Four directors collaborated to remake four episodes of the popular television series 'The Twilight Zone' for this movie. The episodes are updated slightly and in color (the television show was in black-and-white), but very true to the originals, where eerie and disturbing situations gradually spin out of control. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
You're travelling through another dimension. A dimension, not only of sight and sound, but of mind. A journey into a wondrous land whose boundaries are that of imagination. Next stop, the Twilight Zone! See more »
According to John Larroquette, he requested to watch the filming of what would become the tragic helicopter scene, but his car was stolen the night before and he was unable to get to the set. See more »
In Segment #3 "It's A Good Life", shadows of the crew can be seen moving on the ground next to the large tree as the camera pans following Helen Foley's car as it arrives at Anthony's house. See more »
Anthony, where are we?
And the others?
I sent them where they wanted to go. Away from me. It's not fair! You're supposed to be happy when your wishes come true!
Anthony, take us back. Can you take us back?
So you can leave too?
And go where, Anthony? I've seen what you can do. I know you have a power... a gift that makes you special. You better be careful. For one day it may become too big for you to control. Now maybe. Just maybe. Together we can master it and learn from it. Use it in...
[...] See more »
After the opening prologue with DAN AKYROYD and ALBERT BROOKS, as bored drivers on a lonely country highway who like to play pranks, TWILIGHT ZONE: THE MOVIE offers four stories, supposedly in the vein of stories that Rod Serling wrote for the famous TV series. Not until the final segment, NIGHTMARE AT 20,000 FEET does it offer the kind of fright stuff worthy of being in this anthology.
And it's a minor gem of its kind with JOHN LITHGOW giving an amazingly deft performance as a man totally afraid of flying who should have taken tranquilizers before he peered out the window. What he saw on the wing of the plane would have frightened anyone out of their wits--and, of course, no one believes him.
It's this final episode that makes the film itself worth watching. None of the other segments have enough punch to keep the viewer awake, let alone entertained. VIC MORROW's unfortunate accident came about during filming of a Vietnam sequence which does not appear in this version of the film--but he does give a convincing portrait of a bigot who gets his comeuppance. Very ironic.
Summing up: All of these stories were told with more style and suspense on the old TV shows. Strictly second-rate.
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