Australian born film maker George (Mad Max) Miller offers a personal view of Australian films. He suggests that they can be regarded as visual music, public dreaming, mythology, and ... See full summary »
Four directors collaborated to remake four episodes of the popular television series 'The Twilight Zone' for this movie. The episodes are updated slightly and in color (the television show was in black-and-white), but very true to the originals, where eerie and disturbing situations gradually spin out of control. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
You're travelling through another dimension. A dimension, not only of sight and sound, but of mind. A journey into a wondrous land whose boundaries are that of imagination. Next stop, the Twilight Zone!
Technically, this is the second collaboration between director Steven Spielberg and composer Jerry Goldsmith. Spielberg "allegedly" had a big hand in Poltergeist (1982) and oversaw the post-production on that film and this film. This film would be the only time that Goldsmith would work with director John Landis, who had worked with the late Elmer Bernstein during that time period and was his composer of choice. He would later work with George Miller on Babe (1995), and his score was ultimately replaced by Australian composer Nigel Westlake when the film's tone changed from its original dark overtones to family fare. Goldsmith and Joe Dante would work together frequently over seven films spanning two decades before Goldsmith's untimely death in 2004. Goldsmith and Spielberg would not work together again except in a producing capacity, as John Williams is his personal composer. See more »
In the second segment, while the old men are watching the Jeopardy episode, the female contestant gives a correct answer to a $50 question. Her score increases from $90 to $140, however the host says "Correct for $500", adding an extra $450 to her total while the numbers displayed don't match up. See more »
Birdie with the yellow bill hopped upon my window sill, cocked his shining eye and said 'ain't you shamed you sleepy head?'
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I'm a huge fan of the series, and I remember being obsessed with TZ The Movie when it was released. I was 12, after all!!
Recently watched the film again for the first time in at least 15 years. I was blown away by the final segment, it's truly a classic which really scared the stuffing outta me. That evil little girl who takes Polaroids of everything freaked me out to no end. For me, it's the only segment in which the quality of the writing matches the direction and visuals from beginning to end.
I saw the original episode upon which Joe Dante's (3rd) segment is based when I was spending the night at my friend's house in 4th grade. It, too, really frightened me. I remember thinking to myself how hopeless the situation was-- if you even TRIED to not think bad thoughts about Anthony, you would end up thinking them, and he could still get you!! And didn't he "wish someone away to the cornfield"?? Man, that's some serious freakiness.
I thought the design of that segment in the movie was incredible, I'll never forget the mom holding the fishbowl, or the ferocious rabbit creature, or what happens to Ethel ("Run, Ethel....!") But the ending is truly atrocious and almost ruins what has come before.
What can I say about the other two segments? Better scripts were needed in order to make them work. And in the case of "Kick the Can", sticking more closely to the original episode would have given it more impact. (Not to mention firing Steven Spielberg.)And it's sad seeing Vic Morrow in his final role-- I'll always think of him as the sadistic coach in THE BAD NEWS BEARS, which is one of my all-time favorites.
All in all, a very uneven movie which improves steadily as it goes along. 6/10.
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