Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of their lives as each finds different reasons to go on living and find joy. Aurora's interludes with Garrett Breedlove, retired astronaut and next door neighbor are quite striking. In the end, different people show their love in very different ways. Written by
John Vogel <email@example.com>
The Auguste Renoir painting given to Aurora by her mother is referenced throughout the movie, first when Aurora tells Emma she considered (but decided against) giving it to her as a wedding gift, again when Emma calls Aurora asking to borrow money, and once more when Aurora uses it as an excuse to invite Garrett to her bedroom. The exact value of a Renoir original portrait is difficult to pinpoint for a specific point in time due to the infrequency of transactions. However, it's safe to say that had Aurora sold the painting through a reputable auction house around 1980, it would have sold for well over $100,000 and possibly close to $1 million. See more »
When Emma gives Flap a tie, there is a purple tag hanging from the sleeve of her blouse. See more »
Soppy, overrated melodrama that fails to endear itself
Over the years, I have heard stories about how supposedly good this film was but I must say it is one of the most pretentious, overrated and worst movies to win multiple Academy Awards. I wanted to watch this film as my mother and father watched it in the 1980s when it was still relatively fresh and as a chick flick, you can guess my mother loved it and my father hated it. I was incredibly disappointed as there was not one thing redeemable about this film, whether it be the directing, the acting, the script and even the music playing throughout, all of this making the film feel like a made for TV movie or soap opera rather than a feature film. I can't accurately judge other films from this year but it seems like a weak year for films, 1983 and this about tops it. Shirley MacLaine and Debra Winger are totally unconvincing as mother and daughter, Jack Nicholson has been in far better form ( A Few Good Men, Batman, The Departed) as a supporting actor in particular, John Lithgow didn't get enough screen time as was the case also with Jeff Daniels. Probably the worst film to win the Academy Award for Best Picture and I think I need a few days to recover, not from supposed tears rolling down my cheeks but from the absurdity of a melodramatic pile of bile such as this.
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