| Cast overview, first billed only: | |||
| Denholm Elliott | ... | ||
| Dan Aykroyd | ... | ||
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Maurice Woods | ... |
Duke & Duke Employee
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Richard D. Fisher Jr. | ... |
Duke & Duke Employee
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Jim Gallagher | ... |
Duke & Duke Employee
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Anthony DiSabatino | ... |
Duke & Duke Employee
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Bonnie Behrend | ... |
Duke & Duke Employee
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Sunnie Merrill | ... |
Duke & Duke Employee
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James Newell | ... |
Duke & Duke Employee
(as Jim Newell)
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Mary St. John | ... |
Duke & Duke Employee
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Bonnie Tremena | ... |
Duke & Duke Employee
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David Schwartz | ... |
Duke & Duke Employee
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| Ralph Bellamy | ... | ||
| Don Ameche | ... | ||
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Tom Degidon | ... |
Duke Domestic
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Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it's a person's environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe's job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him. Written by rcs0411@yahoo.com
Right from the opening credits, this film shows quality. It stands above other comedies due to the lack of filler material - every line is memorable. The cast is great; the two leads make the most of their characters (both as brokers and bums) but never overstep the mark, thanks partly to the tight editing. The plot becomes a little bizarre, but by that time you're already hooked, and the ending of the film is pure joy. To my mind, no recent comedy has been this good; it mixes high and low brow jokes without resorting to toilet humour, it doesn't pull any punches (spot the social commentary), the performances are masterful and the script achieves depth without sacrificing the one-liners or slowing the pace.