The crew of a nuclear bomber attack the Soviet Union while the President of the United States tries desperately to regain control of his military after his helicopter crashes during a ... See full summary »
Rebecca De Mornay,
James Earl Jones
A TV reporter and cameraman are taken hostage on a tugboat while covering a workers strike. The demands of the hostage-takers are to collect all the nuclear detonators in the Charleston, SC... See full summary »
The War Game is a fictional, worst-case-scenario docu-drama about nuclear war and its aftermath in and around a typical English city. Although it won an Oscar for Best Documentary, it is ... See full summary »
Everyone has a talent, and dreams do come true. Stacy Lancaster has an incredible knack for Blackjack. Once she joins up with daring Will Bonner the two young gamblers are on a non-stop ... See full summary »
Sports physician Marcus persuades his unstable brother David to come with him and train for a bicycle race across the Rocky Mountains. He doesn't tell him that he has a brain aneurysm which... See full summary »
David Marshall Grant,
Rae Dawn Chong
Nuclear war in the United States is portrayed in a realistic and believable manner. The story is told through the eyes of a woman who is struggling to take care of her family. The entire movie takes place in a small suburban town outside San Francisco. After the nuclear attack, contact with the outside world is pretty much cut off. Written by
Mark Logan <email@example.com>
The film was originally shot as a made-for-TV movie. Paramount executives were so impressed with it that they released it in theaters as a feature. The cast sued the producers for higher pay, claiming they were paid television salaries and not feature film salaries. The case was settled out of court. See more »
[after finding Hiroshi abandoned at home]
I'd better take you home with me, Hiroshi... because I don't think your dad is coming back.
See more »
There was "The Day After," a U.S. production about as subtle as someone hitting you over the head with a bat going "Nuclear war is BAD! BAD BAD BAD!"
Then there was "Threads," the BBC answer to Day After. Gripping, yes. Also unrelentingly graphic, violent and disturbing with little in terms of acting.
Then you have "Testament," a quiet little American Playhouse production that, quite simply, runs circles around the other two. No mushroom clouds, no graphic scenes of mass destruction and death incarnate. Just simple, raw human emotion. "Testament" handles its subject manner with a surprising gentle touch, understated, yet effective. The film is the best of the three because of its subtlety. A small Californian town isn't hit by the blast, but rather the aftermath.
It works. At first, the town manages to hold together fairly well, even proceeding with the elementary school play. But then the children begin dying, then the grownups. And the film rapidly becomes a story about surviving as best you can, rather than rebuilding and going on. I won't spoil the film by revealing plot details, but there are several twists that are both subtle and heartbreaking.
This film relies on its emotions to tell the story, and the actors are up to the task. Jane Alexander is, in a word, brilliant (how she didn't win the Oscar she got nominated for is beyond me), but she's not the only one. Her children, particularly Lukas Haas and Roxanna Zal (in their movie debuts), are stunning as well, while some of the bit players make the most of what they have.
In the end, it's the gradual NON-appearance of the actors that make the point. Life will go on, yes, but for how long? "Testament" relies on the loss of those we learn to love to make its point in the best way possible: by letting us get it on our own.
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