Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways. Written by
John Vogel <email@example.com>
The Auguste Renoir painting given to Aurora by her mother is referenced throughout the movie, first when Aurora tells Emma she considered (but decided against) giving it to her as a wedding gift, again when Emma calls Aurora asking to borrow money, and once more when Aurora uses it as an excuse to invite Garrett to her bedroom. The exact value of a Renoir original portrait is difficult to pinpoint for a specific point in time due to the infrequency of transactions. However, it's safe to say that had Aurora sold the painting through a reputable auction house around 1980, it would have sold for well over $100,000 and possibly close to $1 million. See more »
As the young Horton family crosses the Texas border driving to Iowa, there is merely a plain road sign, located amidst open flat fields of waiving grain, indicating that they are leaving Texas. Any highway trek from Texas to Iowa would find a roadway dip into the distinctive basin of the Red River and would require crossing the river over a substantial bridge joining Texas and Oklahoma. See more »
Wow was my first reaction to seeing the film back in February 2003. I had bought it on a whim and watched it one night when I was bored. The rest is history. Terms remains one of my favorite films and I really can't say why. Reputation has made this out to be "the ultimate chick flick" upon which every other tear-jerker is judged. But it's definitely more of a character study than a weepy mushy movie. In fact, it's anything but mushy. Where it could of been over-sentimental, it was poignant. Where it could of been boring, it was insightful. And where it could of been corny, it was tongue-in-cheek.
Shirley MacLaine and Debra Winger give career performances as mother and daughter. Both characters are polar opposites and in real life the actresses despised each other, but on screen their chemistry sizzles. Jack Nicholson is his usual suave self and John Lithgow is perfect as the wimpy banker. Danny Devito also has a quirky cameo.
James L. Brooks is definitely an "actor's director". To him, the performances are clearly more important than set pieces or flashy camera work. Each of the three main performances are brilliant (especially MacLaine's). It has been decades since a movie about illness has been made like this that is so achingly real. Two scenes to look for: Aurora walking across a seedy hotel (heat-breaking) and Emma telling her mother that she's pregnant (hilarious).
Terms of Endearment is a triumph!
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