A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it's a person's environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe's job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him. Written by
The idea for the film was inspired by a tennis game. "There were these two brothers who were both doctors who I would play tennis with on a fairly regular basis, and they were incredibly irritating to play with because they had a major sibling rivalry going, all the time about everything," Screenwriter Timothy Harris explained. He presented the idea of brothers arguing the "nature versus nurture" debate to his writing partner, Herschel Weingrod, and the two went to work. See more »
The windows on the outside of Winthorpe/Valentine's house do not match the inside, and the foyer appears to be absent from the outside. See more »
[holding a breakfast tray while Louis is still asleep]
Your breakfast, sir.
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Ron Taylor is credited as 'Big Black Guy' and James D. Turner as ' Even Bigger Black Guy' See more »
Right from the opening credits, this film shows quality. It stands above other comedies due to the lack of filler material - every line is memorable. The cast is great; the two leads make the most of their characters (both as brokers and bums) but never overstep the mark, thanks partly to the tight editing. The plot becomes a little bizarre, but by that time you're already hooked, and the ending of the film is pure joy. To my mind, no recent comedy has been this good; it mixes high and low brow jokes without resorting to toilet humour, it doesn't pull any punches (spot the social commentary), the performances are masterful and the script achieves depth without sacrificing the one-liners or slowing the pace.
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