet | ... | Laundromat Man | |
| John Holmes | ... | Charlie Strayhorn (as John C. Holmes) | |
| Margaret Raines | ... | Anita Morales | |
| rest of cast listed alphabetically: | |||
| Lili Marlene | ... | Charlie's assistant (uncredited) | |
Directed by | |||
| Stu Segall | (as Godfrey Daniels) | ||
Writing credits(in alphabetical order) | ||
| Jim Holliday | additional dialogue | |
Produced by | |||
| John Harvey | .... | associate producer | |
| Stu Segall | .... | producer (as Godfrey Daniels) | |
Cinematography by | |||
| Jack Remy | |||
Film Editing by | |||
| Lawrence Avery | |||
| Bob Hollywood | |||
Art Direction by | |||
| Annie Wilburn | |||
Makeup Department | |||
| June Ficks | .... | hair stylist | |
| Ray Sebastian | .... | makeup artist | |
Production Management | |||
| John Burrows | .... | production manager | |
Sound Department | |||
| George Goen | .... | sound mixer | |
Camera and Electrical Department | |||
| Suspect Books | .... | best boy | |
| Paul Dillinger | .... | second assistant camera | |
| Ernest Key | .... | lighting designer (as Ernest Keye) | |
| Hans Kristian | .... | assistant camera (as Hans Christian) | |
| Morty P. Mortimer Jr. | .... | electrician | |
| Morty P. Mortimer Jr. | .... | grip | |
| Bill Tinney | .... | still photographer | |
| Mortis P. Tortis II | .... | key grip (as Mortis P. Tortis) | |
Costume and Wardrobe Department | |||
| Kate McCranie | .... | wardrobe | |
Editorial Department | |||
| Rudy Hoess | .... | assistant editor | |
Music Department | |||
| Marilyn Chambers | .... | singing voice: Lisa De Leeuw | |
| Mike Lyman | .... | music producer | |
| Chet Moore | .... | composer: additional music | |
| Jim Moore | .... | composer: additional music | |
| Brad Perry | .... | music production supervisor | |
Other crew | |||
| John Alderman | .... | dialogue director | |
| Beverly Bedeco | .... | location auditor | |
| Morticia Smith | .... | script supervisor | |
| Dan Varna | .... | production assistant | |
|
|
|
|
|
| Inside Désirée Cousteau | Alice in Wonderland: An X-Rated Musical Fantasy | Satisfactions | Insatiable | In Search of the Golden Bone |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | IMDb Adult section |
| IMDb USA section | Add this title to MyMovies |
Made when Marilyn Chambers had some real star power in the adult film world, this was an ambitious movie with a big budget. But many a porn auteur had tried to make that great flick that will stand up to the legitimate films and failed in the attempt. This one doesn't make it either. In the end, fans will judge it as usual, on the sex action.
Marilyn plays an aspiring country singer willing to work hard to make it big. She's not averse to sleeping her way to the top, since as far as she's concerned, that's doing it on her own terms. Her scenes with Herschel Savage and with Tom Byron and another guy are personal favorites.
From the acting standpoint, the show is stolen by Lisa De Leeuw, who by this point in her career was one of porn's best thespians. She plays a boozing, over-the hill singer, and sadly, she was beginning to look the part a little. But it made for a good performance and she could sing better than Marilyn as well.
This movie was shown in its uncut version, in one intended for the Playboy Channel and such, and even a tamer version for networks like Showtime. Guess which one I'd recommend.