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Storyline
Louis Winthorpe is a businessman who works for commodities brokerage firm of Duke and Duke owned by the brothers Mortimer and Randolph Duke. Now they bicker over the most trivial of matters and what they are bickering about is whether it's a person's environment or heredity that determines how well they will do in life. When Winthorpe bumps into Billy Ray Valentine, a street hustler and assumes he is trying to rob him, he has him arrested. Upon seeing how different the two men are, the brothers decide to make a wager as to what would happen if Winthorpe loses his job, his home and is shunned by everyone he knows and if Valentine was given Winthorpe's job. So they proceed to have Winthorpe arrested and to be placed in a compromising position in front of his girlfriend. So all he has to rely on is the hooker who was hired to ruin him. Written by
rcs0411@yahoo.com
Plot Summary
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Plot Synopsis
Taglines:
Some very funny business.
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Did You Know?
Trivia
Randolph and Mortimer Duke later appear in
Eddie Murphy's movie
Coming to America, where, in a cameo appearance, the two are homeless on the street and Prince Akeem gives them a large amount of money to get them back off the streets.
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Goofs
When Louis is in the bank, he asks to withdraw $500, continues writing the slip, then changes his mind, to $1000, then tears off the slip. Most people enter the figure first. Louis would have amended the figure but his body language doesn't show this.
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Quotes
[
first lines]
Coleman:
[
holding a breakfast tray while Louis is still asleep]
Your breakfast, sir.
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Crazy Credits
The names of the major actors/actresses are shown superimposed on short clips from the film. The clips showing Dan Aykroyd, Eddie Murphy and Jamie-Lee Curtis respectively are obvious outtakes as they all crack up and burst into smiles and/or laughter.
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Connections
References
Auntie Mame (1958)
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Soundtracks
"ANDANTE CANTABILE"
From K-465 by
Wolfgang Amadeus Mozart
Performed by Murray Adler, Harris Goldman,
David Schwartz,
Armand Kaproff See more »
Right from the opening credits, this film shows quality. It stands above other comedies due to the lack of filler material - every line is memorable. The cast is great; the two leads make the most of their characters (both as brokers and bums) but never overstep the mark, thanks partly to the tight editing. The plot becomes a little bizarre, but by that time you're already hooked, and the ending of the film is pure joy. To my mind, no recent comedy has been this good; it mixes high and low brow jokes without resorting to toilet humour, it doesn't pull any punches (spot the social commentary), the performances are masterful and the script achieves depth without sacrificing the one-liners or slowing the pace.