| Cast overview, first billed only: | |||
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Ronny Graham | ... |
Sondheim
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| Estelle Reiner | ... |
Gruba
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Zale Kessler | ... |
Bieler
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| Jack Riley | ... | ||
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Lewis J. Stadlen | ... |
Lupinsky
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| George Gaynes | ... | ||
| George Wyner | ... |
Ratkowski
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James 'Gypsy' Haake | ... |
Sasha
(as James Haake)
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Scamp | ... |
Mutki
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| Christopher Lloyd | ... | ||
| José Ferrer | ... |
Prof. Siletski
(as Jose Ferrer)
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| Charles Durning | ... | ||
| Tim Matheson | ... | ||
| Mel Brooks | ... | ||
| Anne Bancroft | ... | ||
A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while he's on stage which is also a source of depression to him. When one of her officers comes back on a Secret Mission, the actor takes charge and comes up with a plan for them to escape. Written by John Vogel <jlvogel@comcast.net>
I haven't seen the Ernst Lubitsch original of this gem but if I had, I might have been prejudiced in my decision of this being one of the finer films that Mel Brooks has been in.
Though not written by or directed by Mel, he and wife Anne Bancroft take center stage as Frederick and Anna Bronski, Poland's most famous acting family. When the Nazi war machine overtakes Warsaw, they and their acting troupe use every actor's trick in the book to escape and make their way to England.
All this, of course, while Anna becomes smitten with an American pilot (Matheson) who helps them both to freedom. In the meantime, there are threats from a devious doctor (Ferrer), a lecherous Nazi colonel (Durning) and a command for the troupe to perform for the Nazi Army with Hitler in the audience.
There are so many classic moments here that to list them would be a dis-service to the movie. Let me just say that I enjoyed this whole film from opening to closing and even the closing had some doozies.
The Nazis are seen as complete buffoons and the exchanges between Durning and his head officer (Lloyd) are classic. In fact, I can see why Durning was nominated for an Oscar for his role here; not just anyone could have pulled it off as well as he.
Everyone here has a good scene or two, including Mel's regulars (Graham, Wyner, Riley) and the dialogue even manages to get the proper sentiment and tension out of the proper scenes. A great effort by all involved.
Purists of the Jack Benny original may disagree, but this "To Be or Not to Be" is the "to Be" for me!
Ten stars. Mazeltov!